Feynman: Last Journey of a Genius (NOVA, 1998)

May 12, 2013

Feynman and an O ring

Richard Feynman, and a rubber O ring. See materials on Feynman’s role on the commission investigating the Challenger Space Shuttle disaster. Image from Callum Hackett via Nic Hammond

Geography and history teachers, you should watch this on the day after Feynman Day.  Can you make use of this in your classes — say, after the state tests?

How about you physics and science teachers?

English: Green: Tuvan People's Republic

Tuvan People’s Republic, marked in green. Wikipedia image

In 1998 NOVA produced and broadcast a film that rather defies categorization.  Biography? Drama? Humor? Frustrated travelogue?

“Last Journey of a Genius” tells a lot of biography of Dick Feynman, but it focuses on his unusual drive to learn about, and travel to an obscure Central Asian country/province/area/culture called Tannu Tuva.  Feynman’s close friend Ralph Leighton plays a big role in this film, too.  This film reveals more about the character of Richard Feynman, his overwhelming curiosity and humanity, than you can get any other place, including his memoirs (which every civil human should read).

NOVA captivates me almost every week.  Good fortune found me in front of a television somewhere when this was first broadcast.  For several reasons, I’ve been unable to get a VHS, or a DVD version of the story despite many attempts over the years.

But fortune and good history smile again.  Open Culture collected the film, and it’s available for free in their documentary section.

Drumming, story telling, geography, Cold War politics, ballet, more drumming, some nuclear physics, astronomy, a lot of good humor, and a plea for orange juice.  It still makes me smile.

From Open Culture:

In 1989, PBS’ NOVA aired The Last Journey of a Genius, a television film that documents the final days of the great physicist Richard Feynman and his obsession with traveling to Tannu Tuva, a state outside of outer Mongolia, which then remained under Soviet control. For the better part of a decade, Feynman and his friend Ralph Leighton schemed to make their way to Tannu Tuva, but Cold War politics always frustrated their efforts. The video runs roughly 50 minutes and features an ailing Feynman talking about his wanderlust and their maneuverings. He died two weeks later, having never made the trip, though Ralph Leighton and Feyman’s daughter Michelle later landed in their Shangri-La. Her journey was recorded by the Russian service of the BBC.

The film now appears in the Documentary section of our collection of Free Movies Online.

via Metafilter

Related Content:

Richard Feynman’s Physics Lectures Online

The Pleasure of Finding Things Out

Hang on to this link for Feynman Day 2014 (May 11).  What’s your favorite Feynman story?

This kind of history and science is exactly the sort of stuff CSCOPE critics in Texas, and critics of the Common Core standards, worry that children will see.  Very odd, because stuff this good is not even mentioned in CSCOPE, nor in CCSS.

Tip of the old scrub brush to Kenny Darrell, who found this film and let me know about it.

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Where have all the flowers gone? A bunch to Pete Seeger on his 94th birthday today

May 3, 2013

Pete Seeger was born on May 3, 1919.  He turns 94 today.

Pete is an alumnus of the Louis August Jonas Foundation‘s Camp Rising Sun, a little nugget that appealed to me when I signed up as a counselor at the Rhinebeck campus in 19#&.  Pete and Arlo Guthrie teamed up for a series of concerts at East Coast venues that summer, including Wolftrap, Saratoga, Tanglewood and others.  Pete lives just down the river from Rhinebeck, near Beacon — but driving home from one of those venues was just a bit too far.  Pete stopped off at his childhood haunts and spent a day with us.

I hoped to invite him to Salt Lake City.  Pete said he might make such a trip, but it was unlikely — and impressed me with his reasoning and dedication to principle.  He explained that he was sticking closer to home as he approached 65, because there was work to do there.  He said he’d attended a local school board or PTA meeting to voice an opinion on some issue in Beacon.  One of the local newspapers complained he was “an outside agitator.”  That stung, he said — he’d been a resident in the town for more than 30 years.

Instead of complaining, though, he started thinking.  He said he’s traveled the world and worked for causes for other people in other towns; and he said he realized that one’s life’s work might be dedicated to making life better where one lives.  So he’d decided to campaign to clean up his local river, the Hudson . . . you’ve heard of the Sloop Clearwater?

Pete’s dedication to making things better, with local action where one may make a huge difference, stuck with me, and it should stick with all of us.

