53 years ago: August 7, 1964, Congress passed the Gulf of Tonkin Resolution

August 7, 2017

August 7 is the 53rd anniversary of the Gulf of Tonkin Resolution, the resolution which authorized President Lyndon B. Johnson to move troops into South Vietnam to defend U.S. interests.

Gulf of Tonkin Resolution, passed by Congress on August 7, 1964, as presented to President Lyndon Johnson, and signed by him on August 10. This is the document that authorized U.S. involvement in Vietnam. Image from the National Archives, Our Documents display.

Gulf of Tonkin Resolution, passed by Congress on August 7, 1964, as presented to President Lyndon Johnson, and signed by him on August 10. This is the document that authorized U.S. involvement in Vietnam. Image from the National Archives, Our Documents display.

The resolution passed Congress after what appeared to be attacks on two U.S. Navy ships in the Gulf of Tonkin.  At the time, and now, evidence is weak that such attacks took place.

Most historians today think the evidence for the attacks is inconclusive; many argue it is unlikely North Vietnamese gunboats would have opened fire on a vastly superior U.S. Navy warship. Debate is complicated because the Gulf of Tonkin Resolution effectively substituted for a declaration of war, in a war the U.S. arguably lost, which divided Americans as rarely before, and which cost more than 58,000 soldiers and civilians their lives.

How will we view the Tonkin Gulf resolution in 50 years, with the history of two much longer wars in the Middle East factored in? What do you think?

Quick summary from the National Archives:

On August 4, 1964, President Lyndon Johnson announced that two days earlier, U.S. ships in the Gulf of Tonkin had been attacked by the North Vietnamese. Johnson dispatched U.S. planes against the attackers and asked Congress to pass a resolution to support his actions. The joint resolution “to promote the maintenance of international peace and security in southeast Asia” passed on August 7, with only two Senators (Wayne Morse and Ernest Gruening) dissenting, and became the subject of great political controversy in the course of the undeclared war that followed.

The Tonkin Gulf Resolution stated that “Congress approves and supports the determination of the President, as Commander in Chief, to take all necessary measures to repeal any armed attack against the forces of the United States and to prevent any further aggression.” As a result, President Johnson, and later President Nixon, relied on the resolution as the legal basis for their military policies in Vietnam.

As public resistance to the war heightened, the resolution was repealed by Congress in January 1971.

Santayana’s ghost looks on in wonder.

Map of divided Vietnam, during the Vietnam War. History Place map via Mr. Roache's Place

Map of divided Vietnam, during the Vietnam War. History Place map via Mr. Roache’s Place

Considering its powerful effect on American history, the document is very, very brief.  Here’s the text [links added]:

Eighty-eighth Congress of the United States of America
AT THE SECOND SESSION

Begun and held at the City of Washington on Tuesday, the seventh day of January, one thousand nine hundred and sixty-four

Joint Resolution
To promote the maintenance of international peace and security in southeast Asia.

Whereas naval units of the Communist regime in Vietnam, in violation of the principles of the Charter of the United Nations and of international law, have deliberately and repeatedly attacked United Stated naval vessels lawfully present in international waters, and have thereby created a serious threat to international peace; and

Whereas these attackers are part of deliberate and systematic campaign of aggression that the Communist regime in North Vietnam has been waging against its neighbors and the nations joined with them in the collective defense of their freedom; and

Whereas the United States is assisting the peoples of southeast Asia to protest their freedom and has no territorial, military or political ambitions in that area, but desires only that these people should be left in peace to work out their destinies in their own way: Now, therefore be it

Resolved by the Senate and House of Representatives of the United States of America in Congress assembled, That the Congress approves and supports the determination of the President, as Commander in Chief, to take all necessary measures to repel any armed attack against the forces of the United States and to prevent further aggression.

Map showing ship movements reported during the Gulf of Tonkin Incident, on August 4, 1964; reports that North Vietnamese gunboats attacked and engaged two patrolling U.S. Navy ships pushed Congress to authorize President Johnson to take extensive defensive actions.

