Holiday greetings from President Kennedy: Don’t worry about the Russians bombing the North Pole and Santa Claus

December 19, 2014

In 1961 a little girl named Michelle wrote to President John F. Kennedy, expressing her fears that in a nuclear exchange, the Russians might bomb the North Pole, and Santa Claus might be lost.

President Kennedy’s response was human, and fatherly.

We should work to spread that spirit this season, and all seasons.

Tip of the old scrub brush, with pine-scented bubbles for the season, to the John F. Kennedy Library.


Best editorial quote ever: “Yes, Virginia, there is a Santa Claus” (Still? In 2013?)

December 12, 2013

“Papa says, ‘If you see it in the Sun, it’s so.'”

Do we, you and I in 2012, stand as witnesses to the end of newspapers in America?  In recent months we’ve seen body blows to the New Orleans Times-Picayune, the San Diego Union, and The Cleveland Plain Dealer, and others.

It’s been a grand history. Newspapering gave us great leaders like Benjamin Franklin. Newspapering gave us wars, like the Spanish-American War. Newspapering gave us Charlie Brown, Ann Landers, the Yellow Kid, Jim Murray, Red Smith, Thomas Nast (and Santa Claus), the Federalist Papers, Watergate, Herblock, news of Vietnam and Pearl Harbor, Neil Armstrong on the Moon, the Pentagon Papers, and coupons to save money on laundry soap.

It’s been a curious history, too. An 1897 editorial vouching for Santa Claus rates as the most popular editorial of all time, according to the Newseum in Washington, D.C.  That’s 115 years ago, and that’s quite some staying power.

Francis Pharcellus Church, New York Sun writer who wrote "Yes Virginia, there is a Santa Claus" - Newseum

The man who saved Christmas, at least for Virginia O’Hanlon: Francis Pharcellus Church – Newseum image

In autumn, 1897, 8-year-old Virginia O’Hanlon of 115 West 95th Street in New York, wrote to the New York Sun with this simple question:

“Please tell me the truth; is there a Santa Claus?”

In the age of Yellow Journalism, the fiercely competitive Sun‘s editors turned the letter to Francis Pharcellus. He responded to little Virginia on September 21, 1897:

Yes, Virginia, there is a Santa Claus.”

Church’s brother, William Conant Church, owned and published the newspaper. Both had followed their father into the news business. They co-founded The Army-Navy Journal in 1863, and went on to a series of journalistic collaborations. Francis was 58 years old when he answered Virginia’s letter. (He died at age 67, in 1906.)

The New York Sun held down the conservative corner in New York journalism at the time, versus the New York Times and the New York Herald-Tribune. But it also had an interesting history, to a blogger intrigued by hoaxes. In 1835 the paper published a series of six newspaper stories falsely attributed to Sir John Herschel, a well-known astronomer, claiming to describe a civilization on the Moon — the Great Moon Hoax. The discovery was credited to a new, very powerful telescope.

In 1844 the paper published a hoax written by Edgar Allen Poe, the Balloon Hoax. Under a pseudonym, Poe wrote that a gas balloon had crossed the Atlantic in three days.

The Sun also featured outstanding reporting. A 1947 and 1948 series about crime on the docks of New York City won a Pulitzer Prize for writer Malcolm Johnson. That series inspired Elia Kazan’s 1954 movie On the Waterfront starring Marlon Brando, Rod Steiger, Eva Marie Saint, Karl Malden and Lee J. Cobb.

The New York Sun ceased publication in 1950.

For all of its history, the Sun and the Churches are most remembered for that defense of belief in Santa Claus.

Virginia O'Hanlon, about the age of 8, when she wrote to The New York Sun's editors to inquire about the veracity of Santa Claus.

Virginia O’Hanlon, about the age of 8, when she wrote to The New York Sun’s editors to inquire about the veracity of Santa Claus.

Virginia O’Hanlon grew up, graduated from Hunter College, got a masters at Columbia, and earned a Ph.D. from Fordham. She taught in the New York City Public School system, from which she retired in 1959. She died in 1971.

Birth of tradition

Columbia University was Church’s alma mater, as well as O’Hanlon’s. Her letter and his response get a reading each year at the Yule Log Ceremony at Columbia College, along with the poem “A Visit from St. Nicholas.” Animated, live-acting, and other television productions have been mounted in 1974, 1991, and 2009.

Is there a Santa Claus? Did Church write a credible defense? The text of the letter and answer, below the fold.

More:  

Read the rest of this entry »


Christmas 2013: Do we know who invented Santa Claus? Who really wrote the “Night Before Christmas?”

December 10, 2013

An encore post and Millard Fillmore’s Bathtub tradition from 2007

Thomas Nast invented Santa Claus? Clement C. Moore didn’t write the famous poem that starts out, “‘Twas the night before Christmas, and all through the house . . . ?”

The murky waters of history from Millard Fillmore’s Bathtub soak even our most cherished ideas and traditions.

But isn’t that part of the fun of history?

Santa Claus delivers to Union soldiers, "Santa Claus in Camp" - Thomas Nast, Harper's Weekly, Jan 3, 1863

In Janaury 1863, Thomas Nast portraye Santa Claus delivered gifts to Union troops in Washington, D.C., wearing a blue, star-spangled coat, just a few days earlier.

Yes, Virginia (and California, too)! Thomas Nast created the image of Santa Claus most of us in the U.S. know today. Perhaps even more significant than his campaign against the graft of Boss Tweed, Nast’s popularization of a fat, jolly elf who delivers good things to people for Christmas makes one of the great stories in commercial illustration. Nast’s cartoons, mostly for the popular news publication Harper’s Weekly, created many of the conventions of modern political cartooning and modeled the way in which an illustrator could campaign for good, with his campaign against the graft of Tammany Hall and Tweed. But Nast’s popular vision of Santa Claus can be said to be the foundation for the modern mercantile flurry around Christmas.

Nast is probably ensconced in a cartoonists’ hall of fame. Perhaps he should be in a business or sales hall of fame, too.  [See also Bill Casselman’s page, “The Man Who Designed Santa Claus.]

Nast’s drawings probably drew some inspiration from the poem, “Account of a Visit from St. Nicholas,” traditionally attributed to Clement C. Moore, a New York City lawyer, published in 1822. The poem is among the earliest to describe the elf dressed in fur, and magically coming down a chimney to leave toys for children; the poem invented the reindeer-pulled sleigh.

