2016: Election day art of Norman Rockwell, and unpredictability of elections

November 8, 2016

Especially in 2016, I think of this great, undersung painting by Normal Rockwell, “Election Day (1944)”:

Norman Rockwell, Election Day, 1944, watercolor and gouache, 14 x 33 1/2 in., Museum purchase, Save-the-Art fund, 2007.037.1.

Norman Rockwell, Election Day, 1944, watercolor and gouache, 14 x 33 1/2 in., Museum purchase, Save-the-Art fund, 2007.037.1.

Remember when people used to dress up to go to the polls?

In 1944 President Franklin Roosevelt ran for an unprecedented fourth term.  Most Americans did not know it, but he was deathly ill at the time.  He dropped Vice President Henry Wallace from his ticket — some argue it was a mutual disaffection at that time — and selected the relatively unknown young Missouri U.S. Sen. Harry S Truman for the vice president’s slot.

In November 1944, D-Day was known to be a successful invasion, and most Americans hoped for a relatively speedy end to World War II in both Europe and the Pacific.  Within the next ten months, the nation would endure the last, futile, desperate and deadly gasp of the Third Reich in the Battle of the Bulge, the liberation of Berlin in April 1945, and end of the war in the European Theatre on May 8; the Battle of Leyte Gulf, the Philippines Campaign, and the bloody, crippling battles of Iwo Jima and Okinawa in the Pacific Theatre, and then the first use of atomic weapons in war, at Hiroshima and Nagasaki (and we hope, the last use).

Voters in Cedar Rapids could not have known that.  They did not know that, regardless their vote for FDR or his Republican challenger, New York Gov. Thomas Dewey, Harry S Truman would be president within six months, nor that the entire world would change in August 1945.

This painting captures a time of spectacular moment, great naivity, and it pictures the way history got made.

For a 2007 exhibition, the Cedar Rapids Museum of Art offered this history:

Norman Rockwell: Fact & Fiction

September 12, 2009 – January 3, 2010

In 2007, the citizens of Cedar Rapids rallied together to purchase a series of watercolors destined for the auction block in New York. These five watercolors, by acclaimed 20th century American artist Norman Rockwell, depicted scenes associated with an election day and were created specifically for the November 4, 1944 issue of the Saturday Evening Post. To complete the Post commission, Rockwell traveled to a quintessential Midwestern town, Cedar Rapids, to study local citizens as models for his series of images.

In the 65 years since his visit, numerous anecdotes and stories have arisen about the artist’s time in Cedar Rapids and the creation of this work. This exhibition uses these five, newly conserved and restored watercolors and a related oil painting from the Norman Rockwell Museum, along with numerous photographs taken by local photographer Wes Panek for Rockwell, to investigate the many facts and fictions associated with Rockwell’s visit and this set of watercolors.

Norman Rockwell: Fact & Fiction has been made possible in part by Rockwell Collins, Candace Wong, and local “Friends of Norman Rockwell.” General exhibition and educational support has been provided by The Momentum Fund of the Greater Cedar Rapids Community Foundation.

Friends of Norman Rockwell: Wilma E. Shadle, Howard and Mary Ann Kucera, Jean Imoehl, Ben and Katie Blackstock, Marilyn Sippy, Chuck and Mary Ann Peters, Phyllis Barber, Ann Pickford, Anthony and Jo Satariano, Barbara A. Bloomhall, Virginia C. Rystrom, Jeff and Glenda Dixon, Robert F. & Janis L. Kazimour Charitable Lead Annuity Trust, Fred and Mary Horn, Mrs. Edna Lingo, John and Diana Robeson, Jewel M. Plumb, Carolyn Pigott Rosberg, Mr. and Mrs. Robert J. Buchacek, Dan and Anne Pelc, Mary Brunkhorst, and John and Diana Robeson.

I am amused and intrigued that this scene also closely resembles the scene when I voted in Cheverly, Maryland, in 1984 — down to the dog in the picture.  Oh, and most of the women didn’t wear dresses, none wore hats, and I was the only guy in the room with a tie.

Roosevelt won the 1944 election in an electoral college landslide, 432 to 99, but Dewey won Iowa, and we might assume Dewey won Cedar Rapids, too.

And that Truman guy?  Rockwell came back to the topic of elections four years later, when Truman was running for election to the office he’d filled for nearly four years, with another classic, American election portrayal.

“Election Day,” by Norman Rockwell, 1948

More:

 

Yes, this is an encore post.

Yes, this is mostly an encore post.


August 25, 1944: Liberation of Paris

August 24, 2015

Front page of the New York Times on August 26, 1944, noting the liberation of Paris after Allied troops reached there, following D-Day.

Front page of the New York Times on August 26, 1944, noting the liberation of Paris after Allied troops reached there, following D-Day.

On August 26, 1944, on a front page filled with other news from the war in Europe and the Pacific, the New York Times carried the story from the Associated Press:

Allied Forces Help French to Rid Capital of Nazis


By THE ASSOCIATED PRESS

SUPREME HEADQUARTERS, Allied Expeditionary Force, Aug. 25 — The Paris radio announced late tonight that the French capital had been liberated and that the German commander had signed a document ordering his troops to cease fire immediately.

The announcement followed entry of American and French troops into the capital during the day. There was no immediate confirmation here.

The latest word at headquarters was that American and French troops had joined Fighting French patriots on the Ile de la Cite in the heart of the capital after bitter fighting with Germans and French collaborationist militiamen.

Gen. Charles de Gaulle, President of the French Committee of National Liberation, said in a speech broadcast from Paris:

“France will take her place among the great nations which will organize the peace. We well not rest until we march, as we must, into enemy territory as conquerors.”

Allies invaded Europe at Normandy the previous June.

August, 1944: American soldiers watch as the Tricolor flies from the Eiffel Tower again. (Image: National Archives), via Brain Pickings

August, 1944: American soldiers watch as the Tricolor flies from the Eiffel Tower again. (Image: National Archives), via Brain Pickings

Wikipedia gives the unadorned, but detail-rich version of the story; note the vast array of national forces who joined to oust the Germans, including Spanish Republicans-in-exile:

The Liberation of Paris (also known as the Battle for Paris) was a military combat that took place during World War II from 19 August 1944 until the German garrison surrendered the French capital on 25 August 1944. Paris had been ruled by Nazi Germany since the signing of the Second Compiègne Armistice on 22 June 1940, after which the Wehrmachtoccupied northern and western France.

The liberation began when the French Forces of the Interior—the military structure of the French Resistance—staged an uprising against the German garrison upon the approach of the US Third Army, led by General George Patton. On the night of 24 August, elements of General Philippe Leclerc‘s 2nd French Armoured Division (the Régiment de marche du Tchad, a mechanised infantry unit led by Captain Raymond Dronne and composed primarily of exiled Spanish republicans), made its way into Paris and arrived at the Hôtel de Ville shortly before midnight. The next morning, 25 August, the bulk of the 2nd Armored Division and US 4th Infantry Division entered the city. Dietrich von Choltitz, commander of the German garrison and the military governor of Paris, surrendered to the French at the Hôtel Meurice, the newly established French headquarters, while General Charles de Gaulle arrived to assume control of the city as head of the Provisional Government of the French Republic.

Victory parades followed on August 26 and August 29. Paris was spared destruction ordered by German Chancellor Adolf Hitler when his commander simply failed to carry out the destruction, perhaps because his forces had been overrun more quickly than he’d imagined, perhaps because French underground and other resistance fighters simply prevented it.

From Wikipedia, a rare color photograph:

From Wikipedia, a rare color photograph: “Crowds of French patriots line the Champs Elysees to view Free French tanks and half tracks of General Leclerc’s 2nd Armored Division passes through the Arc du Triomphe, after Paris was liberated on August 26, 1944. Among the crowd can be seen banners in support of Charles de Gaulle.” Jack Downey, U.S. Office of War Information – This image is available from the United States Library of Congress’s Prints and Photographs division under the digital ID fsac.1a55001.

More:


Election day art of Norman Rockwell, and the unpredictability of elections

November 4, 2014

Can’t let election day go by without at least noting this great, undersung painting by Normal Rockwell, “Election Day (1944)”:

Norman Rockwell, Election Day, 1944, watercolor and gouache, 14 x 33 1/2 in., Museum purchase, Save-the-Art fund, 2007.037.1.