Map showing ship movements reported during the Gulf of Tonkin Incident, on August 4, 1964; reports that North Vietnamese gunboats attacked and engaged two patrolling U.S. Navy ships pushed Congress to authorize President Johnson to take extensive defensive actions. (image from Wikipedia map 8/2017)

Section 2. The United States regards as vital to its national interest and to world peace the maintenance of international peace and security in southeast Asia. Consonant with the Constitution of the United States and the Charter of the United Nations and in accordance with its obligations under the Southeast Asia Collective Defense Treaty, the United States is, therefore, prepared, as the President determines, to take all necessary steps, including the use of armed force, to assist any member or protocol state of the Southeast Asia Collective Defense Treaty requesting assistance in defense of its freedom.

Section 3. This resolution shall expire when the President shall determine that the peace and security of the area is reasonably assured by international conditions created by action of the United Nations or otherwise, except that it may be terminated earlier by concurrent resolution of the Congress.

[endorsements]

And on that authority, “Congress approves and supports the determination of the President, as Commander in Chief, to take all necessary measures to repel any armed attack against the forces of the United States and to prevent further aggression,” the U.S. spent the next 11 years in all-out warfare in Vietnam, with up to 500,000 military troops in the conflict, and losing the lives of more than 58,000 men and women. Can we ever know what really happened, or what motivated President Johnson to ask for the resolution, or what motivated Congress to pass it?

U.S. engagement in Vietnam continued well after the repeal of the Tonkin Gulf Resolution in 1971.  In 1973 a peace treaty was signed between the U.S., North Vietnam and South Vietnam.  The provisions of the treaty did not hold; a final North Vietnamese military push in April 1975 crumpled the South Vietnamese government and army.  The few remaining U.S. forces made an emergency withdrawal as Viet Cong and North Vietnamese troops entered Saigon.  Vietnam was reunited by force, under a communist government.

Attacks on the USS Maddox and USS Turner Joy — if they occurred — took place early on August 4.  President Johnson might be excused for having done nothing on the issue at the time.  That was the same day that the bodies of three civil rights workers were discovered by the FBI, murdered by a pro-segregation mob with clear ties to the local Ku Klux Klan.  Either event, the Gulf of Tonkin, or the Mississippi civil rights murders, could be a major event in any presidency, testing to the utmost the leadership and peace-making abilities of a president.  Johnson dealt with both events at the same time.

Three American civil rights’ workers, James Earl Chaney, Andrew Goodman, and Michael “Mickey” Schwerner, were lynched on the night of June 21–22, 1964 by members of the Mississippi White Knights of the Ku Klux Klan, the Neshoba County‘s Sheriff Office and the Philadelphia Police Department located in Philadelphia, Mississippi. The three had been working on the “Freedom Summer” campaign, attempting to register African Americans to vote.

On a commission from the Dallas Symphony, composer Stephen Stucky composed a piece during the Lyndon Johnson Centennial in 2008; Kathryn and I heard the world premiere of August 4, 1964, on September 18, 2008.  Stucky’s piece (with libretto by Gene Scheer) is the only place I know where anyone has seriously considered the nexus between these two, opposite-side-of-the-world tragedies, and how they set the stage for the rest of the 1960s decade.   The piece has been recorded by the Dallas Symphony.  I highly recommend it.

Here’s a video from the Dallas Symphony on the piece:

What have we learned from this bit of history? What should we have learned from it?

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Yes, this is mostly an encore post. Fighting ignorance requires patience.

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History and art: Lyndon Johnson, Civil Rights, Vietnam, Stephen Stucky, the Dallas Symphony, and “August 4, 1964”

August 4, 2017

The Dallas Symphony Orchestra, under the direction of Jaap van Zweden, presents the premiere of Steven Stucky's oratorio

The Dallas Symphony Orchestra, under the direction of Jaap van Zweden, presents the premiere of Steven Stucky’s oratorio “August 4, 1964,” with soloists, from left, mezzo-soprano Kelley O’Connor, soprano Laquita Mitchell, tenor Vale Rideout, and baritone Robert Orth. Photo from the National Endowment for the Arts, Jason Kindig

In an era when our president and Congress appear unable to deal with one issue on a good day, it may be instructive to look back to a day upon which one U.S. President handled a lot, all at once.

On August 4, 1964, President Johnson awoke to the news that two U.S. Navy ships cruising in the Tonkin Gulf had been fired upon by North Vietnamese Navy gunboats; then the FBI called and announced that the bodies of three civil rights workers had been found, young men registering African Americans to vote in Mississippi.  Both of these events rumble through history like a Rocky Mountain avalanche to today; either was a make-or-break event for any presidency.  

