UN/Lurie cartoon awards 2015 retrospective: 3rd Place to Mike Luckovich, Atlanta Constitution-Journal

December 14, 2016

Cartoonist winners of the 2016 United Nations/Ranan Lurie Political Cartoon Awards will be announced December 15, 2016.

American political cartoons come through a rich and glorious history. Cartoons held politicians’ feet to the fire throughout the 19th century, helped fight corruption and campaigned for wise growth policies. In the 20th century, political cartooons helped establish America’s rich conservation foundations, and again fought corruption, playing a huge role in the Watergate scandal exposure.

The UN/Lurie awards bring to us a world of good cartoons, often carrying powerful messages in images that require no translation. Anticipating the 2016 awards, we’re looking back at 2015 winners.

Here’s third prize winner in the UN/Lurie Awards for 2015, a year dominated by attacks on journalists and especially cartoonists which add an exclamation point to the powerful effects cartoons have in fighting for good. Third prize went to U.S. veteran cartoonist Mike Luckovich who draws for the Atlanta Journal-Constitution:

2015's 3rd prize in the UN/Lurie Political Cartoon Awards went to Mike Luckovich, in the Atlanta Journal-Constitution.

2015’s 3rd prize in the UN/Lurie Political Cartoon Awards went to Mike Luckovich, in the Atlanta Journal-Constitution.

AP World History teachers may want to keep that cartoon for document-based questions, noting the links to the French Revolution and revolutions through the 18th and 19th centuries, as well as events of 2014 and 2015.

 

 


UN/Lurie cartoon awards 2015 retrospective: 2nd Place, Raimundo Rucke, Brazil

December 13, 2016

A reminder, cartoonist winners of the 2016 United Nations/Ranan Lurie Political Cartoon Awards will be announced December 15, 2016.

Truth in cartoons. Boss Tweed complained that his voters couldn’t read the news stories, but they could see the “damned pictures.” On the run, Tweed was captured in Spain when someone recognized him from the images drawn by Thomas Nast.

Fighting corruption across the globe.

Here’s the second place winner in the UN/Lurie Awards for 2015, to Raimundo Rucke, drawing for O Dia, in Brazil.

Second place cartoon in 2015's UN/Ranan Lurie Political Cartoon Awards, to Raimundo Rucke, drawing for O Dia, in Brazil.

Second place cartoon in 2015’s UN/Ranan Lurie Political Cartoon Awards, to Raimundo Rucke, drawing for O Dia, in Brazil.

What issues will dominate the 2016 contest, do you think?

 


UN/Lurie cartoon awards 2015 retrospective: 1st Place to Aristides Hernandez Guerrero

December 13, 2016

Cartoonist winners of the 2016 United Nations/Ranan Lurie Political Cartoon Awards will be announced December 15, 2016.

Political cartoons pack a powerful punch, of information and political policy critique. Cartoonists are among the first to be censored when authoritarian governments move in, among the first to be attacked when radical, destructive political militants commit terror acts (as we saw in 2015).

Political cartoons record history, making them fertile materials for classroom use.

Here’s the first place winner in the UN/Lurie Awards for 2015. First place went to Cuban cartoonist, Aristides Hernandez Guerrero, for a cartoon in Courrier International:

First place cartoon in the 2015 UN/Lurie Political Cartoon Awards, by Aristides Hernandez Guerrero, in Courrier Political, Cuba.

First place cartoon in the 2015 UN/Lurie Political Cartoon Awards, by Aristides Hernandez Guerrero, in Courrier Political, Cuba.

 

 


With fondness, wishing it were true in 2016: Remembering “Uncle Sam’s Thanksgiving” by Thomas Nast, 1869

November 24, 2016

November 1869, in the first year of the Grant administration — and Nast put aside his own prejudices enough to invite the Irish guy to dinner, along with many others. (Nast tended not to like Catholics, and especially Irish Catholics.)

In a nation whose emotions are raw from a divisive election, violence from winning and losing the World Series and various other championships, nearly daily violence against people of color and unwarranted, horrifying assaults on police officers, not to mention daily horrors reported from Venezuela, Central America, East Timor and Indonesian New Guinea, Syria and the Middle East, could there be a better or more timely reminder of what we’re supposed to be doing?

