On November 14, 1960, Ruby Bridges went to school

November 14, 2016

American Experience reminds us:

On November 14, 1960, 6-year-old Ruby Bridges walked into William J. Frantz Elementary School in New Orleans.

This is an encore post I put up then, happy to have an excuse to repeat historic photos, great art from a great American painter, Norman Rockwell, and remind students of history.

This came on Twitter, back in 2014:

You don’t recognize her there?

How about in Norman Rockwell’s illustration?

The Problem We All Live With,” Norman Rockwell, 1964; oil on canvas, Norman Rockwell Museum, Stockbridge, Massachusetts

Ruby Bridges with President Barack Obama, in 2011:

President Obama and Ruby Bridges viewing Normal Rockwall's painting, "The Problem We All Live With," at the White House in 2011. Photo by Pete Souza, public domain.

President Obama and Ruby Bridges viewing Normal Rockwall’s painting, “The Problem We All Live With,” at the White House in 2011. Photo by Pete Souza, public domain.

Ms. Bridges tells some of her story:

Yes, this is mostly an encore post. Fighting ignorance requires patience.

Yes, this is mostly an encore post. Fighting ignorance requires patience.


What can we learn from election-day art?

November 8, 2016

Interesting contrasts, at least.

I love the “County Election” painting of George Caleb Bingham, showing an election in 1852, the year incumbent President Millard Fillmore could not get even the nomination of his party. I love the tension of Norman Rockwell’s painting of the 1944 election in Cedar Rapids, Iowa, with tensions we see only in retrospect. (That post also shows real tensions in a family, in the election of 1948, in another Rockwell painting).

What else does the world of art show about elections in America? What do you think?

Illustration from Harper's Weekly, showing election persuasion at the polls. Library of Congress collection

Illustration from Harper’s Weekly, November 7, 1857, showing election persuasion at the polls – politicians trying to buy votes. Library of Congress collection

If bribery didn’t work, there was always plain old fisticuffs.

Fighting at the polls. Illustration from Harper's Weekly, November 7, 1857. Library of Congress collections

Fighting at the polls. Illustration from Harper’s Weekly, November 7, 1857. Library of Congress collections

Here’s an unusual ritual, portrayed about the 1892 contest between William Henry Harrison and Grover Cleveland. Did this really happen? Did the loser pull the winner on a cart through the city?

 

“Lost Bet,” by John Klir, Library of Congress. Pearson’s education materials say this was common in the 19th century.

Louis Dalrymple noted a twist on the tradition four years later.

Puck Magazine, November 11, 1896.

Puck Magazine, November 11, 1896. “Print shows a bloated businessman holding an American flag labeled ‘Victory,’ riding in a wheelbarrow being pushed by another man; in the background, a young boy is telling a stranger that his Dad had a bet with the other man regarding the outcome of the presidential election. The stranger is uncertain who lost the bet.” Drawing by Louis Dalrymple for Puck. Library of Congress collections

Not sure how long that tradition of the loser pushing or pulling the winner hung on, but by 1904 election night was an occasion to walk about, socialize, and watch fireworks, if this print from the William Randolph Hearst organization is accurate. Teddy Roosevelt won the presidency on his own that year.

“Election night illumination at the Flatiron Building [New York City].” New York Sunday American & Journal, a Hearst newspaper. Library of Congress collections

“Politics in the Oyster House,” 1848 by Richard Caton Woodville. Image found at Wikiwand

George Caleb Bingham's

George Caleb Bingham’s “Stump Speaking,” 1853-54. Image from Wikiwand

Not all election work involves a crowd.

George Caleb Bingham,

George Caleb Bingham, “Canvassing the Vote”

George Caleb Bingham,

George Caleb Bingham, “The Verdict of the People,” 1854-55. Wikiwand image

This looks more like the campaign party of a victorious candidate in the late 20th and early 21st centuries, though I’m not really sure this tradition survived much past the 2000 election.

John Sloan,

John Sloan, “Election Night,” 1907, an image from a New York drinking establishment. Collection of the Memorial Art Gallery of the University of Rochester.