Lyndon Johnson dealt with them both, the same day. And though Vietnam did not turn out for the best, it’s useful to note that Johnson’s call for Congress to grant authority to act on the Tonkin incident got results just three days later.

Sadly we note that Stephen Stucky, the composer of this great piece, died of brain cancer on February 14, 2016.

“August 4, 1964,” is an oratorio covering a remarkable and fantastic coincidence in the presidency of Lyndon B. Johnson.  On that day, the bodies of three civil rights workers who had been missing for nearly seven weeks, were found in shallow graves near Philadelphia, Mississippi — they were the victims of violence aimed at stopping blacks from voting.  The incident was a chief spur to the 1965 Voting Rights Act.

And also on that day, the U.S.S. Maddox reported it had been attacked by gunboats of the North Vietnamese Navy, in the Gulf of Tonkin.  The Gulf of Tonkin incident led to the Gulf of Tonkin Resolution, which gave Johnson the authority to expand and escalate the war in Vietnam, which he did.

Cover for the CD of the Dallas Symphony's performance of Steven Stucky's

Cover for the CD of the Dallas Symphony’s Grammy-nominated performance of Steven Stucky’s “August 4, 1964,” Jaap van Zweden conducting.

The Dallas Symphony commissioned the work, from composer Steven Stucky and librettist Gene Scheer, in commemoration of President Johnson’s 100th birth anniversary — he would have been 100 on August 27, 2008.  The works were premiered in Dallas in 2008.

The music is outstanding, especially for a modern piece.  The Dallas Symphony played at its flashiest and most sober best, under the baton of new conductor Jaap van Zweden.  It was a spectacular performance.  According to the New York Times:

Mr. van Zweden, hailed in his debut as music director a week before, scored another triumph here. And the orchestra’s assured and gritty performance was rivaled by that of the large Dallas Symphony Chorus, both corporately and individually, in shifting solo snippets charting the course of the fateful day.

The strong cast, mildly amplified, was robustly led by the Johnson of Robert Orth, last heard as another president in John Adams’s “Nixon in China” in Denver in June. Laquita Mitchell and Kelley O’Conner, wearing period hats, were touching as Mrs. Chaney and Mrs. Goodman. Understandably, the taxing role of a high-strung McNamara took a small toll on the tenor of Vale Rideout in his late aria.

The entire thing deserves more commentary, perhaps soon.  There is stellar history in the choral piece.  And there is this:  Consider that Lyndon Johnson, the best legislator and second most-effective executive we ever had as president, got hit with these two crises the same day.  On the one hand the nation got the Voting Rights Act, the Fair Housing Act, executive orders and government support to end segregation and the evils it created.  On the other hand, we got stuck with the disaster of the Vietnam War.

How would the nation fared had a lesser person been in the White House on that day?

(August 4 is a busy, busy day in history; much to think about.)

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Joni Mitchell’s “Shadows and Light,” showing off Pat Metheney, Don Alias, Lyle Mays, Jaco Pastorious, Micheal Brecker

April 23, 2017

Cover of the vinyl album and CD of

Cover of the vinyl album and CD of “Shadows and Light,” the album produced from Joni Mitchell’s 1980 tour of the same name. Wikipedia image

I think we have this DVD in our collection — surprised no one’s complained to have it taken down.

It’s wonderful.

Joni Mitchell at her jazzy best, voice in peak form (she always is). What’s so amaazing about this tour is the backup band. Don Alias performed percussion. Pat Metheney, the guitar wizard, accepted Joni’s invitation. Michael Brecker went along on saxophone. Brilliant young (then) keyboardist Lyle Mays played.  The sadly, doomed bassist Jaco Pastorious did some of his best work on the tour. Every musician seemed to be at the top of his or her form — and it shows, gloriously.

Go see. Then buy the CD and the DVD of the tour.

We won’t see a tour like this again, probably ever. Joni Mitchell’s health problems are well known. Jaco Pastorious died in 1987 after a descent into mental illness. (Son Kenny introduced us to the great Robert Trujillo-produced film “Jaco” last summer; another one worth watching and listening to.)

But we do have the performance from that one night in 1980, at the Santa Barbara Bowl.