Last month I was doodling around Twitter, and discovered Pete had signed up for a Twitter account — years ago.  He tweets regularly.

He’s an encouragement to all of us.  He boasts that there is no group he has ever refused to sing for, and in his typical humility, he claims that he can get any group to join, so they do all the heavy lifting.  During the pre-inaugural festivities for President Obama’s first inauguration I was happy to see Bruce Springsteen singing some of Pete’s work — highly appropriate for any president’s inauguration — and I thought it would be more fitting only if Pete was singing himself.  Then Springsteen brought Pete out on stage to close out.

Pete keeps up a schedule of concerts, most for causes.  He sails with the Clearwater, campaigning for clean water on the Hudson River (much accomplished) and community efforts to change things for the better.  As you will see below, he pulls his own when raising the sails.    He cuts his own wood to heat the house he built.

Considering his age, 94, we might wonder why he keeps going, doing so much all the time.

Why does he keep on going?  He might be telling us, from this 2012 recording.

More:  

English: This graphic was used for the cover o...

Cover of Pete Seeger’s single release (same photo on an album). The banjo features Pete’s traditional “This machine surrounds hate and forces it to surrender,” a twist on a sticker famously seen on his old friend Woody Guthrie’s guitar. Wikipedia image

Some material in this post is recycled from an earlier post.


Just the gift for neo-con trolls! A Snark Tuner!

March 18, 2013

Well, actually it’s a Snark-brand tuner.  But when I saw the name, my mind just reeled with possibilities.

A Snark Tuner!  A Snark Tuner.

Your snark is not quite up to snuff?  Tune it up!

From a notice I got from Hello Music!

Snark Tuner offered by Hello Music!

Snark tuner. Alas, it’s for the benefit of guitar players, not to sharpen the snark of internet trolls, nor for other snarky commenters.

It’s actually a good buy, for a guitar player.  But if you were looking to snarken up your snark, you’re out of luck — unless your snark comes in whole tones . . .

Snark Tuner Close Up

Close-up of the Snark Tuner – -50 to +50, you know if your snark is spot on! I mean, you know if your guitar is in tune.

Technical specifications:

Overview
What It Is: This is the Snark SN-1 Clip On Tuner in Blue. The SN-1 has a Full Color Display that rotates 360 degrees, and a clip that stays put when you clip it on. You can transpose keys, calibrate pitch, and there’s even a tap tempo metronome. This Snark tuner has a High Sensitivity Vibration Sensor, and it can be used on front or back of headstock.

Why this is a great opportunity: Clip on Vibration sensitive tuners are great for tuning in a loud environment, especially with acoustic guitars. This one has a large colorful display that’s easy to read, but the real kicker is the built in metronome. Win.

Hello Music SKU: HMSNA3140

Specifications Features:
- Full Color Display
- Display Rotates 360 Degrees
- Stay Put Clip
- Fast and Deadly Accurate
- Tap Tempo Metronome
- Pitch Calibration 415-466 Hz
- Transpose Feature

Woulda been useful when I was performing.  Would Lewis Carroll have used one, do you think?

May get one yet, even though it won’t help with the internet.  How times change.

Even though it’s not what I imagined, like telling the difference between a burro and a burrow, I know several people who need to have this recommended to them — how about you?

“Fast and Deadly Accurate.”  I like that.

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Trombone time: Dave Finlayson and GoPro on the slide

February 6, 2013

Trombone players are nice guys, usually.  Something about the mellow tone, the difficulty of mastering a non-push-button (valve) instrument, and having to fill in the low parts where the egotistical trumpets can’t go.

My older brother Wes played trombone, and that sucked me in — the junior high band didn’t have any trombones, and some neighborhood fink ratted out that I had one in my closet.  My playing ended in college.  Younger son James played first chair in the Duncanville Wind Ensemble, a group that steps a lot of musicians right into pro slots; older son Kenny switched from trumpet to baritone in the same group (you can hear Kenny in that recording of the Wind Ensemble).  In Kathryn’s family, it’s almost required be a trombonist.  Uncle Darrell plays, still, in a symphony in Utah County, with various other uncles and cousins staffing bands from Ogden south to Provo in Utah.

So, of course, Dave Finlayson’s marriage of a short piece and a GoPro camera appealed to me right off:

You don’t recognize Dave Finlayson?