Norman Rockwell, Election Day, 1944, watercolor and gouache, 14 x 33 1/2 in., Museum purchase, Save-the-Art fund, 2007.037.1.

Remember when people used to dress up to go to the polls?

In 1944 President Franklin Roosevelt ran for an unprecedented fourth term.  Most Americans did not know it, but he was deathly ill at the time.  He dropped Vice President Henry Wallace from his ticket — some argue it was a mutual disaffection at that time — and selected the relatively unknown young Missouri U.S. Sen. Harry S Truman for the vice president’s slot.

In November 1944, D-Day was known to be a successful invasion, and most Americans hoped for a relatively speedy end to World War II in both Europe and the Pacific.  Within the next ten months, the nation would endure the last, futile, desperate and deadly gasp of the Third Reich in the Battle of the Bulge, the liberation of Berlin in April 1945, and end of the war in the European Theatre on May 8; the Battle of Leyte Gulf, the Philippines Campaign, and the bloody, crippling battles of Iwo Jima and Okinawa in the Pacific Theatre, and then the first use of atomic weapons in war, at Hiroshima and Nagasaki (and we hope, the last use).

Voters in Cedar Rapids could not have known that.  They did not know that, regardless their vote for FDR or his Republican challenger, New York Gov. Thomas Dewey, Harry S Truman would be president within six months, nor that the entire world would change in August 1945.

This painting captures a time of spectacular moment, great naivity, and it pictures the way history got made.

For a 2007 exhibition, the Cedar Rapids Museum of Art offered this history:

Norman Rockwell: Fact & Fiction

September 12, 2009 – January 3, 2010

In 2007, the citizens of Cedar Rapids rallied together to purchase a series of watercolors destined for the auction block in New York. These five watercolors, by acclaimed 20th century American artist Norman Rockwell, depicted scenes associated with an election day and were created specifically for the November 4, 1944 issue of the Saturday Evening Post. To complete the Post commission, Rockwell traveled to a quintessential Midwestern town, Cedar Rapids, to study local citizens as models for his series of images.

In the 65 years since his visit, numerous anecdotes and stories have arisen about the artist’s time in Cedar Rapids and the creation of this work. This exhibition uses these five, newly conserved and restored watercolors and a related oil painting from the Norman Rockwell Museum, along with numerous photographs taken by local photographer Wes Panek for Rockwell, to investigate the many facts and fictions associated with Rockwell’s visit and this set of watercolors.

Norman Rockwell: Fact & Fiction has been made possible in part by Rockwell Collins, Candace Wong, and local “Friends of Norman Rockwell.” General exhibition and educational support has been provided by The Momentum Fund of the Greater Cedar Rapids Community Foundation.

Friends of Norman Rockwell: Wilma E. Shadle, Howard and Mary Ann Kucera, Jean Imoehl, Ben and Katie Blackstock, Marilyn Sippy, Chuck and Mary Ann Peters, Phyllis Barber, Ann Pickford, Anthony and Jo Satariano, Barbara A. Bloomhall, Virginia C. Rystrom, Jeff and Glenda Dixon, Robert F. & Janis L. Kazimour Charitable Lead Annuity Trust, Fred and Mary Horn, Mrs. Edna Lingo, John and Diana Robeson, Jewel M. Plumb, Carolyn Pigott Rosberg, Mr. and Mrs. Robert J. Buchacek, Dan and Anne Pelc, Mary Brunkhorst, and John and Diana Robeson.

I am amused and intrigued that this scene also closely resembles the scene when I voted in Cheverly, Maryland, in 1984 — down to the dog in the picture.  Oh, and most of the women didn’t wear dresses, none wore hats, and I was the only guy in the room with a tie.

Roosevelt won the 1944 election in an electoral college landslide, 432 to 99, but Dewey won Iowa, and we might assume Dewey won Cedar Rapids, too.

And that Truman guy?  Rockwell came back to the topic of elections four years later, when Truman was running for election to the office he’d filled for nearly four years, with another classic, American election portrayal.

“Election Day,” by Norman Rockwell, 1948

More:

 

Yes, this is an encore post.

Yes, this is mostly an encore post.


Election day art: Norman Rockwell

November 6, 2012

Can’t let election day go by without at least noting this great, undersung painting by Normal Rockwell, “Election Day (1944)”:

Norman Rockwell, Election Day, 1944, watercolor and gouache, 14 x 33 1/2 in., Museum purchase, Save-the-Art fund, 2007.037.1.

Norman Rockwell, Election Day, 1944, watercolor and gouache, 14 x 33 1/2 in., Museum purchase, Save-the-Art fund, 2007.037.1.

Remember when people used to dress up to go to the polls?

In 1944 President Franklin Roosevelt ran for an unprecedented fourth term.  Most Americans did not know it, but he was deathly ill at the time.  He dropped Vice President Henry Wallace from his ticket — some argue it was a mutual disaffection at that time — and selected the relatively unknown young Missouri U.S. Sen. Harry S Truman for the vice president’s slot.

In November 1944, D-Day was known to be a successful invasion, and most Americans hoped for a relatively speedy end to World War II in both Europe and the Pacific.  Within the next ten months, the nation would endure the last, futile, desperate and deadly gasp of the Third Reich in the Battle of the Bulge, the liberation of Berlin in April 1945, and end of the war in the European Theatre on May 8; the Battle of Leyte Gulf, the Philippines Campaign, and the bloody, crippling battles of Iwo Jima and Okinawa in the Pacific Theatre, and then the first use of atomic weapons in war, at Hiroshima and Nagasaki (and we hope, the last use).

Voters in Cedar Rapids could not have known that.  They did not know that, regardless their vote for FDR or his Republican challenger, New York Gov. Thomas Dewey, Harry S Truman would be president within six months, nor that the entire world would change in August 1945.

This painting captures a time of spectacular moment, great naivity, and it pictures the way history got made.

For a 2007 exhibition, the Cedar Rapids Museum of Art offered this history:

Norman Rockwell: Fact & Fiction

September 12, 2009 – January 3, 2010

In 2007, the citizens of Cedar Rapids rallied together to purchase a series of watercolors destined for the auction block in New York. These five watercolors, by acclaimed 20th century American artist Norman Rockwell, depicted scenes associated with an election day and were created specifically for the November 4, 1944 issue of the Saturday Evening Post. To complete the Post commission, Rockwell traveled to a quintessential Midwestern town, Cedar Rapids, to study local citizens as models for his series of images.

In the 65 years since his visit, numerous anecdotes and stories have arisen about the artist’s time in Cedar Rapids and the creation of this work. This exhibition uses these five, newly conserved and restored watercolors and a related oil painting from the Norman Rockwell Museum, along with numerous photographs taken by local photographer Wes Panek for Rockwell, to investigate the many facts and fictions associated with Rockwell’s visit and this set of watercolors.

Norman Rockwell: Fact & Fiction has been made possible in part by Rockwell Collins, Candace Wong, and local “Friends of Norman Rockwell.” General exhibition and educational support has been provided by The Momentum Fund of the Greater Cedar Rapids Community Foundation.

Friends of Norman Rockwell: Wilma E. Shadle, Howard and Mary Ann Kucera, Jean Imoehl, Ben and Katie Blackstock, Marilyn Sippy, Chuck and Mary Ann Peters, Phyllis Barber, Ann Pickford, Anthony and Jo Satariano, Barbara A. Bloomhall, Virginia C. Rystrom, Jeff and Glenda Dixon, Robert F. & Janis L. Kazimour Charitable Lead Annuity Trust, Fred and Mary Horn, Mrs. Edna Lingo, John and Diana Robeson, Jewel M. Plumb, Carolyn Pigott Rosberg, Mr. and Mrs. Robert J. Buchacek, Dan and Anne Pelc, Mary Brunkhorst, and John and Diana Robeson.

I am amused and intrigued that this scene also closely resembles the scene when I voted in Cheverly, Maryland, in 1984 — down to the dog in the picture.  Oh, and most of the women didn’t wear dresses, none wore hats, and I was the only guy in the room with a tie.

Roosevelt won the 1944 election in an electoral college landslide, 432 to 99, but Dewey won Iowa, and we might assume Dewey won Cedar Rapids, too.

More:


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