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Ashes to ashes, airplanes to spread them, Damon Runyon and silver bells; Wrights flew on December 17, on December 18 an airplane spread Damon Runyon’s ashes (not the same year)

December 18, 2016

Spent a day with my aging father-in-law last week. Conversation is difficult, but memories always flow. We watched the movie version of “Guys and Dolls,” with Sinatra and Brando, and Stubby Kaye’s get-up-and-sing version of “Sit Down! You’re Rockin’ the Boat.”

He was happy to see the thing again, though in the first few minutes he said he didn’t think he’d ever seen the film. My fondness for the piece, and for Damon Runyon’s stories, goes back (too many) decades to a production of the play by the Utah Valley Opera Society. They hired our high school drama director, David Larson, to direct. On a lark I auditioned, telling them I couldn’t really sing or dance, and ended up with a lot of lines in a couple of supporting roles, and singing and dancing both in the chorus.

When my father-in-law joined in the movie chorus of “Fugue for Tinhorns,” I knew we had a good couple of hours. We laughed, watched, reminisced, and sang along.

Damon Runyon could tell stories, true stories about real people. Sometimes the names were changed to protect the innocent, or the guilty; sometimes the real names were more entertaining than the fictional names Runyon invented.

Some time ago I stumbled across the story of Runyon’s son, Damon Runyon, Jr., using an early airplane to spread the playwright’s ashes. It’s a story Runyon would have appreciated. It’s appropriate for the day after the anniversary of the Wrights’ first flight; December 18 is the anniversary of the event.

On December 17, Orville and Wilbur Wright got their heavier-than-air flying contraption to actually fly with motor driving it along.

First flight of the Wright Flyer I, December 1...

First flight of the Wright Flyer I, December 17, 1903, Orville piloting, Wilbur running at wingtip. Photo from Wikipedia

On December 18, Damon Runyon, Jr., got Eddie Rickenbacker to fly over Broadway to scatter the ashes of his father, Damon Runyon.

First Lieutenant E. V. [Eddie] Rickenbacker, 9...

First Lieutenant E. V. [Eddie] Rickenbacker, 94th Aero Squadron, American ace, standing up in his Spad plane. Near Rembercourt, France. Photo from Wikipedia. This photo dates near World War I; Rickenbacker remained a hero for a couple of decades. In 1946, he flew a DC-3 over New York City, and illegally scattered the ashes of raconteur Damon Runyon over his beloved Broadwary.

Not exactly the next day. 43 years and one day apart.  The Wrights first flew in 1903; Runyon died in 1946.

Today in Literature, for December 18:

On this day in 1946 Damon Runyon’s ashes were scattered over Broadway by his son, in a plane flown by Eddie Rickenbacker. Runyon was born in Manhattan, Kansas; he arrived at the bigger apple at the age of thirty, to be a sportswriter and to try out at Mindy’s and the Stork Club and any betting window available his crap-shoot worldview: “All of life is six to five against.” Broadway became his special beat, and in story collections like Guys and Dolls he developed the colorful characters — Harry the Horse, the Lemon Drop Kid, Last Card Louie — and the gangster patois that would swept America throughout the thirties and forties.

A lot of history packed in there.  Runyon’s early reportorial career included a lot of that history — he wrote the lead story for United Press on the inauguration of Franklin Roosevelt, for one example.  Runyon found a uniquely American vein of literary ore on Broadway in New York City, and in the ne’er-do-wells, swells, tarts and reformers who flocked to the City that Never Sleeps to seek fame, or fortune, or swindle that fortune from someone else.

As a reporter and essayist, he smoked a lot.  Throat cancer robbed him, first of his voice, then his life at 56.

Runyon’s ashes were spread illegally over Broadway, from a DC-3 piloted by Rickenbacker. Runyon would have liked that.

You couldn’t make this stuff up.