From GoPro’s site:

David Finlayson set out to make a GoPro video with his trombone and ended up with a surprise – a viral video with hits numbering over one million! Check out the extended cut David and GoPro produced — orchestra night, anyone? David is a trombonist with the New York Philharmonic – check out David’s channel for more videos at http://goo.gl/y1Hrj

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“If a tree falls” — Bruce Cockburn

January 20, 2013

Bruce Cockburn (pronounced “coe-burn”), “If a Tree Falls.”  From his 1989 album, “Big Circumstance.”

Canada’s music copyright group SOCAN honored Cockburn in a program last month (all links added here):

The star-studded evening at Toronto’s Roy Thomson Hall is a chance for the Society of Composers, Authors and Music Publishers of Canada to celebrate the best the Canadian music scene has to offer.

Bruce Cockburn performing at the City Stages f...

Bruce Cockburn performing at the City Stages festival in Birmingham, Alabama, United States. Photo: Wikipedia. Some guitar afficianadoes consider Cockburn in the top ranks of guitar wizards. A story we’re working to verify holds a reporter asking Eddie van Halen how it feels to be the world’s best guitarist, to which van Halen is said to have responded: “I don’t know. Ask Bruce Cockburn.”

Cockburn, who has had a 35-year career that produced hits such as Wonderin’ Where the Lions Are and If I Had a Rocket Launcher, will be presented with the SOCAN Lifetime Achievement Award.

Musician Bruce Cockburn gets the lifetime achievement award after 35 years as a singer-songwriter. (Canadian Press)  A Canadian Music Hall of Fame member and 12-time Juno award-winner, Cockburn will be serenaded by Serena Ryder as part of the ceremony.

He’s been around for 35 years, and I don’t have any of his stuff in my library?  How did that happen?

Tip of the old scrub brush to Jim Stanley.

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Old and Wise? Stones older than Supreme Court

December 8, 2012

Some wag at Associated Press noticed recently that the Rolling Stones’ average age puts them older than the U.S. Supreme Court.  (Did some one notice this before AP?)  Franklin Roosevelt criticized the Court as “nine old men.”  Women have improved the Court, but age sometimes makes us wonder, still, if new ideas wouldn’t help.

Rolling Stones in 2012, 50th anniversary

Left to right, Charlie Watts, Keith Richard, Ron Wood and Mick Jagger; Bill Wyman absent from this photo; Rolling Stones, 50th Anniversary Tour 2012 – Samir Hussein photo WireImage, via Rolling Stone magazine. Other than no ties, they dress not-too flamboyantly.

Maybe we should wonder about increasing the wisdom that comes with age:

Rolling Stones:

Mick Jagger, 69

Keith Richards, 68

Charlie Watts, 71

Ronnie Wood, 65

Bill Wyman (rejoining them on tour), 76

Average age:  69.8 years (calculated from whole years only)

U.S. Supreme Court:

Antonin Scalia, 76

Anthony Kennedy, 76

Clarence Thomas, 64

Ruth Bader Ginsburg, 79

Stephen Breyer, 74

John G. Roberts, 57

Samuel A. Alito, Jr., 62

Sonia Sotomayor, 58

Elena Kagan, 52

Average age:  68.4 years

U.S. Supreme Court, Roberts Court 2010 – Back row (left to right): Sonia Sotomayor, Stephen G. Breyer, Samuel A. Alito, and Elena Kagan. Front row (left to right): Clarence Thomas, Antonin Scalia, Chief Justice John G. Roberts, Anthony Kennedy, and Ruth Bader Ginsburg – Wikimedia image. This bunch wears less colorful, but sillier costumes. Justice Ginsburg tends to favor neckwear the same way Keith Richards does; what else might they have in common?

A wise-beyond-his-teen-years camper at Camp Rising Sun of the Louis August Jonas Foundation, in the 1960s or early 1970s, observed, “You cannot be both young and brave, and old and wise.”  Certainly one would hope to achieve the happier medium of brave and wise (not necessarily in that order), but humans being who we are and experience being the master teacher that it is, we find ourselves on one end of both spectra, either wizened in age, or brave perhaps because of youth.

The Stones, celebrating their 50th year as a band in 2012, probably rock better than the Court does.  One can’t help wondering whether the wisdom of the Stones wouldn’t serve us better than that of the current court.  Ironically, those most wise at the Court tend to be the younger ones (Breyer definitely excluded).  I’d be inclined to swap out Alito and Scalia  for any two of the Stones.  Maybe Roberts for a third.

Thomas?  Well, he’s almost a contemporary, and I had lunch with him a couple of times (Senate staff).  I hate to criticize a lunch companion so.  But comparing Jagger’s record at the London School of Economics with Thomas’s record in academia, yeah, I could be persuaded.  I dealt with Breyer, too (not at lunch), and am inclined to think he could rock pretty well.

Perhaps the answer is that we need more rock and roll in the halls of justice.  Pete Seeger, Arlo Guthrie and Bruce Springsteen, among others, would probably agree.

If both groups banned the use of hair dye, would it improve anything they do?

Which bunch would you rather have dispensing final decisions on justice?  Which bunch would you prefer to see in concert?

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Flash mob in the BYU library

December 2, 2012

When flash mobs go Mormon, and invade sacred spaces like libraries, in Provo, Utah . . . well, that’s pushing the boundaries a bit, and telling the aging of the ritual, too.

How many times have you sung in the atrium of a library and thought it would be a great place for a choir?

Notes from the BYU Singers at YouTube (I added links, except for the first YouTube link):

http://youtu.be/LkE_vk86fq0?t=1h7m10s is the link to hear the BYU Singers perform it in concert!

The BYU Singers appear out of the crowd to sing O Sapientia in the BYU Library. For a brief minute, the library stood still! The audience was captivated, and asked for more. We told them that it sounds better live and invited them to our concert!

And, in comments:

Thank you so much for listening to the BYU Singers! Some viewers asked for a recording of us singing “O Sapientia” by Bob Chilcott without the background noise of the library. We’ve put a link into this video’s description, as well as in an annotation during the first 10 seconds of the video. The link goes directly to us singing “O Sapientia” during a broadcast of our concert on Saturday, November 17, 2012 in the DeJong Concert Hall at BYU. Thank you again for listening!

When I attended college at Utah’s senior (and superior) educational institution (back when Dinosaur Jim Jensen was hunting them live in Central Utah), J. Willard Marriott gave $1 million to the University of Utah to finish the library, and a couple of years later gave $1 million to BYU to finish the basketball center.  We noted that Marriott was a good judge of where the priorities lay at each institution.  Since then, BYU built a new library which is, I hear, quite glorious as a study location.  Except, of course, it’s located on the campus of BYU.  If you’re studying late nights there, let’s just say you’d better have had a good night’s sleep the previous week, because caffeine is going to be hard to come by.

I think the Franklin Stewart Harris Fine Arts Center, home of the DeJong Concert Hall, is the only college building in this nation named after a relative of mine.  In the center of an academic institution that often troubled me deeply, it was the site of many a pleasant day in extension classes (here’s to you, Max Golightly), student performances, and debate headquarters.  I’ve taken solace in the building’s being dedicated to arts and performance, which transcends all the other problems I have with the school.

Those kids sing pretty well, don’t you think?

Did you also notice?  No one shushed them.  I mean, it sounded pretty noisy for a library — but it’s still a library!

Tip of the old scrub brush to Evelyn Earl Jeffries.

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Flash mob Carmina Burana

November 13, 2012

Oh, the standards on flash mobs just keep getting pushed higher and higher.

Beethoven‘s “Ode to Joy” chorus?  Easy Sunday-afternoon-in-the-plaza piece.

Carl Orff‘s Carmina Burana? Sure, it scores on the cool side; but a performance is really a little more demanding than Beethoven’s most whistlable tune, isn’t it?

Is this in Vienna?  In a train station?  It features the Volksoper Vienna.  And once again, we get the wonderfully comical entrance of the actual tympani, without which Carmina would be impossible, no?

Details, in German:

SolistInnen, Chor, Orchester der Volksoper Wien boten im April Fahrgästen und Passanten eine besondere Performance. Die KünstlerInnen lösten sich aus der Menschenmenge – eine “Passantin” begann, weitere “PassantInnen” – sowie als ÖBB-MitarbeiterInnen verkleidete KünstlerInnen – setzten nach und nach ein.: 558,438

http://www.volksoper.at
http://www.ppmzweinull.com/ppmzweinull2.html

What’s next?  Will someone do a Carmina while actually roasting a swan, and offer slices of the poor bird?

Okay, here’s one I’d like to see:  Aaron Copeland’s Rodeo, complete with Agnes Demille choreography.  Is there time for someone to get it put together for the Fort Worth Fat Stock Show and Rodeo?  The Houston Stock Show?  Wouldn’t it look grand in Grand Central Station?