Janie Price’s Evolution of American Painting said:

Here is the scene of Election Night written in Sloan’s Journal:

“Took a walk in the afternoon and saw boys in droves, foraging for fuel for their election fires this evening. . . . after dinner . . . out again and saw the noisy trumpet blowers, confetti throwers and the “ticklers” in use—a small feather duster on a stick which is pushed in the face of each girl by the men, and in the face of men by the girls. A good humorous crowd, so dense in places that it is impossible to control one’s movement.” (John French Sloan)

Women voted for the first time nationwide in 1920, after the ratification of the 19th Amendment. J. F. Kernan’s painting for The Country Gentleman magazine in 1922 shows some of the tensions that remained after the national amendment.

J. F. Kernan in Country Gentleman magazine, November 4, 1922

J. F. Kernan in Country Gentleman magazine, November 4, 1922. Wikimedia image

Rockwall made great use of his time and photographs in Cedar Rapids. In addition to the painting there, he used the setting for his famous “Undecided,” which became the cover of the Saturday Evening Post. 1944 was the last time prior to 2016 that both major candidates came from New York.

“Undecided,” Norman Rockwell, 1944. Copyright Curtis Publications

 

One might wonder if Rockwell considered himself undecided, when one sees this “son” of the painting, from 1960, featuring Rockwell in the same voting booth.

“Norman Rockwell at the Voting Booth” painted in 1960, based on his 1944 studies in Cedar Rapids, it seems to me. Image from The Easel

“Norman Rockwell at the Voting Booth” painted in 1960, based on his 1944 studies in Cedar Rapids, it seems to me. Image from The Easel

One last Rockwell to close out, one of my favorites, showing the happy candidate Casey, after having gotten the news that the voters were not so happy with him.

Norman Rockwall,

Norman Rockwall, “Elect Casey,” or “Before and After,” November 1958 for the Saturday Evening Post.

Legendary election jokester Dick Tuck once ran for the state legislature in California, on the slogan, “The job needs Tuck, and Tuck needs the job.” He lost, and he said what I can imagine the fictional Casey saying, “The people have spoken. The bastards!”

What are your favorite election day images? What are your memories of elections past?


2016: Election day art of Norman Rockwell, and unpredictability of elections

November 8, 2016

Especially in 2016, I think of this great, undersung painting by Normal Rockwell, “Election Day (1944)”:

Norman Rockwell, Election Day, 1944, watercolor and gouache, 14 x 33 1/2 in., Museum purchase, Save-the-Art fund, 2007.037.1.

Norman Rockwell, Election Day, 1944, watercolor and gouache, 14 x 33 1/2 in., Museum purchase, Save-the-Art fund, 2007.037.1.

Remember when people used to dress up to go to the polls?

In 1944 President Franklin Roosevelt ran for an unprecedented fourth term.  Most Americans did not know it, but he was deathly ill at the time.  He dropped Vice President Henry Wallace from his ticket — some argue it was a mutual disaffection at that time — and selected the relatively unknown young Missouri U.S. Sen. Harry S Truman for the vice president’s slot.

In November 1944, D-Day was known to be a successful invasion, and most Americans hoped for a relatively speedy end to World War II in both Europe and the Pacific.  Within the next ten months, the nation would endure the last, futile, desperate and deadly gasp of the Third Reich in the Battle of the Bulge, the liberation of Berlin in April 1945, and end of the war in the European Theatre on May 8; the Battle of Leyte Gulf, the Philippines Campaign, and the bloody, crippling battles of Iwo Jima and Okinawa in the Pacific Theatre, and then the first use of atomic weapons in war, at Hiroshima and Nagasaki (and we hope, the last use).

Voters in Cedar Rapids could not have known that.  They did not know that, regardless their vote for FDR or his Republican challenger, New York Gov. Thomas Dewey, Harry S Truman would be president within six months, nor that the entire world would change in August 1945.

This painting captures a time of spectacular moment, great naivity, and it pictures the way history got made.

For a 2007 exhibition, the Cedar Rapids Museum of Art offered this history:

Norman Rockwell: Fact & Fiction

September 12, 2009 – January 3, 2010

In 2007, the citizens of Cedar Rapids rallied together to purchase a series of watercolors destined for the auction block in New York. These five watercolors, by acclaimed 20th century American artist Norman Rockwell, depicted scenes associated with an election day and were created specifically for the November 4, 1944 issue of the Saturday Evening Post. To complete the Post commission, Rockwell traveled to a quintessential Midwestern town, Cedar Rapids, to study local citizens as models for his series of images.

In the 65 years since his visit, numerous anecdotes and stories have arisen about the artist’s time in Cedar Rapids and the creation of this work. This exhibition uses these five, newly conserved and restored watercolors and a related oil painting from the Norman Rockwell Museum, along with numerous photographs taken by local photographer Wes Panek for Rockwell, to investigate the many facts and fictions associated with Rockwell’s visit and this set of watercolors.

Norman Rockwell: Fact & Fiction has been made possible in part by Rockwell Collins, Candace Wong, and local “Friends of Norman Rockwell.” General exhibition and educational support has been provided by The Momentum Fund of the Greater Cedar Rapids Community Foundation.

Friends of Norman Rockwell: Wilma E. Shadle, Howard and Mary Ann Kucera, Jean Imoehl, Ben and Katie Blackstock, Marilyn Sippy, Chuck and Mary Ann Peters, Phyllis Barber, Ann Pickford, Anthony and Jo Satariano, Barbara A. Bloomhall, Virginia C. Rystrom, Jeff and Glenda Dixon, Robert F. & Janis L. Kazimour Charitable Lead Annuity Trust, Fred and Mary Horn, Mrs. Edna Lingo, John and Diana Robeson, Jewel M. Plumb, Carolyn Pigott Rosberg, Mr. and Mrs. Robert J. Buchacek, Dan and Anne Pelc, Mary Brunkhorst, and John and Diana Robeson.

I am amused and intrigued that this scene also closely resembles the scene when I voted in Cheverly, Maryland, in 1984 — down to the dog in the picture.  Oh, and most of the women didn’t wear dresses, none wore hats, and I was the only guy in the room with a tie.

Roosevelt won the 1944 election in an electoral college landslide, 432 to 99, but Dewey won Iowa, and we might assume Dewey won Cedar Rapids, too.

And that Truman guy?  Rockwell came back to the topic of elections four years later, when Truman was running for election to the office he’d filled for nearly four years, with another classic, American election portrayal.

“Election Day,” by Norman Rockwell, 1948

More:

 

Yes, this is an encore post.

Yes, this is mostly an encore post.


Election Day 2016: Fly your flag, and VOTE!

November 8, 2016

Saint Louis Art Museum, St. Louis, Missouri George Caleb Bingham (American, 1811–1879). The County Election, 1852. Oil on canvas. 38 x 52 in. (96.5 x 132.1 cm). Gift of Bank of America.

The County Election, 1852. Saint Louis Art Museum, St. Louis, Missouri George Caleb Bingham (American, 1811–1879).  Oil on canvas. 38 x 52 in. (96.5 x 132.1 cm). Gift of Bank of America.

Every polling place should be flying the U.S. flag today.  You may fly yours, too.  In any case, if you have not voted already, go vote today as if our future depends upon it, as if our nation expects every voter to do her or his duty.

Today the nation and world listen to the most humble of citizens.  Speak up, at the ballot box.

Did you notice?  In George Caleb Bingham’s picture, there are no U.S. flags.  You should fly yours anyway.

The whole world is watching.

More:

Yes, this is an encore post.

Yes, this is an encore post. I really like Bingham’s painting.


Oil in Mt. Timpanogos?

February 19, 2016

During the RARE II Wilderness Assessment process, and during the Sagebrush Rebellion of the 1970s and 1980s, wildcatters along the Rocky Mountains spine of the west would say we couldn’t rule out any area as having no oil unless we drilled first.