Factoids of history:

  • Twenty movies got crafted from Runyon stories, including “The Lemon Drop Kid” — in two versions, 1934 and 1951. Appropriate to the Christmas season, the 1951 version introduced the song, “Silver Bells” composed by Jay Livingston and Ray Evans. (Great explanation of the movie, and song, here.)
  • Runyon got fame first as a sports writer.  He was inducted into the writer’s wing of the Baseball Hall of Fame in 1967.
  • According to Wikipedia, Jerry Lewis and others owe a great debt to Damon Runyon:  “The first ever telethon was hosted by Milton Berle in 1949 to raise funds for the Damon Runyon Cancer Research Foundation.”
  • One might salivate over the varied fare offered in the theaters of Broadway in 1946, Runyon’s final year, “Annie, Get Your Gun” through Shakespeare, and everything in between and on either side
  • Runyon and H. L. Mencken both covered the trial of Bruno Hauptmann, the accused (then convicted) kidnapper of Charles Lindbergh’s baby son
  • Yes, of course, “Guys and Dolls.” Frank Loesser created it, but not of whole cloth, but from the stories of Damon Runyon; it is a masterpiece, perhaps in several realms.  In homage to Runyon, Adam Gopnik wrote:

    Just as Chandler fans must be grateful for Bogart, Runyon fans have to be perpetually happy that the pure idea of Runyon, almost independent of his actual writings, produced the best of all New York musicals: Frank Loesser’s “Guys and Dolls,” which made its début in 1950 and is just now reopening on Broadway in a lavish and energetic new production. But then “Guys and Dolls” is so good that it can triumph over amateur players and high-school longueurs and could probably be a hit put on by a company of trained dolphins in checked suits with a chorus of girl penguins.

    Your author here, Dear Reader, was once one of those trained dolphins. It was magnificent.

“Silver Bells,” from “The Lemon Drop Kid,” with William Frawley, Virginia Maxwell and Bob Hope (1951 version):

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A view of New York City in 1946:

Thomas Hart Benton (1889–1975)

Thomas Hart Benton (1889–1975) “The Artist’s Show, Washington Square,” painted in 1946

Times Square, showing part of Broadway, in November 1946, from the magnificent archives of Life Magazine:

Brownout Time Square.November 1946.© Time Inc.Herbert Gehr - See more at: http://kcmeesha.com/2011/11/29/old-photos-times-square-through-the-years/#sthash.ru9W0F9h.dpuf

Brownout Time Square.November 1946.© Time Inc.Herbert Gehr – See more at: http://kcmeesha.com/2011/11/29/old-photos-times-square-through-the-years/#sthash.ru9W0F9h.dpuf

Yes, this is mostly an encore post. Fighting ignorance requires patience.

Yes, this is mostly an encore post. Fighting ignorance requires patience.

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Beethoven’s birthday and baptism, and accident on the way to the concert hall

December 18, 2016

Beethoven takes an unplanned swim in his rush to the concert hall in Google's Doodle honoring the composer's 245th year. Image from Google, via Washington Post

Beethoven takes an unplanned swim in his rush to the concert hall in Google’s Doodle honoring the composer’s 245th year, 2015. Image from Google, via Washington Post.

Maybe we should say “happy baptism.” The infant Ludwig von Beethoven was baptized on December 17, 1770; he was born the previous day, perhaps (some historians disagree). In 2016, Beethoven is 246. No longer alive, of course.

But the point is, Google honored Beethoven with an interactive Google Doodle in 2015, one of the best they’ve ever done. The Doodle features the composer finishing scores and heading to the concert hall — with a series of mishaps along the way that scatter his musical scores and leaves them torn up, speared and generally out of order.

Then you, Dear Reader, get a chance to re-arrange the score in order. When you do that, it plays. Finally Beethoven gets to the concert hall.

It’s a great learning device, really. Can Google do this for history? Can we figure out a way to create these for use in our classrooms?

Here is the intro to the piece (I’m not skilled enough to embed the entire quiz). Click to Google for the entire piece, with the quizzes.

Now that you’ve finished the quizzes, relax for 42 minutes with Beethoven’s Symphony No. 6, The Pastorale, performed by the Bremen symphonie, directed by Paavo Jarvi.

Information:

Beethoven: Symphony No.6 in F, “Pastorale”, Op.68
Deutsche Kammerphilharmonie Bremen
Paavo Jarvi, dir.

Yes, this is mostly an encore post. Fighting ignorance requires patience.

Yes, this is mostly an encore post. Fighting ignorance requires patience. Just teaching history requires patience.

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Down in the River to Pray, with Longhorn Tubas

November 30, 2016

I love low brass.

An Ohio friend alerted my wife to this piece from the University of Texas Tuba/Euphonium Studio:

Nice production of an old folk/gospel tune, “Down in the River to Pray.” (Considerably different from the Allison Krauss “O, Brother Where Art Thou” version, no?)

