1943 War Department film, “Welcome to Britain”

February 8, 2014

Reader and veteran librarian Judy Crook sent a Tweet alerting us to a recent release from the U.S. National Archives, “A Welcome to Britain, 1943.”

It’s a fascinating little film, if 38 minutes is still “little.”

Yes, that’s Burgess Meredith playing the soldier. I haven’t confirmed whether he was actually enlisted, but he often played soldiers or people at war — in 1945, playing war reporter Ernie Pyle, for example. In the 1950s, the House Committee on Unamerican Activities (HUAC) claimed Meredith had consorted too closely with communists, and he was blacklisted for years including a seven-year drought of work.

When this film was made, the Soviet Union was an ally of Britain and the United States.  How times change.

This is a training film made by the War Department (later renamed “Defense Department”), to acquaint U.S. soldiers with what they would confront in Britain.  Why did soldiers need such training?  You can guess, perhaps.   258

Teachers, can you use this film in history class?  Is the discussion on civil rights, about 20 minutes at 25:30 in, instructive in the history of the time?

From the National Archives’s description on YouTube:

Published on Feb 5, 2014

Creator(s): Department of Defense.~. Armed Forces Radio and Television Service. (1954 – ) (Most Recent)

Series : Information and Education Films, compiled 1943 – 1969
Record Group 330: Records of the Office of the Secretary of Defense, 1921 – 2008

Access Restriction(s): Unrestricted
Use Restriction(s): Restricted – Possibly
Note: Some or all of this material may be restricted by copyright or other intellectual property restrictions.

Scope & Content: This film introduced soldiers to Britain and told them what to expect, how to behave and how not to behave in Britain during World War II. It includes footage of military cameramen and black soldiers.

Contact(s): National Archives at College Park – Motion Pictures (RD-DC-M), National Archives at College Park, 8601 Adelphi Road, College Park, MD 20740-6001
Phone: [omitted here]

National Archives Identifier: 7460305
Local Identifier: 330-IEF-7

http://research.archives.gov/descript…

What else hides in the vaults of the Archives?


Lost history: Groucho Marx died on August 19, 1977

August 19, 2013

1958 Publicity photo of Groucho Marx from the television program You Bet Your Life.  NBC Television-NBC Photo/Photographer:  Elmer Holloway

1958 Publicity photo of Groucho Marx from the television program You Bet Your Life. NBC Television-NBC Photo/Photographer: Elmer Holloway

36 years ago?  Grouch Marx died on August 19, 1977? 

cropped version of Image:Grouchoicon.jpg - &qu...

The man became an icon, though too few know the great history behind the icon. “Self-made caricature of Groucho Marx” Wikipedia image

 

That means that not only have your high school history students probably never seen much, or anything, of Groucho Marx and his comic genius; it means their parents don’t know him, either.

What a great tragedy.

Groucho Marx brought genius to American comedy films, to radio, and then to television.  His genius was of a sort that does not age, but remains fresh to audiences of today — get a group of teenagers to view Duck Soup or A Day at the Races and you’ll find them laughing heartily at even some of Marx’s more cerebral jokes.  It is symbolic that the films that brought writer Norman Cousins to laughter, and a lack of pain, were Marx Brothers movies (in the day when one had to rent a projector to show the film, long before VCR).  Cousins went on to a grand second career talking about hope in healing, starting with the book, Head First: The Biology of Hope and the Healing Power of the Human Spirit.  I recommend these films to anyone seriously injured or ill, or recovering.  We got VHS, and then DVD copies of several of the films when our kids were ill, with great effect.

Groucho Marx should be in the pantheon of great Americans, of the 20th century, if not all time, studied by children in high school, for history and for literature purposes.

Groucho’s been gone for 36 years, and we are much poorer for his passing.

More:

Groucho grills Ray Bradbury and a woman named Leticia on You Bet Your Life in a 1955 episode:

English: Groucho Marx & anonymous blogging

“I intend to live forever, or die trying.” ― Groucho Marx (Wikipedia image)


Typewriter of the moment: Stanley Kubrick’s

June 6, 2013

Stanley Kubrick's typewriter on Instagram, from sophireaptress.

Stanley Kubrick’s typewriter used in “The Shining” on Instagram, from sophireaptress.

It’s an Adler, but Instagram isn’t built for details, you know?

The typewriter is probably on display at the Los Angeles County Museum of Art’s Kubrick Exhibit, which closes June 30, 2013 (hurry!).

More:


What would a real man do? Samantha Stendal’s brilliant, short video

March 26, 2013

From Samantha Stendal, a film student at the University of Oregon, a brilliant film reaction to the Steubenville, Ohio rape and trials.

Samantha Stendal, filmmaker at the University of Oregon

Samantha Stendal, University of Oregon

More:


New York in time-lapse — a teaser

March 14, 2013

Another time-lapse film by Samuel Orr, this one on a city, “New York Day.”

I said it is a teaser.  Orr wants to do a longer film, but needs some financial backing to get it done.

Details here:

Please go to the Kickstarter project page and help support a longer version of this short film

kickstarter.com/projects/motionkicker/new-york-year

I shot this film over 4 trips to NYC 2011-2012. The time-lapse sequences you see here were made (mostly) from hundreds of thousands of still images. A Canon 7D and T3i were the main cameras, with backup from a couple of older Nikon Coolpix 5000 point and shooters. A few clips are sped-up video.

Many thanks to the generosity of the musician/composer who allowed his great celtic track “Sawjig” to be used;
Ben Rusch aka Jasmine Brunch
benrusch.com
jasminebrunch.com

For more info on this and other projects;
motionkicker.com
twitter.com/motionkicker

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Brilliant film: A Forest Year, from Motionkicker

March 14, 2013

Cousin Amanda Holland called my attention to this on Facebook.  Time lapse photography and a forest — heavenly to me.

More details from Motionkicker,  Samuel Orr:

help support my new time-lapse project at kickstarter!
kickstarter.com/projects/motionkicker/new-york-year

A Forest Year was made from 40,000 still images taken from my front window over 15 months, and were blended into the film.

Find out more about how it was made at motionkicker.com

Special thanks to Johnny_RIpper for letting me use his music.
soundcloud.com/johnny_ripper

Tip of the old scrub brush to Amanda Holland and the National Forest Foundation.

More:


Ingenious anti-personnel mine finder

December 19, 2012

Brilliant little film about a wonderfully creative guy, a war refugee, who developed a wind-powered device that can find and detonate anti-personnel mines.  It’s part of the GE-sponsored FOCUS/FORWARD film contest:

Description and credits at Vimeo’s site:

MINE KAFON is a Finalist in the $200,000 FOCUS FORWARD Filmmaker Competition and is in the running to become the $100,000 Grand Prize Winner. It could also be named an Audience Favorite if it’s among the ten that receives the most votes. If you love it, vote for it. Click on the VOTE button in the top right corner of the video player. Note that voting may not be available on all mobile platforms, and browser cookies must be enabled to vote.

A short documentary portrait on a designer who has created a low cost solution to landmine clearance.

Check out his website:  massoudhassani.com
or for other films by us at Ardent Film Trust:  ardentfilm.org

DIRECTOR
Callum Cooper
DOP
Michael Latham
CAMERA
Michael Latham
Mahmud Hassani
Callum Cooper
SLOW MOTION CAMERA
Ed Edwards
EDITOR
Anna Meller
COLOR GRADER
Chris Teeder
SOUND MIXER AND DESIGNER
Sandy Milne
TITLE DESIGNER
Ray O’Meara
EXECUTIVE PRODUCER
Bobby Kapur
PRODUCERS
Alicia Brown
Michael Latham
Callum Cooper
THANKS
Lucie Kalmar
Slowmo High Speed
Optimism Films
The RNLA explosive ordnance disposal service
Copyright Ardent Film Trust 2012


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