Modern analysis suggests the poem was not the work of Moore, and many critics and historians now attribute it to Major Henry Livingston, Jr. (1748-1828) following sleuthing by Vassar College Prof. Don Foster in 2000. Fortunately for us, we do not need to be partisans in such a query to enjoy the poem (a complete copy of which is below the fold).

The Library of Congress still gives Moore the credit. When disputes arise over who wrote about the night before Christmas, is it any wonder more controversial topics produce bigger and louder disputes among historians?

Moore was not known for being a poet. The popular story is that he wrote it on the spur of the moment:

Moore is thought to have composed the tale, now popularly known as “The Night Before Christmas,” on December 24, 1822, while traveling home from Greenwich Village, where he had bought a turkey for his family’s Christmas dinner.

Inspired by the plump, bearded Dutchman who took him by sleigh on his errand through the snow-covered streets of New York City, Moore penned A Visit from St. Nicholas for the amusement of his six children, with whom he shared the poem that evening. His vision of St. Nicholas draws upon Dutch-American and Norwegian traditions of a magical, gift-giving figure who appears at Christmas time, as well as the German legend of a visitor who enters homes through chimneys.

Again from the Library of Congress, we get information that suggests that Moore was a minor celebrity from a well-known family with historical ties that would make a good “connections” exercise in a high school history class, perhaps (”the link from Aaron Burr’s treason to Santa Claus?”): (read more, below the fold)

Clement Moore was born in 1779 into a prominent New York family. His father, Benjamin Moore, president of Columbia University, in his role as Episcopal Bishop of New York participated in the inauguration of George Washington as the nation’s first president. The elder Moore also administered last rites to Alexander Hamilton after he was mortally wounded in a tragic duel with Aaron Burr.

A graduate of Columbia, Clement Moore was a scholar of Hebrew and a professor of Oriental and Greek literature at the General Theological Seminary in Manhattan. [See comment from Pam Bumsted below for more on Moore.] He is said to have been embarrassed by the light-hearted verse, which was made public without his knowledge in December 1823. Moore did not publish it under his name until 1844.

Tonight, American children will be tucked in under their blankets and quilts and read this beloved poem as a last “sugarplum” before slipping into dreamland. Before they drift off, treat them to a message from Santa, recorded by the Thomas Edison Company in 1922.

Santa Claus Hides in Your Phonograph
By Arthur A. Penn, Performed by Harry E. Humphrey.
Edison, 1922.
Coupling date: 6/20/1922. Cutout date: 10/31/1929.
Inventing Entertainment: The Motion Pictures and Sound Recordings of the Edison Companies

Listen to this recording (RealAudio Format)

Listen to this recording (wav Format, 8,471 Kb)

But Henry Livingston was no less noble or historic. He hailed from the Livingstons of the Hudson Valley (one of whose farms is now occupied by Camp Rising Sun of the Louis August Jonas Foundation, a place where I spent four amazing summers teaching swimming and lifesaving). Livingston’s biography at the University of Toronto site offers another path for a connections exercise (”What connects the Declaration of Independence, the American invasion of Canada, the famous poem about a visit from St. Nick, and George W. Bush?”):

Henry Livingston Jr. was born in Poughkeepsie, New York, on Oct. 13, 1748. The Livingston family was one of the important colonial and revolutionary families of New York. The Poughkeepsie branch, descended from Gilbert, the youngest son of Robert Livingston, 1st Lord of Livingston Manor, was not as well off as the more well-known branches, descended from sons Robert and Philip. Two other descendants of Gilbert Livingston, President George Walker Herbert Bush and his son, President-Elect George W. Bush, though, have done their share to bring attention to this line. Henry’s brother, Rev. John Henry Livingston, entered Yale at the age of 12, and was able to unite the Dutch and American branches of the Dutch Reformed Church. At the time of his death, Rev. Livingston was president of Rutgers University. Henry’s father and brother Gilbert were involved in New York politics, and Henry’s granduncle was New York’s first Lt. Governor. But the law was the natural home for many of Henry’s family. His brother-in-law, Judge Jonas Platt, was an unsuccessful candidate for governor, as was his daughter Elizabeth’s husband, U.S. Supreme Court Justice Smith Thompson. Henry’s grandson, Sidney Breese, was Chief Justice of the Illinois Supreme Court.

Known for his encyclopedic knowledge and his love of literature, Henry Livingston was a farmer, surveyor and Justice of the Peace, a judicial position dealing with financially limited criminal and civil cases. One of the first New Yorkers to enlist in the Revolutionary Army in 1775, Major Henry Livingston accompanied his cousin’s husband, General Montgomery, in his campaign up the Hudson River to invade Canada, leaving behind his new wife, Sarah Welles, and their week-old baby, on his Poughkeepsie property, Locust Grove. Baby Catherine was the subject of the first poem currently known by Major Livingston. Following this campaign, Livingston was involved in the War as a Commissioner of Sequestration, appropriating lands owned by British loyalists and selling them for the revolutionary cause. It was in the period following Sarah’s early death in 1783, that Major Livingston published most of his poems and prose, anonymously or under the pseudonym of R. Ten years after the death of Sarah, Henry married Jane Patterson, the daughter of a Dutchess County politician and sister of his next-door neighbor. Between both wives, Henry fathered twelve children. He published his good-natured, often occasional verse from 1787 in many journals, including Political Barometer, Poughkeepsie Journal, and New-York Magazine. His most famous poem, “Account of a Visit from St. Nicholas,” was until 2000 thought to have been the work of Clement Clarke Moore (1779-1863), who published it with his collected poems in 1844. Livingston died Feb. 29, 1828.

More on Henry Livingston and his authorship of the Christmas poem here.
Thomas Nast, Merry Old Santa Claus, Harper's Weekly, Jan 1, 1881

Our views of Santa Claus owe a great deal also to the Coca-Cola advertising campaign. Coca-Cola first noted Santa’s use of the drink in a 1922 campaign to suggest Coke was a year-round drink (100 years after the publication of Livingston’s poem). The company’s on-line archives gives details:

In 1930, artist Fred Mizen painted a department store Santa in a crowd drinking a bottle of Coke. The ad featured the world’s largest soda fountain, which was located in the department store of Famous Barr Co. in St. Louis, Mo. Mizen’s painting was used in print ads that Christmas season, appearing in The Saturday Evening Post in December 1930.

1936 Coca-Cola Santa cardboard store display

  • 1936 Coca-Cola Santa cardboard store display

Archie Lee, the D’Arcy Advertising Agency executive working with The Coca-Cola Company, wanted the next campaign to show a wholesome Santa as both realistic and symbolic. In 1931, The Coca-Cola Company commissioned Michigan-born illustrator Haddon Sundblom to develop advertising images using Santa Claus — showing Santa himself, not a man dressed as Santa, as Mizen’s work had portrayed him.
1942 original oil painting - 'They Remembered Me'

  • 1942 original oil painting – ‘They Remembered Me’

For inspiration, Sundblom turned to Clement Clark Moore’s 1822 poem “A Visit From St. Nicholas” (commonly called “‘Twas the Night Before Christmas”). Moore’s description of St. Nick led to an image of Santa that was warm, friendly, pleasantly plump and human. For the next 33 years, Sundblom painted portraits of Santa that helped to create the modern image of Santa — an interpretation that today lives on in the minds of people of all ages, all over the world.

Santa Claus is a controversial figure. Debates still rage among parents about the wisdom of allowing the elf into the family’s home, and under what conditions. Theologians worry that the celebration of Christmas is diluted by the imagery. Other faiths worry that the secular, cultural impact of Santa Claus damages their own faiths (few other faiths have such a popular figure, and even atheists generally give gifts and participate in Christmas rituals such as putting up a decorated tree).

For over 100 years, Santa Claus has been a popular part of commercial, cultural and religious life in America. Has any other icon endured so long, or so well?

________________________
Below:
From the University of Toronto Library’s Representative Poetry Online

Major Henry Livingston, Jr. (1748-1828)

Account of a Visit from St. Nicholas

1 ‘Twas the night before Christmas, when all thro’ the house,

2 Not a creature was stirring, not even a mouse;

3 The stockings were hung by the chimney with care,

4 In hopes that St. Nicholas soon would be there;

5 The children were nestled all snug in their beds,

6 While visions of sugar plums danc’d in their heads,

7 And Mama in her ‘kerchief, and I in my cap,

8 Had just settled our brains for a long winter’s nap –

9 When out on the lawn there arose such a clatter,

10 I sprang from the bed to see what was the matter.

11 Away to the window I flew like a flash,

12 Tore open the shutters, and threw up the sash.

13 The moon on the breast of the new fallen snow,

14 Gave the lustre of mid-day to objects below;

15 When, what to my wondering eyes should appear,

16 But a miniature sleigh, and eight tiny rein-deer,

17 With a little old driver, so lively and quick,

18 I knew in a moment it must be St. Nick.

19 More rapid than eagles his coursers they came,

20 And he whistled, and shouted, and call’d them by name:

21 “Now! Dasher, now! Dancer, now! Prancer, and Vixen,

22 “On! Comet, on! Cupid, on! Dunder and Blixem;

23 “To the top of the porch! to the top of the wall!

24 “Now dash away! dash away! dash away all!”

25 As dry leaves before the wild hurricane fly,

26 When they meet with an obstacle, mount to the sky;

27 So up to the house-top the coursers they flew,

28 With the sleigh full of Toys — and St. Nicholas too:

29 And then in a twinkling, I heard on the roof

30 The prancing and pawing of each little hoof.

31 As I drew in my head, and was turning around,

32 Down the chimney St. Nicholas came with a bound:

33 He was dress’d all in fur, from his head to his foot,

34 And his clothes were all tarnish’d with ashes and soot;

35 A bundle of toys was flung on his back,

36 And he look’d like a peddler just opening his pack:

37 His eyes — how they twinkled! his dimples how merry,

38 His cheeks were like roses, his nose like a cherry;

39 His droll little mouth was drawn up like a bow.

40 And the beard of his chin was as white as the snow;

41 The stump of a pipe he held tight in his teeth,

42 And the smoke it encircled his head like a wreath.

43 He had a broad face, and a little round belly

44 That shook when he laugh’d, like a bowl full of jelly:

45 He was chubby and plump, a right jolly old elf,

46 And I laugh’d when I saw him in spite of myself;

47 A wink of his eye and a twist of his head

48 Soon gave me to know I had nothing to dread.

49 He spoke not a word, but went straight to his work,

50 And fill’d all the stockings; then turn’d with a jerk,

51 And laying his finger aside of his nose

52 And giving a nod, up the chimney he rose.

53 He sprung to his sleigh, to his team gave a whistle,

54 And away they all flew, like the down of a thistle:

55 But I heard him exclaim, ere he drove out of sight –

56 Happy Christmas to all, and to all a good night.

Online text copyright © 2005, Ian Lancashire for the Department of English, University of Toronto. Published by the Web Development Group, Information Technology Services, University of Toronto Libraries. Be sure to visit this site for more information on this poem, on Maj. Livingston, and on poetry in general.

More:

 


In 2012, do we know who invented Santa Claus? Who really wrote the “Night Before Christmas?”

December 23, 2012

An encore post and Millard Fillmore’s Bathtub tradition from 2007

Thomas Nast invented Santa Claus? Clement C. Moore didn’t write the famous poem that starts out, “‘Twas the night before Christmas, and all through the house . . . ?”

The murky waters of history from Millard Fillmore’s Bathtub soak even our most cherished ideas and traditions.

But isn’t that part of the fun of history?

Santa Claus delivers to Union soldiers, "Santa Claus in Camp" - Thomas Nast, Harper's Weekly, Jan 3, 1863

In Janaury 1863, Thomas Nast portraye Santa Claus delivered gifts to Union troops in Washington, D.C., wearing a blue, star-spangled coat, just a few days earlier.

Yes, Virginia (and California, too)! Thomas Nast created the image of Santa Claus most of us in the U.S. know today. Perhaps even more significant than his campaign against the graft of Boss Tweed, Nast’s popularization of a fat, jolly elf who delivers good things to people for Christmas makes one of the great stories in commercial illustration. Nast’s cartoons, mostly for the popular news publication Harper’s Weekly, created many of the conventions of modern political cartooning and modeled the way in which an illustrator could campaign for good, with his campaign against the graft of Tammany Hall and Tweed. But Nast’s popular vision of Santa Claus can be said to be the foundation for the modern mercantile flurry around Christmas.

Nast is probably ensconced in a cartoonists’ hall of fame. Perhaps he should be in a business or sales hall of fame, too.  [See also Bill Casselman’s page, “The Man Who Designed Santa Claus.]

Nast’s drawings probably drew some inspiration from the poem, “Account of a Visit from St. Nicholas,” traditionally attributed to Clement C. Moore, a New York City lawyer, published in 1822. The poem is among the earliest to describe the elf dressed in fur, and magically coming down a chimney to leave toys for children; the poem invented the reindeer-pulled sleigh.

Modern analysis suggests the poem was not the work of Moore, and many critics and historians now attribute it to Major Henry Livingston, Jr. (1748-1828) following sleuthing by Vassar College Prof. Don Foster in 2000. Fortunately for us, we do not need to be partisans in such a query to enjoy the poem (a complete copy of which is below the fold).

The Library of Congress still gives Moore the credit. When disputes arise over who wrote about the night before Christmas, is it any wonder more controversial topics produce bigger and louder disputes among historians?

Moore was not known for being a poet. The popular story is that he wrote it on the spur of the moment:

Moore is thought to have composed the tale, now popularly known as “The Night Before Christmas,” on December 24, 1822, while traveling home from Greenwich Village, where he had bought a turkey for his family’s Christmas dinner.

Inspired by the plump, bearded Dutchman who took him by sleigh on his errand through the snow-covered streets of New York City, Moore penned A Visit from St. Nicholas for the amusement of his six children, with whom he shared the poem that evening. His vision of St. Nicholas draws upon Dutch-American and Norwegian traditions of a magical, gift-giving figure who appears at Christmas time, as well as the German legend of a visitor who enters homes through chimneys.

Again from the Library of Congress, we get information that suggests that Moore was a minor celebrity from a well-known family with historical ties that would make a good “connections” exercise in a high school history class, perhaps (”the link from Aaron Burr’s treason to Santa Claus?”): (read more, below the fold)

Clement Moore was born in 1779 into a prominent New York family. His father, Benjamin Moore, president of Columbia University, in his role as Episcopal Bishop of New York participated in the inauguration of George Washington as the nation’s first president. The elder Moore also administered last rites to Alexander Hamilton after he was mortally wounded in a tragic duel with Aaron Burr.

A graduate of Columbia, Clement Moore was a scholar of Hebrew and a professor of Oriental and Greek literature at the General Theological Seminary in Manhattan. [See comment from Pam Bumsted below for more on Moore.] He is said to have been embarrassed by the light-hearted verse, which was made public without his knowledge in December 1823. Moore did not publish it under his name until 1844.

Tonight, American children will be tucked in under their blankets and quilts and read this beloved poem as a last “sugarplum” before slipping into dreamland. Before they drift off, treat them to a message from Santa, recorded by the Thomas Edison Company in 1922.

Santa Claus Hides in Your Phonograph
By Arthur A. Penn, Performed by Harry E. Humphrey.
Edison, 1922.
Coupling date: 6/20/1922. Cutout date: 10/31/1929.
Inventing Entertainment: The Motion Pictures and Sound Recordings of the Edison Companies

Listen to this recording (RealAudio Format)

Listen to this recording (wav Format, 8,471 Kb)

But Henry Livingston was no less noble or historic. He hailed from the Livingstons of the Hudson Valley (one of whose farms is now occupied by Camp Rising Sun of the Louis August Jonas Foundation, a place where I spent four amazing summers teaching swimming and lifesaving). Livingston’s biography at the University of Toronto site offers another path for a connections exercise (”What connects the Declaration of Independence, the American invasion of Canada, the famous poem about a visit from St. Nick, and George W. Bush?”):

Henry Livingston Jr. was born in Poughkeepsie, New York, on Oct. 13, 1748. The Livingston family was one of the important colonial and revolutionary families of New York. The Poughkeepsie branch, descended from Gilbert, the youngest son of Robert Livingston, 1st Lord of Livingston Manor, was not as well off as the more well-known branches, descended from sons Robert and Philip. Two other descendants of Gilbert Livingston, President George Walker Herbert Bush and his son, President-Elect George W. Bush, though, have done their share to bring attention to this line. Henry’s brother, Rev. John Henry Livingston, entered Yale at the age of 12, and was able to unite the Dutch and American branches of the Dutch Reformed Church. At the time of his death, Rev. Livingston was president of Rutgers University. Henry’s father and brother Gilbert were involved in New York politics, and Henry’s granduncle was New York’s first Lt. Governor. But the law was the natural home for many of Henry’s family. His brother-in-law, Judge Jonas Platt, was an unsuccessful candidate for governor, as was his daughter Elizabeth’s husband, U.S. Supreme Court Justice Smith Thompson. Henry’s grandson, Sidney Breese, was Chief Justice of the Illinois Supreme Court.

Known for his encyclopedic knowledge and his love of literature, Henry Livingston was a farmer, surveyor and Justice of the Peace, a judicial position dealing with financially limited criminal and civil cases. One of the first New Yorkers to enlist in the Revolutionary Army in 1775, Major Henry Livingston accompanied his cousin’s husband, General Montgomery, in his campaign up the Hudson River to invade Canada, leaving behind his new wife, Sarah Welles, and their week-old baby, on his Poughkeepsie property, Locust Grove. Baby Catherine was the subject of the first poem currently known by Major Livingston. Following this campaign, Livingston was involved in the War as a Commissioner of Sequestration, appropriating lands owned by British loyalists and selling them for the revolutionary cause. It was in the period following Sarah’s early death in 1783, that Major Livingston published most of his poems and prose, anonymously or under the pseudonym of R. Ten years after the death of Sarah, Henry married Jane Patterson, the daughter of a Dutchess County politician and sister of his next-door neighbor. Between both wives, Henry fathered twelve children. He published his good-natured, often occasional verse from 1787 in many journals, including Political Barometer, Poughkeepsie Journal, and New-York Magazine. His most famous poem, “Account of a Visit from St. Nicholas,” was until 2000 thought to have been the work of Clement Clarke Moore (1779-1863), who published it with his collected poems in 1844. Livingston died Feb. 29, 1828.

More on Henry Livingston and his authorship of the Christmas poem here.
Thomas Nast, Merry Old Santa Claus, Harper's Weekly, Jan 1, 1881

Our views of Santa Claus owe a great deal also to the Coca-Cola advertising campaign. Coca-Cola first noted Santa’s use of the drink in a 1922 campaign to suggest Coke was a year-round drink (100 years after the publication of Livingston’s poem). The company’s on-line archives gives details:

In 1930, artist Fred Mizen painted a department store Santa in a crowd drinking a bottle of Coke. The ad featured the world’s largest soda fountain, which was located in the department store of Famous Barr Co. in St. Louis, Mo. Mizen’s painting was used in print ads that Christmas season, appearing in The Saturday Evening Post in December 1930.

1936 Coca-Cola Santa cardboard store display

  • 1936 Coca-Cola Santa cardboard store display

Archie Lee, the D’Arcy Advertising Agency executive working with The Coca-Cola Company, wanted the next campaign to show a wholesome Santa as both realistic and symbolic. In 1931, The Coca-Cola Company commissioned Michigan-born illustrator Haddon Sundblom to develop advertising images using Santa Claus — showing Santa himself, not a man dressed as Santa, as Mizen’s work had portrayed him.
1942 original oil painting - 'They Remembered Me'

  • 1942 original oil painting – ‘They Remembered Me’

For inspiration, Sundblom turned to Clement Clark Moore’s 1822 poem “A Visit From St. Nicholas” (commonly called “‘Twas the Night Before Christmas”). Moore’s description of St. Nick led to an image of Santa that was warm, friendly, pleasantly plump and human. For the next 33 years, Sundblom painted portraits of Santa that helped to create the modern image of Santa — an interpretation that today lives on in the minds of people of all ages, all over the world.

Santa Claus is a controversial figure. Debates still rage among parents about the wisdom of allowing the elf into the family’s home, and under what conditions. Theologians worry that the celebration of Christmas is diluted by the imagery. Other faiths worry that the secular, cultural impact of Santa Claus damages their own faiths (few other faiths have such a popular figure, and even atheists generally give gifts and participate in Christmas rituals such as putting up a decorated tree).

For over 100 years, Santa Claus has been a popular part of commercial, cultural and religious life in America. Has any other icon endured so long, or so well?

________________________
Below:
From the University of Toronto Library’s Representative Poetry Online

Major Henry Livingston, Jr. (1748-1828)

Account of a Visit from St. Nicholas

1 ‘Twas the night before Christmas, when all thro’ the house,

2 Not a creature was stirring, not even a mouse;

3 The stockings were hung by the chimney with care,

4 In hopes that St. Nicholas soon would be there;

5 The children were nestled all snug in their beds,

6 While visions of sugar plums danc’d in their heads,

7 And Mama in her ‘kerchief, and I in my cap,

8 Had just settled our brains for a long winter’s nap –

9 When out on the lawn there arose such a clatter,

10 I sprang from the bed to see what was the matter.

11 Away to the window I flew like a flash,

12 Tore open the shutters, and threw up the sash.

13 The moon on the breast of the new fallen snow,

14 Gave the lustre of mid-day to objects below;

15 When, what to my wondering eyes should appear,

16 But a miniature sleigh, and eight tiny rein-deer,

17 With a little old driver, so lively and quick,

18 I knew in a moment it must be St. Nick.

19 More rapid than eagles his coursers they came,

20 And he whistled, and shouted, and call’d them by name:

21 “Now! Dasher, now! Dancer, now! Prancer, and Vixen,

22 “On! Comet, on! Cupid, on! Dunder and Blixem;

23 “To the top of the porch! to the top of the wall!

24 “Now dash away! dash away! dash away all!”

25 As dry leaves before the wild hurricane fly,

26 When they meet with an obstacle, mount to the sky;

27 So up to the house-top the coursers they flew,

28 With the sleigh full of Toys — and St. Nicholas too:

29 And then in a twinkling, I heard on the roof

30 The prancing and pawing of each little hoof.

31 As I drew in my head, and was turning around,

32 Down the chimney St. Nicholas came with a bound:

33 He was dress’d all in fur, from his head to his foot,

34 And his clothes were all tarnish’d with ashes and soot;

35 A bundle of toys was flung on his back,

36 And he look’d like a peddler just opening his pack:

37 His eyes — how they twinkled! his dimples how merry,

38 His cheeks were like roses, his nose like a cherry;

39 His droll little mouth was drawn up like a bow.

40 And the beard of his chin was as white as the snow;

41 The stump of a pipe he held tight in his teeth,

42 And the smoke it encircled his head like a wreath.

43 He had a broad face, and a little round belly

44 That shook when he laugh’d, like a bowl full of jelly:

45 He was chubby and plump, a right jolly old elf,

46 And I laugh’d when I saw him in spite of myself;

47 A wink of his eye and a twist of his head

48 Soon gave me to know I had nothing to dread.

49 He spoke not a word, but went straight to his work,

50 And fill’d all the stockings; then turn’d with a jerk,

51 And laying his finger aside of his nose

52 And giving a nod, up the chimney he rose.

53 He sprung to his sleigh, to his team gave a whistle,

54 And away they all flew, like the down of a thistle:

55 But I heard him exclaim, ere he drove out of sight –

56 Happy Christmas to all, and to all a good night.

Online text copyright © 2005, Ian Lancashire for the Department of English, University of Toronto. Published by the Web Development Group, Information Technology Services, University of Toronto Libraries. Be sure to visit this site for more information on this poem, on Maj. Livingston, and on poetry in general.

More:

 


Best editorial quote ever: “Yes, Virginia, there is a Santa Claus” (2012 remembrance)

December 20, 2012

“Papa says, ‘If you see it in the Sun, it’s so.'”

Do we, you and I in 2012, stand as witnesses to the end of newspapers in America?  In recent months we’ve seen body blows to the New Orleans Times-Picayune, the San Diego Union, and The Cleveland Plain Dealer, and others.

It’s been a grand history. Newspapering gave us great leaders like Benjamin Franklin. Newspapering gave us wars, like the Spanish-American War. Newspapering gave us Charlie Brown, Ann Landers, the Yellow Kid, Jim Murray, Red Smith, Thomas Nast (and Santa Claus), the Federalist Papers, Watergate, Herblock, news of Vietnam and Pearl Harbor, Neil Armstrong on the Moon, the Pentagon Papers, and coupons to save money on laundry soap.

It’s been a curious history, too. An 1897 editorial vouching for Santa Claus rates as the most popular editorial of all time, according to the Newseum in Washington, D.C.  That’s 115 years ago, and that’s quite some staying power.

Francis Pharcellus Church, New York Sun writer who wrote "Yes Virginia, there is a Santa Claus" - Newseum

The man who saved Christmas, at least for Virginia O’Hanlon: Francis Pharcellus Church – Newseum image

In autumn, 1897, 8-year-old Virginia O’Hanlon of 115 West 59th Street in New York, wrote to the New York Sun with this simple question:

“Please tell me the truth; is there a Santa Claus?”

In the age of Yellow Journalism, the fiercely competitive Sun‘s editors turned the letter to Francis Pharcellus. He responded to little Virginia on September 21, 1897:

Yes, Virginia, there is a Santa Claus.”

Church’s brother, William Conant Church, owned and published the newspaper. Both had followed their father into the news business. They co-founded The Army-Navy Journal in 1863, and went on to a series of journalistic collaborations. Francis was 58 years old when he answered Virginia’s letter. (He died at age 67, in 1906.)

The New York Sun held down the conservative corner in New York journalism at the time, versus the New York Times and the New York Herald-Tribune. But it also had an interesting history, to a blogger intrigued by hoaxes. In 1835 the paper published a series of six newspaper stories falsely attributed to Sir John Herschel, a well-known astronomer, claiming to describe a civilization on the Moon — the Great Moon Hoax. The discovery was credited to a new, very powerful telescope.

In 1844 the paper published a hoax written by Edgar Allen Poe, the Balloon Hoax. Under a pseudonym, Poe wrote that a gas balloon had crossed the Atlantic in three days.

The Sun also featured outstanding reporting. A 1947 and 1948 series about crime on the docks of New York City won a Pulitzer Prize for writer Malcolm Johnson. That series inspired Elia Kazan’s 1954 movie On the Waterfront starring Marlon Brando, Rod Steiger, Eva Marie Saint, Karl Malden and Lee J. Cobb.

The New York Sun ceased publication in 1950.

For all of its history, the Sun and the Churches are most remembered for that defense of belief in Santa Claus.
Virginia O’Hanlon grew up, graduated from Hunter College, got a masters at Columbia, and earned a Ph.D. from Fordham. She taught in the New York City Public School system, from which she retired in 1959. She died in 1971.

Birth of tradition

Columbia University was Church’s alma mater, as well as O’Hanlon’s. Her letter and his response get a reading each year at the Yule Log Ceremony at Columbia College, along with the poem “A Visit from St. Nicholas.” Animated, live-acting, and other television productions have been mounted in 1974, 1991, and 2009.

Is there a Santa Claus? Did Church write a credible defense? The text of the letter and answer, below the fold.

More:  

Read the rest of this entry »


Best editorial quote ever: “Yes, Virginia, there is a Santa Claus”

December 23, 2011

“Papa says, ‘If you see it in the Sun, it’s so.'”

Do we, you and I in 2011, stand as witnesses to the end of newspapers in America?

It’s been a grand history. Newspapering gave us great leaders like Benjamin Franklin. Newspapering gave us wars, like the Spanish-American War. Newspapering gave us Charlie Brown, Ann Landers, the Yellow Kid, Jim Murray, Red Smith, Thomas Nast (and Santa Claus), the Federalist Papers, and coupons to save money on laundry soap.

It’s been a curious history, too. An 1897 editorial vouching for Santa Claus rates as the most popular editorial of all time, according to the Newseum in Washington, D.C.

Francis Pharcellus Church, New York Sun writer who wrote "Yes Virginia, there is a Santa Claus" - Newseum

The man who saved Christmas, at least for Virginia O'Hanlon: Francis Pharcellus Church - Newseum image

In autumn, 1897, 8-year-old Virginia O’Hanlon of 115 West 59th Street in New York, wrote to the New York Sun with this simple question:

“Please tell me the truth; is there a Santa Claus?”

In the age of Yellow Journalism, the fiercely competitive Sun‘s editors turned the letter to Francis Pharcellus. He responded to little Virginia on September 21, 1897:

“Yes, Virginia, there is a Santa Claus.”

Church’s brother, William Conant Church, owned and published the newspaper. Both had followed their father into the news business. They co-founded The Army-Navy Journal in 1863, and went on to a series of journalistic collaborations. Francis was 58 years old when he answered Virginia’s letter. (He died at age 67, in 1906.)

The New York Sun held down the conservative corner in New York journalism at the time, versus the New York Times and the New York Herald-Tribune. But it also had an interesting history, to a blogger intrigued by hoaxes. In 1835 the paper published a series of six newspaper stories falsely attributed to Sir John Herschel, a well-known astronomer, claiming to describe a civilization on the Moon — the Great Moon Hoax. The discovery was credited to a new, very powerful telescope.

In 1844 the paper published a hoax written by Edgar Allen Poe, the Balloon Hoax. Under a pseudonym, Poe wrote that a gas balloon had crossed the Atlantic in three days.

The Sun also featured outstanding reporting. A 1947 and 1948 series about crime on the docks of New York City won a Pulitzer Prize for writer Malcolm Johnson. That series inspired Elia Kazan’s 1954 movie On the Waterfront starring Marlon Brando, Rod Steiger, Eva Marie Saint, Karl Malden and Lee J. Cobb.

The New York Sun ceased publication in 1950.

For all of its history, the Sun and the Churches are most remembered for that defense of belief in Santa Claus.
Virginia O’Hanlon grew up, graduated from Hunter College, got a masters at Columbia, and earned a Ph.D. from Fordham. She taught in the New York City Public School system, from which she retired in 1959. She died in 1971.

Birth of tradition

Columbia University was Church’s alma mater, as well as O’Hanlon’s. Her letter and his response get a reading each year at the Yule Log Ceremony at Columbia College, along with the poem “A Visit from St. Nicholas.” Animated, live-acting, and other television productions have been mounted in 1974, 1991, and 2009.


Is there a Santa Claus? Did Church write a credible defense? The text of the letter and answer, below the fold.

More:  

Read the rest of this entry »


How do we know? Who invented Santa Claus? Who really wrote “Account of a Visit from St. Nicholas?”

December 22, 2011

The annual retelling, a Christmas tradition; an encore post from 2007

Thomas Nast invented Santa Claus? Clement C. Moore didn’t write the famous poem that starts out, “‘Twas the night before Christmas, and all through the house . . . ?”

The murky waters of history from Millard Fillmore’s Bathtub soak even our most cherished ideas and traditions.

But isn’t that part of the fun of history?

Santa Claus delivers to Union soldiers, "Santa Claus in Camp" - Thomas Nast, Harper's Weekly, Jan 3, 1863

Thomas Nast’s first published drawing featuring Santa Claus; for Harper’s Weekly, “A Journal of Civilization,” January 3, 1863 Nast portrayed the elf distributing packages to Union troops: “Santa Claus in camp.” Nast (1840-1904) was 23 when he drew this image.

Yes, Virginia (and California, too)! Thomas Nast created the image of Santa Claus most of us in the U.S. know today. Perhaps even more significant than his campaign against the graft of Boss Tweed, Nast’s popularization of a fat, jolly elf who delivers good things to people for Christmas makes one of the great stories in commercial illustration. Nast’s cartoons, mostly for the popular news publication Harper’s Weekly, created many of the conventions of modern political cartooning and modeled the way in which an illustrator could campaign for good, with his campaign against the graft of Tammany Hall and Tweed. But Nast’s popular vision of Santa Claus can be said to be the foundation for the modern mercantile flurry around Christmas.

Nast is probably ensconced in a cartoonists’ hall of fame. Perhaps he should be in a business or sales hall of fame, too. [See also Bill Casselman’s page, “The Man Who Designed Santa Claus.]

Nast’s drawings probably drew some inspiration from the poem, “Account of a Visit from St. Nicholas,” traditionally attributed to Clement C. Moore, a New York City lawyer, published in 1822. The poem is among the earliest to describe the elf dressed in fur, and magically coming down a chimney to leave toys for children; the poem invented the reindeer-pulled sleigh.

Modern analysis suggests the poem was not the work of Moore, and many critics and historians now attribute it to Major Henry Livingston, Jr. (1748-1828) following sleuthing by Vassar College Prof. Don Foster in 2000. Fortunately for us, we do not need to be partisans in such a query to enjoy the poem (a complete copy of which is below the fold).

The Library of Congress still gives Moore the credit. When disputes arise over who wrote about the night before Christmas, is it any wonder more controversial topics produce bigger and louder disputes among historians?

Moore was not known for being a poet. The popular story is that he wrote it on the spur of the moment:

Moore is thought to have composed the tale, now popularly known as “The Night Before Christmas,” on December 24, 1822, while traveling home from Greenwich Village, where he had bought a turkey for his family’s Christmas dinner.

Inspired by the plump, bearded Dutchman who took him by sleigh on his errand through the snow-covered streets of New York City, Moore penned A Visit from St. Nicholas for the amusement of his six children, with whom he shared the poem that evening. His vision of St. Nicholas draws upon Dutch-American and Norwegian traditions of a magical, gift-giving figure who appears at Christmas time, as well as the German legend of a visitor who enters homes through chimneys.

Again from the Library of Congress, we get information that suggests that Moore was a minor celebrity from a well-known family with historical ties that would make a good “connections” exercise in a high school history class, perhaps (”the link from Aaron Burr’s treason to Santa Claus?”): (read more, below the fold)

Clement Moore was born in 1779 into a prominent New York family. His father, Benjamin Moore, president of Columbia University, in his role as Episcopal Bishop of New York participated in the inauguration of George Washington as the nation’s first president. The elder Moore also administered last rites to Alexander Hamilton after he was mortally wounded in a tragic duel with Aaron Burr.

A graduate of Columbia, Clement Moore was a scholar of Hebrew and a professor of Oriental and Greek literature at the General Theological Seminary in Manhattan. [See comment from Pam Bumsted below for more on Moore.] He is said to have been embarrassed by the light-hearted verse, which was made public without his knowledge in December 1823. Moore did not publish it under his name until 1844.

Tonight, American children will be tucked in under their blankets and quilts and read this beloved poem as a last “sugarplum” before slipping into dreamland. Before they drift off, treat them to a message from Santa, recorded by the Thomas Edison Company in 1922.

Santa Claus Hides in Your Phonograph
By Arthur A. Penn, Performed by Harry E. Humphrey.
Edison, 1922.
Coupling date: 6/20/1922. Cutout date: 10/31/1929.
Inventing Entertainment: The Motion Pictures and Sound Recordings of the Edison Companies

Listen to this recording (RealAudio Format)

Listen to this recording (wav Format, 8,471 Kb)

But Henry Livingston was no less noble or historic. He hailed from the Livingtons of the Hudson Valley (one of whose farms is now occupied by Camp Rising Sun of the Louis August Jonas Foundation, a place where I spent four amazing summers teaching swimming and lifesaving). Livingston’s biography at the University of Toronto site offers another path for a connections exercise (”What connects the Declaration of Independence, the American invasion of Canada, the famous poem about a visit from St. Nick, and George W. Bush?”):

Henry Livingston Jr. was born in Poughkeepsie, New York, on Oct. 13, 1748. The Livingston family was one of the important colonial and revolutionary families of New York. The Poughkeepsie branch, descended from Gilbert, the youngest son of Robert Livingston, 1st Lord of Livingston Manor, was not as well off as the more well-known branches, descended from sons Robert and Philip. Two other descendants of Gilbert Livingston, President George Walker Herbert Bush and his son, President-Elect George W. Bush, though, have done their share to bring attention to this line. Henry’s brother, Rev. John Henry Livingston, entered Yale at the age of 12, and was able to unite the Dutch and American branches of the Dutch Reformed Church. At the time of his death, Rev. Livingston was president of Rutgers University. Henry’s father and brother Gilbert were involved in New York politics, and Henry’s granduncle was New York’s first Lt. Governor. But the law was the natural home for many of Henry’s family. His brother-in-law, Judge Jonas Platt, was an unsuccessful candidate for governor, as was his daughter Elizabeth’s husband, U.S. Supreme Court Justice Smith Thompson. Henry’s grandson, Sidney Breese, was Chief Justice of the Illinois Supreme Court.

Known for his encyclopedic knowledge and his love of literature, Henry Livingston was a farmer, surveyor and Justice of the Peace, a judicial position dealing with financially limited criminal and civil cases. One of the first New Yorkers to enlist in the Revolutionary Army in 1775, Major Henry Livingston accompanied his cousin’s husband, General Montgomery, in his campaign up the Hudson River to invade Canada, leaving behind his new wife, Sarah Welles, and their week-old baby, on his Poughkeepsie property, Locust Grove. Baby Catherine was the subject of the first poem currently known by Major Livingston. Following this campaign, Livingston was involved in the War as a Commissioner of Sequestration, appropriating lands owned by British loyalists and selling them for the revolutionary cause. It was in the period following Sarah’s early death in 1783, that Major Livingston published most of his poems and prose, anonymously or under the pseudonym of R. Ten years after the death of Sarah, Henry married Jane Patterson, the daughter of a Dutchess County politician and sister of his next-door neighbor. Between both wives, Henry fathered twelve children. He published his good-natured, often occasional verse from 1787 in many journals, including Political Barometer, Poughkeepsie Journal, and New-York Magazine. His most famous poem, “Account of a Visit from St. Nicholas,” was until 2000 thought to have been the work of Clement Clarke Moore (1779-1863), who published it with his collected poems in 1844. Livingston died Feb. 29, 1828.

More on Henry Livingston and his authorship of the Christmas poem here.
Thomas Nast, Merry Old Santa Claus, Harper's Weekly, Jan 1, 1881

Our views of Santa Claus owe a great deal also to the Coca-Cola advertising campaign. Coca-Cola first noted Santa’s use of the drink in a 1922 campaign to suggest Coke was a year-round drink (100 years after the publication of Livingston’s poem). The company’s on-line archives gives details:

In 1930, artist Fred Mizen painted a department store Santa in a crowd drinking a bottle of Coke. The ad featured the world’s largest soda fountain, which was located in the department store of Famous Barr Co. in St. Louis, Mo. Mizen’s painting was used in print ads that Christmas season, appearing in The Saturday Evening Post in December 1930.

1936 Coca-Cola Santa cardboard store display

1936 Coca-Cola Santa cardboard store display

  • 1936 Coca-Cola Santa cardboard store display
1942 original oil painting - 'They Remembered Me'

1942 original oil painting - ‘They Remembered Me’

Archie Lee, the D’Arcy Advertising Agency executive working with The Coca-Cola Company, wanted the next campaign to show a wholesome Santa as both realistic and symbolic. In 1931, The Coca-Cola Company commissioned Michigan-born illustrator Haddon Sundblom to develop advertising images using Santa Claus — showing Santa himself, not a man dressed as Santa, as Mizen’s work had portrayed him.

  • 1942 original oil painting – ‘They Remembered Me’

For inspiration, Sundblom turned to Clement Clark Moore’s 1822 poem “A Visit From St. Nicholas” (commonly called “‘Twas the Night Before Christmas”). Moore’s description of St. Nick led to an image of Santa that was warm, friendly, pleasantly plump and human. For the next 33 years, Sundblom painted portraits of Santa that helped to create the modern image of Santa — an interpretation that today lives on in the minds of people of all ages, all over the world.

Santa Claus is a controversial figure. Debates still rage among parents about the wisdom of allowing the elf into the family’s home, and under what conditions. Theologians worry that the celebration of Christmas is diluted by the imagery. Other faiths worry that the secular, cultural impact of Santa Claus damages their own faiths (few other faiths have such a popular figure, and even atheists generally give gifts and participate in Christmas rituals such as putting up a decorated tree).

For over 100 years, Santa Claus has been a popular part of commercial, cultural and religious life in America. Has any other icon endured so long, or so well?

________________________
Below:
From the University of Toronto Library’s Representative Poetry Online

Major Henry Livingston, Jr. (1748-1828)

Account of a Visit from St. Nicholas

1 ‘Twas the night before Christmas, when all thro’ the house,
2 Not a creature was stirring, not even a mouse;
3 The stockings were hung by the chimney with care,
4 In hopes that St. Nicholas soon would be there;
5 The children were nestled all snug in their beds,
6 While visions of sugar plums danc’d in their heads,
7 And Mama in her ‘kerchief, and I in my cap,
8 Had just settled our brains for a long winter’s nap –
9 When out on the lawn there arose such a clatter,
10 I sprang from the bed to see what was the matter.
11 Away to the window I flew like a flash,
12 Tore open the shutters, and threw up the sash.
13 The moon on the breast of the new fallen snow,
14 Gave the lustre of mid-day to objects below;
15 When, what to my wondering eyes should appear,
16 But a miniature sleigh, and eight tiny rein-deer,
17 With a little old driver, so lively and quick,
18 I knew in a moment it must be St. Nick.
19 More rapid than eagles his coursers they came,
20 And he whistled, and shouted, and call’d them by name:
21 “Now! Dasher, now! Dancer, now! Prancer, and Vixen,
22 “On! Comet, on! Cupid, on! Dunder and Blixem;
23 “To the top of the porch! to the top of the wall!
24 “Now dash away! dash away! dash away all!”
25 As dry leaves before the wild hurricane fly,
26 When they meet with an obstacle, mount to the sky;
27 So up to the house-top the coursers they flew,
28 With the sleigh full of Toys — and St. Nicholas too:
29 And then in a twinkling, I heard on the roof
30 The prancing and pawing of each little hoof.
31 As I drew in my head, and was turning around,
32 Down the chimney St. Nicholas came with a bound:
33 He was dress’d all in fur, from his head to his foot,
34 And his clothes were all tarnish’d with ashes and soot;
35 A bundle of toys was flung on his back,
36 And he look’d like a peddler just opening his pack:
37 His eyes — how they twinkled! his dimples how merry,
38 His cheeks were like roses, his nose like a cherry;
39 His droll little mouth was drawn up like a bow.
40 And the beard of his chin was as white as the snow;
41 The stump of a pipe he held tight in his teeth,
42 And the smoke it encircled his head like a wreath.
43 He had a broad face, and a little round belly
44 That shook when he laugh’d, like a bowl full of jelly:
45 He was chubby and plump, a right jolly old elf,
46 And I laugh’d when I saw him in spite of myself;
47 A wink of his eye and a twist of his head
48 Soon gave me to know I had nothing to dread.
49 He spoke not a word, but went straight to his work,
50 And fill’d all the stockings; then turn’d with a jerk,
51 And laying his finger aside of his nose
52 And giving a nod, up the chimney he rose.
53 He sprung to his sleigh, to his team gave a whistle,
54 And away they all flew, like the down of a thistle:
55 But I heard him exclaim, ere he drove out of sight –
56 Happy Christmas to all, and to all a good night.

Online text copyright © 2005, Ian Lancashire for the Department of English, University of Toronto. Published by the Web Development Group, Information Technology Services, University of Toronto Libraries. Be sure to visit this site for more information on this poem, on Maj. Livingston, and on poetry in general.

Nota bene: By no means should readers assume that I’m saying the authorship of “A Visit from St. Nicholas” is settled. There remains much controversy, and many people convinced that Moore was, indeed, the author. See this comment from an earlier posting, for example.


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