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Together we can sing a joyful song, maybe even some Beethoven . . .

November 1, 2012

I do love me some well done flash mob.

This one may have been better coordinated than some the video is actually an advertisement for a bank.

Try to watch it and not smile.  Just try not to smile.

It’s the “European National Anthem,” that section from Beethoven’s Ninth Symphony commonly known as “Ode to Joy,” in an arrangement that accommodates any nearby wandering minstrel’s joining in — not to mention a choir of at least a hundred.

I found it at the blog for Krista Tippet’s radio program, “On Being,” in a writeup by Trent Gillis:

Let’s make no mistake here; this is a commercial for Banco Sabadell. And, yes, it’s a majestic, highly orchestrated flashmob organized by one of Spain’s largest banking groups. But, when I get an evening email from our founder and host confessing to shedding “happy tears” when watching it, I figure I better check it out.

Flashmob organizado por Banco Sabadell

Flashmob organizado por Banco Sabadell

And, if you read the comments on YouTube, you’ll see much more of the same sentiment being expressed.

On May 19th [2012] at six in the evening, what appeared to be a single, tuxedoed street performer playing a bass for people strolling around Plaça de Sant Roc in Sabadell, Spain (just north of Barcelona) turned into a mass ensemble performing a movement of Beethoven’s Ninth Symphony — including more than 100 musicians and singers from the Orchestra Simfònica del Vallès, Amics de l’Òpera de Sabadell, Coral Belles Arts, and Cor Lieder Camera.

The production is lovely and highly produced, but it’s the fascination and pure joy of the passersby that makes the moment quite magical. Non?

This is a metaphor for community life.  Communities work best when many people contribute, when people can do what they do well, for the community, as part of the community.  Here is a plaza where people gather — it’s not unusual for musicians to set  up and play, probably for their own amusement as well as for money.  Busking is big stuff in England, and in New York City — and in Greece, though it’s outlawed in many places there.  People will violate laws to make money, and to participate in the community.

It might be pleasant enough if one tall guy, in a tuxedo or jeans — or naked for all that it matters — plays a tune on a bass.  It’s a grand tune, one that most people recognize immediately, and one that has memories stuck to it like feathers on a wood duck.  Beethoven is familiar, and pleasant, and singable.

Add a cello, it’s fun.  Add more strings, the performance becomes grand.  Add the horns, and percussion — loved the guy wheeling his typani out to the plaza  — it’s a delight.  Add a hundred voices in six parts, it’s glorious.

Professionals in the community?  Sure, why not.  In this case, I imagine, they were paid by Banco Sabadell.  Even fun things in communities require some professionals, from time to time.  The cops control traffic before and after the football games, the firemen stand by on the Fourth of July.

Communities build across time, as well as families.  Beethoven wrote that symphony in 1824; Schiller wrote the poem in the lyric in 1785, before George Washington conspired with James Madison and Alexander Hamilton to make the United States of America, edited by Schiller in 1803, the same year Napoleon sold off Louisiana to Thomas Jefferson’s presidency.  There are no solo acts, especially in music, where even the opera diva in solo recital has an agent to hire the hall and sell the tickets, an accompanist on piano, and the music of geniuses from other places, and even other times.

In times of crisis, we get reminders that our finest tool for meeting crises is to look out for each other.

This flash mob video reminded me of that.


Woody Guthrie’s “Sinking of the Reuben James”

October 31, 2012

Woody’s recording of the song, with some good photos of the DD 245 U.S.S. Reuben James, the German U-boat that sank her, and two later ships that carried the same name:

From the YouTube description:

Woody Guthrie‘s song written shortly after the sinking of the USS Reuben James DD-245; Slideshow of DD 245, DE 153, FFG 57 and U 552 with a few other notable photos included.

English: PACIFIC OCEAN (July 8, 2010) The Oliv...

English: PACIFIC OCEAN (July 8, 2010) The Oliver Hazard Perry-class guided-missile frigate USS Reuben James (FFG 57) conducts training exercises supporting Rim of the Pacific (RIMPAC) 2010 exercises. RIMPAC is a biennial, multinational exercise designed to strengthen regional partnerships and improve interoperability. (U.S. Navy photo by Mass Communication Specialist 2nd Class Jeremy M. Starr/Released) (Photo credit: Wikipedia)


Gilbert and Near, Woody’s “Pastures of Plenty”

October 20, 2012

Woody Guthrie wrote of freedom . . . when was this written? 1930-something?  [1941, it turns out.]

Ronnie Gilbert and Holly Near combine on one of my favorite arrangements of the song.

This film must be at least ten years old, maybe more.  The song is more than 60 years old [71 years -- from 1941].

It’s still a powerful indictment of corporate greed, heartless and oppressive immigration policies, and it’s a case for a strong labor movement.

Be sure you vote in the November 6 elections.  Sing this song on the way to the polls.

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MacArthur grants announced; 23 lucky people to follow, or not

October 2, 2012

I got the press release three minutes early, actually — not that I could have gotten anything published in that time.  At the promised time, in other words.

MacArthur grant announcement time!  It’s one of those things I take some delight in, to see who are the unsung (usually) from whom much will be expected.  With 23 grantees this year, it’s about as much fun as the Rhodes Scholar announcements.  Rhodes Scholars at least know they are in contention, having had to apply and go through rigorous interviews.  MacArthur fellows don’t know they’ve been nominated.

So, of course, the stories about the grantees often start with the surprise announcement.  The Foundation’s press release starts there, too.  I wonder how many news stories will replicate the press release in that?

23 MacArthur Fellows Announced
One call out of the blue – $500,000 – No strings attached

The MacArthur Foundation today named 23 new MacArthur Fellows for 2012. Working across a broad spectrum of endeavors, the Fellows include a pediatric neurosurgeon, a marine ecologist, a journalist, a photographer, an optical physicist and astronomer, a stringed-instrument bow maker, a geochemist, a fiction writer, and an arts entrepreneur. All were selected for their creativity, originality, and potential to make important contributions in the future.

The recipients learned, through a phone call out of the blue from the Foundation, that they will each receive $500,000 in no-strings-attached support over the next five years. MacArthur Fellowships come without stipulations or reporting requirements and offer Fellows unprecedented freedom and opportunity to reflect, create, and explore. The unusual level of independence afforded to Fellows underscores the spirit of freedom intrinsic to creative endeavors. The work of MacArthur Fellows knows neither boundaries nor the constraints of age, place, and endeavor.

“These extraordinary individuals demonstrate the power of creativity,” said MacArthur President Robert Gallucci. “The MacArthur Fellowship is not only a recognition of their impressive past accomplishments but also, more importantly, an investment in their potential for the future. We believe in their creative instincts and hope the freedom the Fellowship provides will enable them to pursue unfettered their insights and ideas for the benefit of the world.”

Meet the 2012 MacArthur Fellows ››

An eclectic group.  Already Larry Ferlazzo posted that one of the awardees is the young economist who bashes teachers, Raj Chetty — there is no requirement that awardees be universally loved, but someone who courts controversy rarely makes the list.  (An exception might be Eugenie Scott , the genius behind the National Center for Science Education, whose winning a MacArthur grant forever tainted such awards to creationists, to the delight of fans of science.)

Go noodle around at the MacArthur Foundation site — each awardee has a bio, a couple of very nice photos, and a video on their work.  Good stuff.

Here they are, in alphabetical order, straight from the MacArthur Foundation.  Hot links go to more information at the Foundation’s site.

Meet the 2012 MacArthur Fellows

Profile portrait of Natalia Almada

Natalia Almada

Altamura Films

Mexico City, Mexico

Age: 37

Documentary Filmmaker capturing complex and nuanced views of Mexican history, politics, and culture in insightful and poetic works that affirm the potency of documentary film as both an art form and a tool for social change.

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Profile portrait of Uta Barth

Uta Barth

Los Angeles, CA

Age: 54

Conceptual Photographer exploring the nature of vision and the difference between how we see reality and how a camera records it in evocative, abstract compositions that focus attention on the act of looking and the process of perception.

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Profile portrait of Claire Chase

Claire Chase

International Contemporary Ensemble

Brooklyn, NY

Age: 34

Arts Entrepreneur forging a new model for the commissioning, recording, and live performance of classical music and opening new avenues of artistic expression for the twenty-first-century musician.

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Profile portrait of Raj Chetty

Raj Chetty

Harvard University

Cambridge, MA

Age: 33

Public Economist elucidating key policy issues of our time in theoretical and empirical studies that refine our understanding of the impact of public finance on economic activity.