Did they record this as a recruiting tool? Or just for the beauty of it?

Credits:

The University of Texas Tuba/Euphonium Studio
Charles Villarrubia, Associate Professor Tuba/Euphonium

Euphonium
Alex Avila
Jose Flores
Luke Gall
Eric Gonzales
Fabian Vargas

Tuba
John Flores
Clay Garrett (soloist)
Keith Packman
Danny Trumble
Ben Vasko
T.J. West

Taylor Rudd, Director of Photography
Mario Mattei, Camera Operator
Jacob Ryan Hamilton, Aerial Photography
Joshua Gall, Recording Engineer
Ani Villarrubia, Production Assistant

Follow us on Facebook: https://www.facebook.com/UTTubaEuph/

Tip of the old scrub brush to Donna Hughes and Kathryn Knowles, and their decades-old, interstate friendship.


October 31, we remember the sinking of the Reuben James

October 31, 2016

U.S.S. Reuben James (D-245) on the Hudson River in April 1939, over two years before she was sunk in the Battle of the Atlantic.

U.S.S. Reuben James (DD-245) on the Hudson River in April 1939, over two years before she was sunk in the Battle of the Atlantic. Photo from the Ted Stone Collection, Marines Museum, Newport News, Virginia, via Wikipedia

It was a tragedy in 1941, but before the U.S. could develop a serious policy response to Germany’s action, Japan attacked Pearl Harbor.  Within a week after that, our policy towards Germany was set by Germany’s declaration of war on the U.S.

It’s important history for a couple of reasons.

  • The sinking was part of the massive, years-long Battle of the Atlantic, which the Allies won only by building ships faster than Germany could sink them.  Had the Allies lost this battle, the war would have been lost, too.
  • While the USS Reuben James was a Navy destroyer, the key weapons of the Battle of the Atlantic were Merchant Marine cargo ships, carrying goods and arms to Britain and other Allied nations.  “Civilians” played a huge role in World War II, supplying the soldiers, armies, navies and air forces.
  • Recently, politicians took to making claims that the U.S. declared war on Germany without any hostile action having passed between them, without Germany having perpetrated any hostilities toward the U.S.  Look at the dates, it’s not so.
  • Woody Guthrie wrote a song about the event, giving us a touchstone to remember.

Millard Fillmore’s Bathtub covered the event with longer, detailed articles in past years, including these, which you should see especially if you are a student in a history class or a teacher of one:

Europe has changed. The world has changed.  The U.S. has changed.  War has changed.  We should remember, especially those people who died defending the merchants who defended the idea of the Four Freedoms.

Where did the ship get its name? From a Barbary War hero:

Reuben James was born in Delaware, Ohio about 1776. He joined the U.S. Navy and served on various ships, including the frigate USS CONSTELLATION. It was during the infamous Barbary Wars that the American frigate PHILADELPHIA was captured by the Barbary pirates. Having run aground in the pirate capital of Tripoli on the southern shores of the Mediterranean Sea, the crew had to abandon ship and formulate a plan of attack. Lieutenant Stephen Decatur, along with a group of volunteers which included Boatswain’s Mate Reuben James, entered Tripoli harbor under the cover of darkness in an attempt to set the PHILADELPHIA to the torch so that the pirates could not make use of her.

The American volunteers boarded the PHILADELPHIA on 16 February 1804 and were met by a group of the savage Barbary pirates who were guarding their prize. A furious battle ensued, and during the bloody chaos of hand-to-hand combat, a villanous pirate made ready to end the life of Lieutenant Decatur. Reuben James, with both of his hands already wounded, in an act of selfless dedication and courage did throw his hand before the pirate’s cleaving blade! Willing to give his life in defense of his captain, Reuben James took the blow from the sword!

Having proved to the world over the courage and dedication of United States Sailors, Reuben James also hammered home the fact that US Sailors are undefeatable by not only surviving, but recovering from his wounds and continuing his career in the U.S. Navy! After spending many more years with Decatur, James was forced to retire in January 1836 because of declining health brought on because of past wounds. He died on 3 December 1838 at the U.S. Naval Hospital in Washington, D.C.

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Yes, this is mostly an encore post. Fighting ignorance requires patience.

Yes, this is mostly an encore post. Fighting ignorance requires patience.

 


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