A Millard Fillmore’s Bathtub tradition, Uncle Sam’s Thanksgiving.

(Click for a larger image — it’s well worth it.)

Thomas Nast's "Uncle Sam's Thanksgiving," 1869 - Ohio State University's cartoon collection

Thomas Nast’s “Uncle Sam’s Thanksgiving,” 1869 – Ohio State University’s cartoon collection, and HarpWeek

As described at the Ohio State site:

“Uncle Sam’s Thanksgiving Dinner” marks the highpoint of Nast’s Reconstruction-era idealism. By November 1869 the Fourteenth Amendment, which secures equal rights and citizenship to all Americans, was ratified. Congress had sent the Fifteenth Amendment, which forbade racial discrimination in voting rights, to the states and its ratification appeared certain. Although the Republican Party had absorbed a strong nativist element in the 1850s, its commitment to equality seemed to overshadow lingering nativism, a policy of protecting the interests of indigenous residents against immigrants. Two national symbols, Uncle Sam and Columbia, host all the peoples of the world who have been attracted to the United States by its promise of self-government and democracy. Germans, African Americans, Chinese, Native Americans, Germans, French, Spaniards: “Come one, come all,” Nast cheers at the lower left corner.

One of my Chinese students identified the Oriental woman as Japanese, saying it was “obvious.” Other friends say both are Chinese.  Regional differences.  The figure at the farthest right is a slightly cleaned-up version of the near-ape portrayal Nast typically gave Irishmen.

If Nast could put aside his biases to celebrate the potential of unbiased immigration to the U.S. and the society that emerges, maybe we can, too.

Hope your day is good; hope you have good company and good cheer, turkey or not. Happy Thanksgiving 2016.  And of course, remember to fly your flag!

More: Earlier posts from Millard Fillmore’s Bathtub

And in 2013:

 

Yes, this is mostly an encore post. Fighting ignorance requires patience.

Yes, this is mostly an encore post. Fighting ignorance requires patience. And good Thanksgiving stories need to be refreshed, to bring peace around the dinner table.

Save


When in doubt, read the instructions, Donald Trump version

November 16, 2016

How is the transition coming?

https://www.pinterest.com/offsite/?token=407-837&url=https%3A%2F%2Fs-media-cache-ak0.pinimg.com%2Foriginals%2F70%2Fd9%2F81%2F70d981e5a3fb2f5e56d6376609902ac2.jpg&pin=355432595576201161

Cartoon by . . . um, can you read that name? Trump and the User’s Manual

Sure, in comments, tell us the instruction manual is the Constitution.

Trump hasn’t read that, either, I wager. In any case, he’s unprepared to put together an administration. Our republic really is in danger. It’s going to take all of us to hold it together, to have any chance of success in the next four years.

In the interim, I don’t recognize the style, and I don’t recognize the signature; can you help discover who is the cartoonist?

Cartoon by Matt Davies, Pulitzer Prize-winning cartoonist for Newsday.

https://twitter.com/MatttDavies/status/797860046017282048

Save


History in cartoons: Joseph Keppler on the need for the 17th Amendment

September 26, 2016

From the Historian of the U.S. Senate, a Joseph Keppler cartoon from Puck Magazine,

From the Historian of the U.S. Senate, a Joseph Keppler cartoon from Puck Magazine, “The Making of a Senator.” Print by J. Ottmann Lith. Co. after Joseph Keppler, Jr., Puck. Lithograph, colored, 1905-11-15. Image with text measurement Height: 18.50 inches (46.99 cm) Width: 11.50 inches (29.21 cm) Cat. no. 38.00624.001

This is a lithograph after a cartoon by Joseph Keppler in Puck Magazine, November 15, 1905. Keppler’s cartoons kept on the heat for some legislative solution to continuing corruption in state legislatures and the U.S. Senate, driven by the ability of large corporations and trusts to essentially purchase entire states’ legislatures, and tell legislators who to pick for the U.S. Senate.

