Here’s the trailer:
Kathryn and I caught it last night at the renovated, historic Texas Theatre on Jefferson Avenue in Oak Cliff (formerly an independent town, now a sprawling neighborhood of Dallas). The audience enthusiasm didn’t overpower the movie — the audience was much smaller than the film deserves.
Advantages of seeing this at the Texas:
- Parking is easy and free after 4:00 p.m. on Jefferson Avenue.
- The bar has Mothership beer on tap (and a variety of other good libations).
- Popcorn is cheaper than at most megaplexes, plus it doesn’t taste as if made from petroleum by-product (which is not to say it is healthy, but that it may be less unhealthy).
- History point 1: This is a near-Art Deco theatre built originally by Howard Hughes.
- History point 2: This is the theatre in which Lee Harvey Oswald was captured in his flight from the scene of the assassination of President John F. Kennedy.
- It’s a great film.
- It’s a great theatre to view great films in.
Punk never made a great impression on me. But at length, years later, I think I understand part of the angst and noise of the punkers, thanks to this film. The description at the YouTube trailer:
THE OTHER F WORD
directed by Andrea Blaugrund Nevins
produced by Cristan Reilly and Andrea Blaugrund Nevins
IN THEATERS NOVEMBER 2ND, 2011
This revealing and touching film asks what happens when a generation’s ultimate anti-authoritarians — punk rockers — become society’s ultimate authorities — dads. With a large chorus of punk rock’s leading men – Blink-182’s Mark Hoppus, Red Hot Chili Peppers’ Flea, Rise Against’s Tim McIlrath – THE OTHER F WORD follows Jim Lindberg, a 20-year veteran of the skate punk band Pennywise, on his hysterical and moving journey from belting his band’s anthem “F–k Authority,” to embracing his ultimately authoritarian role in mid-life: fatherhood.
Other dads featured in the film include skater Tony Hawk, Art Alexakis (Everclear), Mark Mothersbaugh (Devo), Tony Adolescent (The Adolescents), Fat Mike (NOFX), Lars Frederiksen (Rancid), and many others.
These are Tea Partiers with a cause and a brain, and a sense of social responsibility. Lindberg said, near the end of the movie:
That’s what I want to hold on to, is that feeling that we can make a change out there. Maybe the way we change the world is by raising better kids.
Readers of this blog may note the great irony in one of the chief profiles of the film being of Ron Reyes, a member of early West Coast punk band Black Flag, who quit the band in the middle of a set to protest the violence that afflicted the Los Angeles punk scene, and moved to Vancouver, British Columbia, to raise his kids well.
Heck, it’s probably a great film to see even if you can’t see it at the Texas.
(You know, I’ve got some shots of our tour of the Texas Theatre in August . . . hmm . . . where are those pictures? Other computer?)