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Profile portrait of Maria Chudnovsky

Maria Chudnovsky

Columbia University

New York, NY

Age: 35

Mathematician investigating the fundamental principles of graph theory and laying the conceptual foundations for deepening connections between graph theory and other major branches of mathematics, such as linear programming and geometry.

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Profile portrait of Eric Coleman

Eric Coleman

University of Colorado School of Medicine

Denver, CO

Age: 47

Geriatrician addressing system-wide deficiencies in patient transitions from hospitals to homes and other sites of care and improving the health outcomes of millions of older adults suffering from chronic illness.

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Profile portrait of Junot Díaz

Junot Díaz

Massachusetts Institute of Technology

Cambridge, MA

Age: 43

Fiction Writer using raw, vernacular dialogue and spare, unsentimental prose to draw readers into the various and distinct worlds that immigrants must straddle.

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Profile portrait of David Finkel

David Finkel

Washington Post

Washington, DC

Age: 56

Journalist pushing beyond the constraints and conventions of traditional news writing to craft sustained narratives that heighten the reality of military service and sacrifice in the public consciousness.

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Profile portrait of Olivier Guyon

Olivier Guyon

University of Arizona

Tucson, AZ

Age: 36

Optical Physicist and Astronomer designing telescopes and other astronomical instrumentation that play a critical role in the search for Earth-like planets outside our solar system.

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Profile portrait of Elissa Hallem

Elissa Hallem

University of California, Los Angeles

Los Angeles, CA

Age: 34

Neurobiologist exploring the physiology and behavioral consequences of odor detection and chemoreception in invertebrates and identifying interventions that may eventually reduce the scourge of parasitic infections in humans.

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Profile portrait of An-My Lê

An-My Lê

Bard College

Annandale-on-Hudson, NY

Age: 52

Photographer approaching the subjects of war and landscape from new perspectives to create images that blur the boundaries between fact and fiction and are rich with layers of meaning.

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Profile portrait of Sarkis Mazmanian

Sarkis Mazmanian

California Institute of Technology

Pasadena, CA

Age: 39

Medical Microbiologist illuminating the complex interplay between microbes and the host immune system and the role certain bacteria may play in the development, or mitigation, of a broad range of human diseases.

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Profile portrait of Dinaw Mengestu

Dinaw Mengestu

Washington, DC

Age: 34

Writere nriching understanding of the little-explored world of the African diaspora in America in tales distilled from the experience of immigrants whose memories are seared by escape from violence in their homelands.

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Profile portrait of Maurice Lim Miller

Maurice Lim Miller

Family Independence Initiative

Oakland, CA

Age: 66

Social Services Innovator designing programs of mutual support and self-sufficiency that break the cycle of economic dependency for low-income families and build more resilient communities from the ground up.

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Profile portrait of Dylan C. Penningroth

Dylan C. Penningroth

Northwestern University

Evanston, IL

Age: 41

Historianunearthing evidence from widely scattered archives to shed light on shifting concepts of property ownership and kinship among African American slaves and their descendents following emancipation.

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Profile portrait of Terry Plank

Terry Plank

Columbia University

New York, NY

Age: 48

Geochemistprobing the usually invisible but remarkably powerful thermal and chemical forces deep below the Earth’s crust that drive the motion of tectonic plate collisions.

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Profile portrait of Laura Poitras

Laura Poitras

Praxis Films

New York, NY

Age: 48

Documentary Filmmaker revealing the consequences of military conflict abroad in illuminating documentaries that portray the lives and intimate experiences of families and communities largely inaccessible to the American media.

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Profile portrait of Nancy Rabalais

Nancy Rabalais

Louisiana Universities Marine Consortium

Chauvin, LA

Age: 62

Marine Ecologist documenting the environmental and economic consequences of hypoxic zones in the Gulf of Mexico and informing strategies for restoring the degraded waters of the Gulf and the Mississippi River basin.

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Profile portrait of Benoît Rolland

Benoît Rolland

Benoît Rolland Studio

Boston, MA

Age: 58

Stringed-Instrument Bow Maker experimenting with new designs and materials to create violin, viola, and cello bows that rival the quality of prized nineteenth-century bows and meet the artistic demands of today’s musicians.

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Profile portrait of Daniel Spielman

Daniel Spielman

Yale University

New Haven, CT

Age: 42

Computer Scientist connecting theoretical and applied computing to resolve issues in code optimization theory with implications for how we measure, predict, and regulate our environment and behavior.