Described by the Historian of the U.S. Senate:

The “people” were at the bottom of the pile when it came to electing U.S. senators, when Joseph Keppler, Jr.’s cartoon, “The Making of a Senator, ” appeared in Puck on November 15, 1905. Voters elected the state legislatures, which in turn elected senators. Keppler depicted two more tiers between state legislatures and senators: political bosses and corporate interests. Most notably, he drew John D. Rockefeller, Sr., head of the Standard Oil Corporation, perched on moneybags, on the left side of the “big interests. ”

This cartoon appeared while muckraking magazine writers such as Ida Tarbell and David Graham Phillips were accusing business of having corrupted American politics. The muckrakers charged senators with being financially beholden to the special interests. Reformers wanted the people to throw off the tiers between them and directly elect their senators–which was finally achieved with ratification of the 17th Amendment in 1913.

Recent scuttlebutt about repealing the 17th Amendment seems to me wholly unconnected from the history. The 17th Amendment targeted corruption in the Senate and states. It largely worked, breaking the course of money falling from rich people and large corporations into the hands of everyone but the people, and breaking the practice of corporate minions getting Senate seats, to do the bidding of corporations and trusts.

Anti-corruption work was part of the larger Progressive Agenda, which included making laws that benefited people, such as clean milk and food, pure drugs, and banking and railroad regulation so small farmers and businessmen could make a good living. Probably the single best symbol of the Progressive movement was “Fighting Bob” LaFollette, Congressman, Governor and U.S. Senator from Wisconsin. LaFollette was a great supporter of the 17th Amendment

Again from the Senate Historian:

Nicknamed “Fighting Bob,” La Follette continued to champion Progressive causes during a Senate career extending from 1906 until his death in 1925. He strongly supported the 17th Amendment, which provided for the direct election of senators, as well as domestic measures advocated by President Woodrow Wilson’s administration, including federal railroad regulation and laws protecting workers rights. La Follette worked to generate wider public accountability for the Senate. He advocated more frequent and better publicized roll call votes and the publication of information about campaign expenditures.

Criticism of the 17th Amendment runs aground when it analyzes the amendment by itself, without reference to the democracy- and transparency-increasing components from the rest of the Progressive movements’ legislative actions from 1890 to 1930.

No one favors corruption and damaging secrecy in politics. By pulling the 17th out of context, critics hope to persuade Americans to turn back the clock to more corrupt times.

More:

Save

Save

Save

Save

Save

Save

Save


Banksy’s modern Nativity, revisited in 2015: Trump’s wall, and Jesus

December 25, 2015

Those who cannot remember the past are condemned to repeat it.
==> Georges Santayana,
The Life of Reason, vol. 1: Reason in Common Sense)

Those who don’t pay attention to history are condemned to repeat it? Then, gods forbid we should have leaders among the condemned, and heaven keep us from joining their folly.

Has there ever been a good wall that actually worked to keep trouble away? Do we need to rebuild the Berlin Wall in the Americas?

Thomas Nast helped bring down the crooks at Tammany Hall with cartoons. Boss Tweed, the chief antagonist of Nast, crook and leader of the Tammany Gang, understood that Nast’s drawings could do him in better than just hard hitting reporting — the pictures were clear to people who couldn’t read.

But a cartoon has to get to an audience to have an effect.

Here’s a cartoon below, a comment on the security wall being built in Israel, that got very little circulation in the west at Christmas time. Can you imagine the impact had this drawing run in newspapers in Europe, the U.S., and Canada?

It’s a mashup of a famous oil painting* related to the Christian Nativity, from a London-based artist who goes by the name Banksy. (Warning: Banksy pulls no punches; views shown are quite strong, often very funny, always provocative, generally safe for work unless you work for an authoritarian like Dick Cheney who wants no counter opinions.)

banksy-israels-wall-77721975_fda236f91a.jpg

Banksy’s modern nativity — does he ever bother to copyright his stuff, or would he rather you broadcast it?

*  At least I thought so in 2008.  I can’t find the painting now.  Anybody recognize a work underneath Banksy’s re-imagining?  Let us know in comments, eh?  Perhaps this one, by David Roberts?  Perhaps this engraving after Joseph M. W. TurnerTurner’s original? Plus, in 2008, most people said “Banksy who?”

Tip of the old scrub brush to Peoples Geography.

More, in 2011: 

More in 2012:

Yes, this is mostly an encore post. Fighting ignorance requires patience.

Yes, this is mostly an encore post. Fighting ignorance requires patience.


%d bloggers like this: