Teachers, did your kids come back to school with Trump attitudes?

August 30, 2016

Trees misshapen by constant wind or cold are known as krummholz in German. A reminder of the old saw that, as a twig is bent, so the tree grows. This is a Banner tree, in Torres del Paine National Park, Chile, bent by prevailing winds from the west. Photo by John Spooner - flickr.com, CC BY 2.0, https://commons.wikimedia.org/w/index.php?curid=5007578

How does the 2016 GOP campaign shape our children? Trees misshapen by constant wind or cold are known as krummholz in German. A reminder of the old saw that, as a twig is bent, so the tree grows. This is a Banner tree, in Torres del Paine National Park, Chile, bent by prevailing winds from the west. Photo by John Spooner – flickr.com, CC BY 2.0, https://commons.wikimedia.org/w/index.php?curid=5007578

What examples do our children take from our quadrennial elections? What lessons have they learned in 2016?

Do our kids adopt these attitudes into their daily lives?

What do your kids’ teachers say they see? What do you see?

 

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Curing malaria in the USA, 1938

September 26, 2014

Photo from the collections of the Library of Congress:

“Groves Bromo Quinine,” sign on a shack advertises a treatment for malaria, and other products; near Summerville, South Carolina. Photo by Marion Post Wolcott, December 1938. Library of Congress.

This photo was taken by Marion Post Wolcott for the Farm Security Administration, documenting how farmers and other Americans lived during the Great Depression.

1938 was a year before DDT’s insecticidal properties were discovered, and at least six years before DDT became available for civilian work against malaria and the mosquitoes who spread the parasites.


How about a Mark Twain Cigar for Twain’s birthday?

November 30, 2013

Decades ago I caught Hal Holbrook‘s one-man play, “Mark Twain Tonight!” in a theatre in Washington, D.C. (possibly Ford’s Theatre, but I think not).  It was heaven.  I knew what to expect, but it still caught me by surprise: There is no curtain.  The opening of the second act is the lights slowly fading up.  The audience keeps talking until, suddenly, there is an enormous puff of cigar smoke from offstage.  The stunned audience gasps, then laughs, and at the peak of the laughter, Mark Twain treks on stage.

As a man’s reputation precedes him, so Mark Twain’s use of a cigar could  precede him onto a stage, or into a room.

Once upon a time, Mark Twain was THE symbol of a good cigar in America — he always had one, after all.

And so, some enterprising cigar company created Mark Twains.

Wouldn’t it be great to have a Mark Twain cigar to smoke, in his honor, on his birthday?  And remember, he shares a birthday with that other cigar conoisseur, Winston Churchill.

Advertisement taken from a caricature by Frederick Waddy first published in 1872. Mark Twain Papers, The Bancroft Library, University of California, Berkeley."

Advertisement taken from a caricature by Frederick Waddy first published in 1872. Mark Twain Papers, The Bancroft Library, University of California, Berkeley.

“DON’T FAIL TO SMOKE MARK TWAIN CIGARS.”  Heckuva slogan.  But not the only one.

Various cigar makers sold “Mark Twain” cigars from as early as 1870; probably the most famous, from the Wolf Brothers, were marketed from 1913, into the 1930s.  Twain died in 1910, so it is almost certain that none of the proceeds from the sale of these cigars went to his estate (I’d be happy to report otherwise, should anyone stumble upon such information).  Wolf Brothers Mark Twain Cigars were marketed under the slogan, “Known to Everyone — Liked By All.”  It was a slogan Twain devised himself, to use on handbills and signs advertising his lectures.

From a Cornell University Library exhibit on Mark Twain:

Since it uses the same image, we might assume this sign comes from the same company that produced the advertisement just above. From a Cornell University Library exhibit on Mark Twain: “Compton Label Works. Smoke the Popular Mark Twain Cigars Sold Everywhere. St. Louis, [ca. 1877-85]. It is not known when this cigar sign was first issued. The portrait is engraved after an 1874 profile photograph that was used on Mark Twain Cigars advertising as early as 1877. From the collection of Susan Jaffe Tane”

Twain built at least three different fortunes.  Had to, after he’d lost the first one, and then the second.  It’s difficult to imagine Twain failing to seize on the marketing value of his own image.  But those were different times.

From the Cornell Library exhibit:  Mark Twain Cigar box. Pennsylvania: Wolf Bros., ca. 1913-1930.  Cigar manufacturers have long capitalized on the public association of Mark Twain with cigars. While various brands of “Mark Twain Cigars” had been marketed since the 1870s, the Wolf Brothers did not register their trademark until 1931. The box is emblazoned with a phrase—“Known to Everyone - Liked by All”—which was written by Mark Twain. Curiously, the word “cigars” is absent from the box, emphasizing that it was Mark Twain, and not necessarily a tobacco product, that was “Liked by All.”  From the collection of Susan Jaffe Tane

From the Cornell Library exhibit: Mark Twain Cigar box. Pennsylvania: Wolf Bros., ca. 1913-1930. Cigar manufacturers have long capitalized on the public association of Mark Twain with cigars. While various brands of “Mark Twain Cigars” had been marketed since the 1870s, the Wolf Brothers did not register their trademark until 1931. The box is emblazoned with a phrase—“Known to Everyone – Liked by All”—which was written by Mark Twain. Curiously, the word “cigars” is absent from the box, emphasizing that it was Mark Twain, and not necessarily a tobacco product, that was “Liked by All.” From the collection of Susan Jaffe Tane

Were the cigars good? It’s unlikely a cigar could have stayed on the market for more than a decade without being of good enough quality to keep some customers coming back and asking for them specifically.  I have not found any descriptions of these older, 19th century and early-20th century Mark Twains, however.  (If you see one, will you call our attention to it?)

More from the Cornell University Library exhibit:  Mark Twain cigar sign. “Liked by All.” Baltimore: Parker Metal Dec. Company, ca. 1913-1931.  This is the sign used to advertise the five-cent Wolf cigars that bore Twain's name from 1913 into the late 1930s. “Mark Twain” appears in prominent red letters, flanked by “Liked by All” and “5¢ Cigars 5¢,” a motto that echos the words emblazoned on the cigar boxes themselves: “Mark Twain: Known to Everyone-Liked by All.”  From the collection of Susan Jaffe Tane

More from the Cornell University Library exhibit: Mark Twain cigar sign. “Liked by All.” Baltimore: Parker Metal Dec. Company, ca. 1913-1931. This is the sign used to advertise the five-cent Wolf cigars that bore Twain’s name from 1913 into the late 1930s. “Mark Twain” appears in prominent red letters, flanked by “Liked by All” and “5¢ Cigars 5¢,” a motto that echos the words emblazoned on the cigar boxes themselves: “Mark Twain: Known to Everyone-Liked by All.” From the collection of Susan Jaffe Tane

A modern incarnation of Mark Twain cigars exists, made by yet another company.  Cigars International sells them on the internet:

The modern Mark Twain Cigar

The modern Mark Twain Cigar – image from Cigars International

Silky smooth 50-54 ring Churchills for 3 bucks.

If I cannot smoke in heaven, then I shall not go.

​In addition to being a true American treasure, Mark Twain was rarely seen sans cigar. The man’s list of positive attributes didn’t stop there – humanitarian, novelist, humorist, scholar, plus world class jump roper and Brazilian Jiu-Jitsu master. Just kidding about that part. Mark Twain cigars also happen to bring an extensive list of positive attributes to the table. All smooth and mild, all tasty, all extremely affordable, all monster Churchill sizes ranging from 7”x50 to 8”x54. Draped in a silky Connecticut shade wrapper and generously filled with an aged blend of Nicaraguan long-fillers, Mark Twain delivers a flavorful, mild to medium-bodied experience. Notes of oak, cream, white pepper add to a rich tobacco core, completing a mellow but eventful 60+ minutes of your time.

For 3 bucks, these big boom sticks are the ultimate value-priced handmades.

“Boom sticks?”

Now, on to track down what kind of whiskey he preferred . . .

More:

Mark Twain Cigar Sign. Advertising sign with slogan, “Mark Twain: Known to Everyone—Liked by All.” Pennsylvania: Wolf Bros., ca. 1913-1930. [zoom]  No evidence links Clemens to the production of Mark Twain Cigars, but his fame and popularity were used to market this product. This advertisement contains some “stretchers” as Huck Finn would have called them. Under the phrase “Known to Everyone - Liked by All” the Wolf Brothers have added their copyright statement, but the phrase was coined by the author and appeared on handbills to promote Mark Twain lectures in the 1880s. The artwork used for the portrait was based on a photograph taken by Napoleon Sarony in 1893, a photograph that Clemens was not particularly fond of and which he called that “damned old libel.” The sign also contains a script-like autograph that was not Mark Twain’s signature.  From the collection of Susan Jaffe Tane

Caption from the Cornell Library exhibit: Mark Twain Cigar Sign. Advertising sign with slogan, “Mark Twain: Known to Everyone—Liked by All.” Pennsylvania: Wolf Bros., ca. 1913-1930. No evidence links Clemens to the production of Mark Twain Cigars, but his fame and popularity were used to market this product. This advertisement contains some “stretchers” as Huck Finn would have called them. Under the phrase “Known to Everyone – Liked by All” the Wolf Brothers have added their copyright statement, but the phrase was coined by the author and appeared on handbills to promote Mark Twain lectures in the 1880s. The artwork used for the portrait was based on a photograph taken by Napoleon Sarony in 1893, a photograph that Clemens was not particularly fond of and which he called that “damned old libel.” The sign also contains a script-like autograph that was not Mark Twain’s signature. From the collection of Susan Jaffe Tane


How do we know? Who invented Santa Claus? Who really wrote “Account of a Visit from St. Nicholas?”

December 22, 2011

The annual retelling, a Christmas tradition; an encore post from 2007

Thomas Nast invented Santa Claus? Clement C. Moore didn’t write the famous poem that starts out, “‘Twas the night before Christmas, and all through the house . . . ?”

The murky waters of history from Millard Fillmore’s Bathtub soak even our most cherished ideas and traditions.

But isn’t that part of the fun of history?

Santa Claus delivers to Union soldiers, "Santa Claus in Camp" - Thomas Nast, Harper's Weekly, Jan 3, 1863

Thomas Nast’s first published drawing featuring Santa Claus; for Harper’s Weekly, “A Journal of Civilization,” January 3, 1863 Nast portrayed the elf distributing packages to Union troops: “Santa Claus in camp.” Nast (1840-1904) was 23 when he drew this image.

Yes, Virginia (and California, too)! Thomas Nast created the image of Santa Claus most of us in the U.S. know today. Perhaps even more significant than his campaign against the graft of Boss Tweed, Nast’s popularization of a fat, jolly elf who delivers good things to people for Christmas makes one of the great stories in commercial illustration. Nast’s cartoons, mostly for the popular news publication Harper’s Weekly, created many of the conventions of modern political cartooning and modeled the way in which an illustrator could campaign for good, with his campaign against the graft of Tammany Hall and Tweed. But Nast’s popular vision of Santa Claus can be said to be the foundation for the modern mercantile flurry around Christmas.

Nast is probably ensconced in a cartoonists’ hall of fame. Perhaps he should be in a business or sales hall of fame, too. [See also Bill Casselman’s page, “The Man Who Designed Santa Claus.]

Nast’s drawings probably drew some inspiration from the poem, “Account of a Visit from St. Nicholas,” traditionally attributed to Clement C. Moore, a New York City lawyer, published in 1822. The poem is among the earliest to describe the elf dressed in fur, and magically coming down a chimney to leave toys for children; the poem invented the reindeer-pulled sleigh.

Modern analysis suggests the poem was not the work of Moore, and many critics and historians now attribute it to Major Henry Livingston, Jr. (1748-1828) following sleuthing by Vassar College Prof. Don Foster in 2000. Fortunately for us, we do not need to be partisans in such a query to enjoy the poem (a complete copy of which is below the fold).

The Library of Congress still gives Moore the credit. When disputes arise over who wrote about the night before Christmas, is it any wonder more controversial topics produce bigger and louder disputes among historians?

Moore was not known for being a poet. The popular story is that he wrote it on the spur of the moment:

Moore is thought to have composed the tale, now popularly known as “The Night Before Christmas,” on December 24, 1822, while traveling home from Greenwich Village, where he had bought a turkey for his family’s Christmas dinner.

Inspired by the plump, bearded Dutchman who took him by sleigh on his errand through the snow-covered streets of New York City, Moore penned A Visit from St. Nicholas for the amusement of his six children, with whom he shared the poem that evening. His vision of St. Nicholas draws upon Dutch-American and Norwegian traditions of a magical, gift-giving figure who appears at Christmas time, as well as the German legend of a visitor who enters homes through chimneys.

Again from the Library of Congress, we get information that suggests that Moore was a minor celebrity from a well-known family with historical ties that would make a good “connections” exercise in a high school history class, perhaps (”the link from Aaron Burr’s treason to Santa Claus?”): (read more, below the fold)

Clement Moore was born in 1779 into a prominent New York family. His father, Benjamin Moore, president of Columbia University, in his role as Episcopal Bishop of New York participated in the inauguration of George Washington as the nation’s first president. The elder Moore also administered last rites to Alexander Hamilton after he was mortally wounded in a tragic duel with Aaron Burr.

A graduate of Columbia, Clement Moore was a scholar of Hebrew and a professor of Oriental and Greek literature at the General Theological Seminary in Manhattan. [See comment from Pam Bumsted below for more on Moore.] He is said to have been embarrassed by the light-hearted verse, which was made public without his knowledge in December 1823. Moore did not publish it under his name until 1844.

Tonight, American children will be tucked in under their blankets and quilts and read this beloved poem as a last “sugarplum” before slipping into dreamland. Before they drift off, treat them to a message from Santa, recorded by the Thomas Edison Company in 1922.

Santa Claus Hides in Your Phonograph
By Arthur A. Penn, Performed by Harry E. Humphrey.
Edison, 1922.
Coupling date: 6/20/1922. Cutout date: 10/31/1929.
Inventing Entertainment: The Motion Pictures and Sound Recordings of the Edison Companies

Listen to this recording (RealAudio Format)

Listen to this recording (wav Format, 8,471 Kb)

But Henry Livingston was no less noble or historic. He hailed from the Livingtons of the Hudson Valley (one of whose farms is now occupied by Camp Rising Sun of the Louis August Jonas Foundation, a place where I spent four amazing summers teaching swimming and lifesaving). Livingston’s biography at the University of Toronto site offers another path for a connections exercise (”What connects the Declaration of Independence, the American invasion of Canada, the famous poem about a visit from St. Nick, and George W. Bush?”):

Henry Livingston Jr. was born in Poughkeepsie, New York, on Oct. 13, 1748. The Livingston family was one of the important colonial and revolutionary families of New York. The Poughkeepsie branch, descended from Gilbert, the youngest son of Robert Livingston, 1st Lord of Livingston Manor, was not as well off as the more well-known branches, descended from sons Robert and Philip. Two other descendants of Gilbert Livingston, President George Walker Herbert Bush and his son, President-Elect George W. Bush, though, have done their share to bring attention to this line. Henry’s brother, Rev. John Henry Livingston, entered Yale at the age of 12, and was able to unite the Dutch and American branches of the Dutch Reformed Church. At the time of his death, Rev. Livingston was president of Rutgers University. Henry’s father and brother Gilbert were involved in New York politics, and Henry’s granduncle was New York’s first Lt. Governor. But the law was the natural home for many of Henry’s family. His brother-in-law, Judge Jonas Platt, was an unsuccessful candidate for governor, as was his daughter Elizabeth’s husband, U.S. Supreme Court Justice Smith Thompson. Henry’s grandson, Sidney Breese, was Chief Justice of the Illinois Supreme Court.

Known for his encyclopedic knowledge and his love of literature, Henry Livingston was a farmer, surveyor and Justice of the Peace, a judicial position dealing with financially limited criminal and civil cases. One of the first New Yorkers to enlist in the Revolutionary Army in 1775, Major Henry Livingston accompanied his cousin’s husband, General Montgomery, in his campaign up the Hudson River to invade Canada, leaving behind his new wife, Sarah Welles, and their week-old baby, on his Poughkeepsie property, Locust Grove. Baby Catherine was the subject of the first poem currently known by Major Livingston. Following this campaign, Livingston was involved in the War as a Commissioner of Sequestration, appropriating lands owned by British loyalists and selling them for the revolutionary cause. It was in the period following Sarah’s early death in 1783, that Major Livingston published most of his poems and prose, anonymously or under the pseudonym of R. Ten years after the death of Sarah, Henry married Jane Patterson, the daughter of a Dutchess County politician and sister of his next-door neighbor. Between both wives, Henry fathered twelve children. He published his good-natured, often occasional verse from 1787 in many journals, including Political Barometer, Poughkeepsie Journal, and New-York Magazine. His most famous poem, “Account of a Visit from St. Nicholas,” was until 2000 thought to have been the work of Clement Clarke Moore (1779-1863), who published it with his collected poems in 1844. Livingston died Feb. 29, 1828.

More on Henry Livingston and his authorship of the Christmas poem here.
Thomas Nast, Merry Old Santa Claus, Harper's Weekly, Jan 1, 1881

Our views of Santa Claus owe a great deal also to the Coca-Cola advertising campaign. Coca-Cola first noted Santa’s use of the drink in a 1922 campaign to suggest Coke was a year-round drink (100 years after the publication of Livingston’s poem). The company’s on-line archives gives details:

In 1930, artist Fred Mizen painted a department store Santa in a crowd drinking a bottle of Coke. The ad featured the world’s largest soda fountain, which was located in the department store of Famous Barr Co. in St. Louis, Mo. Mizen’s painting was used in print ads that Christmas season, appearing in The Saturday Evening Post in December 1930.

1936 Coca-Cola Santa cardboard store display

1936 Coca-Cola Santa cardboard store display

  • 1936 Coca-Cola Santa cardboard store display
1942 original oil painting - 'They Remembered Me'

1942 original oil painting - ‘They Remembered Me’

Archie Lee, the D’Arcy Advertising Agency executive working with The Coca-Cola Company, wanted the next campaign to show a wholesome Santa as both realistic and symbolic. In 1931, The Coca-Cola Company commissioned Michigan-born illustrator Haddon Sundblom to develop advertising images using Santa Claus — showing Santa himself, not a man dressed as Santa, as Mizen’s work had portrayed him.

  • 1942 original oil painting – ‘They Remembered Me’

For inspiration, Sundblom turned to Clement Clark Moore’s 1822 poem “A Visit From St. Nicholas” (commonly called “‘Twas the Night Before Christmas”). Moore’s description of St. Nick led to an image of Santa that was warm, friendly, pleasantly plump and human. For the next 33 years, Sundblom painted portraits of Santa that helped to create the modern image of Santa — an interpretation that today lives on in the minds of people of all ages, all over the world.

Santa Claus is a controversial figure. Debates still rage among parents about the wisdom of allowing the elf into the family’s home, and under what conditions. Theologians worry that the celebration of Christmas is diluted by the imagery. Other faiths worry that the secular, cultural impact of Santa Claus damages their own faiths (few other faiths have such a popular figure, and even atheists generally give gifts and participate in Christmas rituals such as putting up a decorated tree).

For over 100 years, Santa Claus has been a popular part of commercial, cultural and religious life in America. Has any other icon endured so long, or so well?

________________________
Below:
From the University of Toronto Library’s Representative Poetry Online

Major Henry Livingston, Jr. (1748-1828)

Account of a Visit from St. Nicholas

1 ‘Twas the night before Christmas, when all thro’ the house,
2 Not a creature was stirring, not even a mouse;
3 The stockings were hung by the chimney with care,
4 In hopes that St. Nicholas soon would be there;
5 The children were nestled all snug in their beds,
6 While visions of sugar plums danc’d in their heads,
7 And Mama in her ‘kerchief, and I in my cap,
8 Had just settled our brains for a long winter’s nap –
9 When out on the lawn there arose such a clatter,
10 I sprang from the bed to see what was the matter.
11 Away to the window I flew like a flash,
12 Tore open the shutters, and threw up the sash.
13 The moon on the breast of the new fallen snow,
14 Gave the lustre of mid-day to objects below;
15 When, what to my wondering eyes should appear,
16 But a miniature sleigh, and eight tiny rein-deer,
17 With a little old driver, so lively and quick,
18 I knew in a moment it must be St. Nick.
19 More rapid than eagles his coursers they came,
20 And he whistled, and shouted, and call’d them by name:
21 “Now! Dasher, now! Dancer, now! Prancer, and Vixen,
22 “On! Comet, on! Cupid, on! Dunder and Blixem;
23 “To the top of the porch! to the top of the wall!
24 “Now dash away! dash away! dash away all!”
25 As dry leaves before the wild hurricane fly,
26 When they meet with an obstacle, mount to the sky;
27 So up to the house-top the coursers they flew,
28 With the sleigh full of Toys — and St. Nicholas too:
29 And then in a twinkling, I heard on the roof
30 The prancing and pawing of each little hoof.
31 As I drew in my head, and was turning around,
32 Down the chimney St. Nicholas came with a bound:
33 He was dress’d all in fur, from his head to his foot,
34 And his clothes were all tarnish’d with ashes and soot;
35 A bundle of toys was flung on his back,
36 And he look’d like a peddler just opening his pack:
37 His eyes — how they twinkled! his dimples how merry,
38 His cheeks were like roses, his nose like a cherry;
39 His droll little mouth was drawn up like a bow.
40 And the beard of his chin was as white as the snow;
41 The stump of a pipe he held tight in his teeth,
42 And the smoke it encircled his head like a wreath.
43 He had a broad face, and a little round belly
44 That shook when he laugh’d, like a bowl full of jelly:
45 He was chubby and plump, a right jolly old elf,
46 And I laugh’d when I saw him in spite of myself;
47 A wink of his eye and a twist of his head
48 Soon gave me to know I had nothing to dread.
49 He spoke not a word, but went straight to his work,
50 And fill’d all the stockings; then turn’d with a jerk,
51 And laying his finger aside of his nose
52 And giving a nod, up the chimney he rose.
53 He sprung to his sleigh, to his team gave a whistle,
54 And away they all flew, like the down of a thistle:
55 But I heard him exclaim, ere he drove out of sight –
56 Happy Christmas to all, and to all a good night.

Online text copyright © 2005, Ian Lancashire for the Department of English, University of Toronto. Published by the Web Development Group, Information Technology Services, University of Toronto Libraries. Be sure to visit this site for more information on this poem, on Maj. Livingston, and on poetry in general.

Nota bene: By no means should readers assume that I’m saying the authorship of “A Visit from St. Nicholas” is settled. There remains much controversy, and many people convinced that Moore was, indeed, the author. See this comment from an earlier posting, for example.


Historical inquiries at Christmas: Who invented Santa Claus? Who really wrote “Account of a Visit from St. Nicholas?”

December 24, 2010

An encore post from 2007

Thomas Nast invented Santa Claus? Clement C. Moore didn’t write the famous poem that starts out, “‘Twas the night before Christmas, and all through the house . . . ?”

The murky waters of history from Millard Fillmore’s Bathtub soak even our most cherished ideas and traditions.

But isn’t that part of the fun of history?

Santa Claus delivers to Union soldiers, "Santa Claus in Camp" - Thomas Nast, Harper's Weekly, Jan 3, 1863

Thomas Nast’s first published drawing featuring Santa Claus; for Harper’s Weekly, “A Journal of Civilization,” January 3, 1863 Nast portrayed the elf distributing packages to Union troops: “Santa Claus in camp.” Nast (1840-1904) was 23 when he drew this image.

Yes, Virginia (and California, too)! Thomas Nast created the image of Santa Claus most of us in the U.S. know today. Perhaps even more significant than his campaign against the graft of Boss Tweed, Nast’s popularization of a fat, jolly elf who delivers good things to people for Christmas makes one of the great stories in commercial illustration. Nast’s cartoons, mostly for the popular news publication Harper’s Weekly, created many of the conventions of modern political cartooning and modeled the way in which an illustrator could campaign for good, with his campaign against the graft of Tammany Hall and Tweed. But Nast’s popular vision of Santa Claus can be said to be the foundation for the modern mercantile flurry around Christmas.

Nast is probably ensconced in a cartoonists’ hall of fame. Perhaps he should be in a business or sales hall of fame, too. [See also Bill Casselman’s page, “The Man Who Designed Santa Claus.]

Nast’s drawings probably drew some inspiration from the poem, “Account of a Visit from St. Nicholas,” traditionally attributed to Clement C. Moore, a New York City lawyer, published in 1822. The poem is among the earliest to describe the elf dressed in fur, and magically coming down a chimney to leave toys for children; the poem invented the reindeer-pulled sleigh.

Modern analysis suggests the poem was not the work of Moore, and many critics and historians now attribute it to Major Henry Livingston, Jr. (1748-1828) following sleuthing by Vassar College Prof. Don Foster in 2000. Fortunately for us, we do not need to be partisans in such a query to enjoy the poem (a complete copy of which is below the fold).

The Library of Congress still gives Moore the credit. When disputes arise over who wrote about the night before Christmas, is it any wonder more controversial topics produce bigger and louder disputes among historians?

Moore was not known for being a poet. The popular story is that he wrote it on the spur of the moment:

Moore is thought to have composed the tale, now popularly known as “The Night Before Christmas,” on December 24, 1822, while traveling home from Greenwich Village, where he had bought a turkey for his family’s Christmas dinner.

Inspired by the plump, bearded Dutchman who took him by sleigh on his errand through the snow-covered streets of New York City, Moore penned A Visit from St. Nicholas for the amusement of his six children, with whom he shared the poem that evening. His vision of St. Nicholas draws upon Dutch-American and Norwegian traditions of a magical, gift-giving figure who appears at Christmas time, as well as the German legend of a visitor who enters homes through chimneys.

Again from the Library of Congress, we get information that suggests that Moore was a minor celebrity from a well-known family with historical ties that would make a good “connections” exercise in a high school history class, perhaps (”the link from Aaron Burr’s treason to Santa Claus?”):

Clement Moore was born in 1779 into a prominent New York family. His father, Benjamin Moore, president of Columbia University, in his role as Episcopal Bishop of New York participated in the inauguration of George Washington as the nation’s first president. The elder Moore also administered last rites to Alexander Hamilton after he was mortally wounded in a tragic duel with Aaron Burr.

A graduate of Columbia, Clement Moore was a scholar of Hebrew and a professor of Oriental and Greek literature at the General Theological Seminary in Manhattan. [See comment from Pam Bumsted below for more on Moore.] He is said to have been embarrassed by the light-hearted verse, which was made public without his knowledge in December 1823. Moore did not publish it under his name until 1844.

Tonight, American children will be tucked in under their blankets and quilts and read this beloved poem as a last “sugarplum” before slipping into dreamland. Before they drift off, treat them to a message from Santa, recorded by the Thomas Edison Company in 1922.

Santa Claus Hides in Your Phonograph
By Arthur A. Penn, Performed by Harry E. Humphrey.
Edison, 1922.
Coupling date: 6/20/1922. Cutout date: 10/31/1929.
Inventing Entertainment: The Motion Pictures and Sound Recordings of the Edison Companies

Listen to this recording (RealAudio Format)

Listen to this recording (wav Format, 8,471 Kb)

But Henry Livingston was no less noble or historic. He hailed from the Livingtons of the Hudson Valley (one of whose farms is now occupied by Camp Rising Sun of the Louis August Jonas Foundation, a place where I spent four amazing summers teaching swimming and lifesaving). Livingston’s biography at the University of Toronto site offers another path for a connections exercise (”What connects the Declaration of Independence, the American invasion of Canada, the famous poem about a visit from St. Nick, and George W. Bush?”):

Henry Livingston Jr. was born in Poughkeepsie, New York, on Oct. 13, 1748. The Livingston family was one of the important colonial and revolutionary families of New York. The Poughkeepsie branch, descended from Gilbert, the youngest son of Robert Livingston, 1st Lord of Livingston Manor, was not as well off as the more well-known branches, descended from sons Robert and Philip. Two other descendants of Gilbert Livingston, President George Walker Herbert Bush and his son, President-Elect George W. Bush, though, have done their share to bring attention to this line. Henry’s brother, Rev. John Henry Livingston, entered Yale at the age of 12, and was able to unite the Dutch and American branches of the Dutch Reformed Church. At the time of his death, Rev. Livingston was president of Rutgers University. Henry’s father and brother Gilbert were involved in New York politics, and Henry’s granduncle was New York’s first Lt. Governor. But the law was the natural home for many of Henry’s family. His brother-in-law, Judge Jonas Platt, was an unsuccessful candidate for governor, as was his daughter Elizabeth’s husband, U.S. Supreme Court Justice Smith Thompson. Henry’s grandson, Sidney Breese, was Chief Justice of the Illinois Supreme Court.

Known for his encyclopedic knowledge and his love of literature, Henry Livingston was a farmer, surveyor and Justice of the Peace, a judicial position dealing with financially limited criminal and civil cases. One of the first New Yorkers to enlist in the Revolutionary Army in 1775, Major Henry Livingston accompanied his cousin’s husband, General Montgomery, in his campaign up the Hudson River to invade Canada, leaving behind his new wife, Sarah Welles, and their week-old baby, on his Poughkeepsie property, Locust Grove. Baby Catherine was the subject of the first poem currently known by Major Livingston. Following this campaign, Livingston was involved in the War as a Commissioner of Sequestration, appropriating lands owned by British loyalists and selling them for the revolutionary cause. It was in the period following Sarah’s early death in 1783, that Major Livingston published most of his poems and prose, anonymously or under the pseudonym of R. Ten years after the death of Sarah, Henry married Jane Patterson, the daughter of a Dutchess County politician and sister of his next-door neighbor. Between both wives, Henry fathered twelve children. He published his good-natured, often occasional verse from 1787 in many journals, including Political Barometer, Poughkeepsie Journal, and New-York Magazine. His most famous poem, “Account of a Visit from St. Nicholas,” was until 2000 thought to have been the work of Clement Clarke Moore (1779-1863), who published it with his collected poems in 1844. Livingston died Feb. 29, 1828.

More on Henry Livingston and his authorship of the Christmas poem here.
Thomas Nast, Merry Old Santa Claus, Harper's Weekly, Jan 1, 1881

Our views of Santa Claus owe a great deal also to the Coca-Cola advertising campaign. Coca-Cola first noted Santa’s use of the drink in a 1922 campaign to suggest Coke was a year-round drink (100 years after the publication of Livingston’s poem). The company’s on-line archives gives details:

In 1930, artist Fred Mizen painted a department store Santa in a crowd drinking a bottle of Coke. The ad featured the world’s largest soda fountain, which was located in the department store of Famous Barr Co. in St. Louis, Mo. Mizen’s painting was used in print ads that Christmas season, appearing in The Saturday Evening Post in December 1930.

1936 Coca-Cola Santa cardboard store display

1936 Coca-Cola Santa cardboard store display

  • 1936 Coca-Cola Santa cardboard store display
1942 original oil painting - 'They Remembered Me'

1942 original oil painting - ‘They Remembered Me’

Archie Lee, the D’Arcy Advertising Agency executive working with The Coca-Cola Company, wanted the next campaign to show a wholesome Santa as both realistic and symbolic. In 1931, The Coca-Cola Company commissioned Michigan-born illustrator Haddon Sundblom to develop advertising images using Santa Claus — showing Santa himself, not a man dressed as Santa, as Mizen’s work had portrayed him.

  • 1942 original oil painting – ‘They Remembered Me’

For inspiration, Sundblom turned to Clement Clark Moore’s 1822 poem “A Visit From St. Nicholas” (commonly called “‘Twas the Night Before Christmas”). Moore’s description of St. Nick led to an image of Santa that was warm, friendly, pleasantly plump and human. For the next 33 years, Sundblom painted portraits of Santa that helped to create the modern image of Santa — an interpretation that today lives on in the minds of people of all ages, all over the world.

Santa Claus is a controversial figure. Debates still rage among parents about the wisdom of allowing the elf into the family’s home, and under what conditions. Theologians worry that the celebration of Christmas is diluted by the imagery. Other faiths worry that the secular, cultural impact of Santa Claus damages their own faiths (few other faiths have such a popular figure, and even atheists generally give gifts and participate in Christmas rituals such as putting up a decorated tree).

For over 100 years, Santa Claus has been a popular part of commercial, cultural and religious life in America. Has any other icon endured so long, or so well?

________________________
Below:
From the University of Toronto Library’s Representative Poetry Online

Major Henry Livingston, Jr. (1748-1828)

Account of a Visit from St. Nicholas

1 ‘Twas the night before Christmas, when all thro’ the house,
2 Not a creature was stirring, not even a mouse;
3 The stockings were hung by the chimney with care,
4 In hopes that St. Nicholas soon would be there;
5 The children were nestled all snug in their beds,
6 While visions of sugar plums danc’d in their heads,
7 And Mama in her ‘kerchief, and I in my cap,
8 Had just settled our brains for a long winter’s nap –
9 When out on the lawn there arose such a clatter,
10 I sprang from the bed to see what was the matter.
11 Away to the window I flew like a flash,
12 Tore open the shutters, and threw up the sash.
13 The moon on the breast of the new fallen snow,
14 Gave the lustre of mid-day to objects below;
15 When, what to my wondering eyes should appear,
16 But a miniature sleigh, and eight tiny rein-deer,
17 With a little old driver, so lively and quick,
18 I knew in a moment it must be St. Nick.
19 More rapid than eagles his coursers they came,
20 And he whistled, and shouted, and call’d them by name:
21 “Now! Dasher, now! Dancer, now! Prancer, and Vixen,
22 “On! Comet, on! Cupid, on! Dunder and Blixem;
23 “To the top of the porch! to the top of the wall!
24 “Now dash away! dash away! dash away all!”
25 As dry leaves before the wild hurricane fly,
26 When they meet with an obstacle, mount to the sky;
27 So up to the house-top the coursers they flew,
28 With the sleigh full of Toys — and St. Nicholas too:
29 And then in a twinkling, I heard on the roof
30 The prancing and pawing of each little hoof.
31 As I drew in my head, and was turning around,
32 Down the chimney St. Nicholas came with a bound:
33 He was dress’d all in fur, from his head to his foot,
34 And his clothes were all tarnish’d with ashes and soot;
35 A bundle of toys was flung on his back,
36 And he look’d like a peddler just opening his pack:
37 His eyes — how they twinkled! his dimples how merry,
38 His cheeks were like roses, his nose like a cherry;
39 His droll little mouth was drawn up like a bow.
40 And the beard of his chin was as white as the snow;
41 The stump of a pipe he held tight in his teeth,
42 And the smoke it encircled his head like a wreath.
43 He had a broad face, and a little round belly
44 That shook when he laugh’d, like a bowl full of jelly:
45 He was chubby and plump, a right jolly old elf,
46 And I laugh’d when I saw him in spite of myself;
47 A wink of his eye and a twist of his head
48 Soon gave me to know I had nothing to dread.
49 He spoke not a word, but went straight to his work,
50 And fill’d all the stockings; then turn’d with a jerk,
51 And laying his finger aside of his nose
52 And giving a nod, up the chimney he rose.
53 He sprung to his sleigh, to his team gave a whistle,
54 And away they all flew, like the down of a thistle:
55 But I heard him exclaim, ere he drove out of sight –
56 Happy Christmas to all, and to all a good night.

Online text copyright © 2005, Ian Lancashire for the Department of English, University of Toronto. Published by the Web Development Group, Information Technology Services, University of Toronto Libraries. Be sure to visit this site for more information on this poem, on Maj. Livingston, and on poetry in general.

Nota bene: By no means should readers assume that I’m saying the authorship of  “A Visit from St. Nicholas” is settled.  There remains much controversy, and many people convinced that Moore was, indeed, the author.  See this comment from an earlier posting, for example.


X-ray nudes: Safe for classrooms?

June 23, 2010

Here’s one way to make study of x-rays interesting:

X-ray nudes, from Eizo Pinup Calendar 2010, via A Quantum of Knowledge

Miss September - EIZO X-Ray Pinup Calendar 2010 - via A Quantum of Knowledge; ad agency, BUTTER

See this one, a couple more, and a good explanation of x-rays at A Quantum of Knowledge, “X-rated X-rays.

Um, also there is disturbing news for Kermit the Frog.

They are x-rays.  Are they still too risqué for use in, say, a senior physics class?  Let’s stipulate that the images are sexist (did they do any nude males?).  Could they serve any educational purpose?  If a physics teacher used some of these in a presentation on x-rays, would the principal and school board complain?  Would they get students — males students, especially — interested in studying x-rays?

Maybe the best way to get kids interested, in the best Tom Sawyer fashion, would be to tell them not to go to A Quantum of Knowledge to look at the x-rays.  Does your school’s filtering block these pictures?

A Quantum of Knowledge found out about the pictures from Phil Plait at Bad Astronomy.  Phil asks the question, “Are they racy?”

Look at the comments there — it sort of boils down to the shoes, doesn’t it?  Well, that, and the series of the poses.  Any one of the poses might be clinically interesting as an x-ray, but together, they spell “pornography.”

Do they?

In the comments at Bad Astronomy:  A discussion of footbinding in China, complete with x-rays; links to more x-rays of feet (presumably female) in stiletto heels; a discussion about whether the calendar photos from EIZO might be photo-shopped or otherwise edited, and not straight up x-rays.

Science nerds, you know?

More:


Presidents in advertising

May 14, 2008

Franklin Pierce and Millard Fillmore to sell Japanese cars.

Ulysses S Grant has gotten in on the trend to former presidents making ad pitches.

What do you think?

US Grant urges mine law reform for Pew Charitable Trust

Ad from the Pew Charitable Trust’s campaign for mine law reform.


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