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Profile portrait of Melody Swartz

Melody Swartz

École Polytechnique Fédérale de Lausanne

Lausanne, Switzerland

Age: 43

Bioengineer enhancing understanding of the dynamic processes of tissue vascularization and immune responses to tumor invasion using a large toolbox of concepts and methods from biophysics, cell culture, molecular genetics, engineering, and immunology.

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Profile portrait of Chris Thile

Chris Thile

New York, NY

Age: 31

Mandolinist and Composer creating a new musical aesthetic and a distinctly American canon for the mandolin through a lyrical fusion of traditional bluegrass orchestrations with a range of styles and genres.

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Profile portrait of Benjamin Warf

Benjamin Warf

Children’s Hospital Boston

Boston, MA

Age: 54

Pediatric Neurosurgeon revolutionizing treatment of hydrocephalus and other intra-cranial diseases in very young children and advancing standards of and access to health care in both the developed and poorest regions of the world.

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August 14, 1951: Leo Fender’s Telecaster guitar patent issued

August 16, 2012

August 14 carries a lot of weight in history, doesn’t it?  Just learned of this August 14, 1951 event:

Patent drawins for Clarence L. Fender's new guitar , later named "Telecaster"

Most guitar aficionados recognize this icon of rock and roll — the Fender Telecaster. In these drawings on the August 14, 1951, patent grant, it was just a “guitar.”

Leo Fender‘s first name was Clarence?  Who knew?

Take a look at page 2 of the patent:  Gretsch?  What other names do you recognize?

One of my ex-brothers-in-law was Fender’s tax guy, but years later.  I was never successful in dropping the hint that Fender’s tax attorney’s brother-in-law might be real grateful if, you know, a sample or a second might find its way to the tax attorney’s office, and then to the brother-in-law’s home and amplifier . . .

Tip of the old scrub brush to Premier Guitar’s Facebook page.

More, Related Material:

"Road worn" Fender Telecaster - photo by Fender

“Road worn” Fender Telecaster – photo by Fender


Willie Nelson Blvd.

August 12, 2012

 

Willie Nelson Blvd, Austin, Texas - IMGP2228 photo by Ed Darrell (please attribute)

Waiting for the bats in Austin, and I looked up to find I was on Willie Nelson Boulevard!

A star on the sidewalk in Hollywood is nice, I suppose.  But how many recording or film artists get streets named after them in the capital city of their home state?

And, can you list that as a good reference on your sentencing report on a possession charge?

Details, from the Austin American-Statesman:

2nd Street renamed for Willie Nelson

By Sarah Coppola | Thursday, May 27, 2010, 10:55 AM

Part of Second Street will now bear the honorary name Willie Nelson Boulevard.

The City Council approved the change this morning as a tribute to the singer, who has lived in the Austin area nearly 40 years and sold more than 50 million records.

The city will install Willie Nelson Boulevard signs this summer at every block along Second Street from Trinity Street to San Antonio Street. The formal name, mailing addresses and street signs for Second Street will stay the same, but residents and businesses along the street will be able to receive mail using the Willie Nelson Boulevard address, said Mayor Lee Leffingwell, who proposed the idea.

A nonprofit group, Capital Area Statues, is raising money to put a full-size statue of Nelson on Second Street, in front of the new Austin City Limits studio. That nonprofit commissioned the sculpture and unveiled a smaller version of it earlier this month.

More Willie Nelson


Peter Schickele – 77 on July 17, 2012

July 17, 2012

 

Peter Schickele is 77 today yesterday.

Peter Schickele, a.k.a. P. D. Q. Bach

Peter Schickele, born July 17, 1935

May he live to be a happy, robust, still-composing, still performing 137, at least.

Some people know him as a great disk jockey. Some people know him as the singer of cabaret tunes. Some people know and love him as a composer of music for symphony orchestra, or to accompany Where the Wild Things Are.

Peter Shickele, left, and P. D. Q. Bach, together, in happier times.

Then there are those happy masses who know him for his historical work, recovering the works of Johann Sebastian Bach’s final and most wayward child, P. D. Q. Bach.

Tip of the old bathtub-hardened conductor’s baton to Eric Koenig.

This is mostly an encore post.  It was scheduled to run on time, not sure why it didn’t — problems of being on the road, you know.

 


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