But no one’s found oil in Timpanogos.

Instead, we’ve found Timpanogos in oil.

Mt. Timpanogos Millennium, by Adam Abram (b. 1976). From Tweet by Don Ruggles (@DHRuggles) and @TeresaVeiga1

Mt. Timpanogos Millennium, by Adam Abram (b. 1976). From Tweet by Don Ruggles (@DHRuggles) and @TeresaVeiga1

It’s an interesting view of the mountain, from the southwest. At the right of the picture is Provo Canyon. The body of water must be the Provo River, but in a serene state I think could not have existed at any time. The bluffs shown past the juniper trees are unfamiliar to me.  I’m guessing the artist, Adam Abram, has idealized Timpanogos as the Mormon pioneers might have found it. The area portrayed is probably part of Orem, Utah, today — covered by housing tracts and power lines.

Anyone know? A topological map covering the mouth of Provo Canyon to where the river enters Utah Lake might offer much more specific information. I don’t have one of those at the moment.

Compare it with this photo of Timpanogos (in late summer) by Bob Walker of Orem, 2012:

Utah's Mount Timpanogos looking Northeast; Provo Canyon to the left of the photo. Photo by Bob Walker.

Utah’s Mount Timpanogos looking Northeast; Provo Canyon to the left of the photo. Photo by Bob Walker.

Almost update: I went looking for Adam Abram. You can hang a print of his Mount Timpanogos Millennium for under $30 (a bargain).

Abram explains his painting:

I grew up in the shadow of beautiful Mt. Timpanogos.  This mountain, towering over Utah Valley, stands at 11,749 feet above sea level and once rose above the shores of ancient Lake Bonneville.  Its name is a Paiute word meaning “river of rock.” My goal as an artist was to memorialize my favorite mountain with a 19th century style similar to the Hudson River School. In the process of creation, I did studies of several trees from around the mountain and painted them in.  Sadly, those trees have been torn down with the growth of business and home development. This painting is a tribute to the beauty and majesty of this incredible mountain. This painting won 3rd place in the prestigious 2007 International ARC salon.

I’m not alone in loving that mountain. Who knew?


New Mexico flies U.S. flags January 6 for Statehood Day

January 6, 2016

President William Howard Taft signing the bill that made New Mexico a state, in 1912. (Other people in the photo, I have not yet identified). Image from OldPicture.com

President William Howard Taft signing the bill that made New Mexico a state, in 1912. (Other people in the photo, I have not yet identified). Image from OldPicture.com

New Mexico became the 47th member of the Union on January 6, 1912.  New Mexicans should fly their U.S. flags today in honor of statehood, the U.S. Flag Code urges.

U.S. and New Mexico flags fly from the state education administration building in Santa Fe, 2014

U.S. and New Mexico flags fly from the state education administration building in Santa Fe, 2014. The third flag is the U.S. POW/MIA flag.

I don’t think Statehood Day is a big deal in New Mexico.  New Mexicans love art, though, and statehood and history of the land and the peoples who live there are celebrated throughout Santa Fe and New Mexico.  The New Mexico Art Museum features a lot about history.

The New Mexico State Capitol is one of the more unique in the U.S. There is no grand dome. Instead, the building is a large, circular structure, a giant kiva, honoring New Mexico’s ancient residents and ancestors.

We toured the Capitol in July 2014. It features a massive collection of art by and about New Mexico, and is worth a stop as one would intend to visit any great art museum.

"Emergence," a representation of the creation of the present Earth and people, by Michael A. Naranjo, 2000. Part of the massive collection of New Mexico Art at the State Capitol -- this one outside the building itself.

“Emergence,” a representation of the creation of the present Earth and people, by Michael A. Naranjo, 2000. Part of the massive collection of New Mexico Art at the State Capitol — this one outside the building itself.

Simple Pleasures of New Mexico, acrylic by Gary Morton, 1992

Simple Pleasures of New Mexico,  stunning painting in acrylic by Gary Morton, 1992

If you’re in Santa Fe, plan to spend a half of a day, at least, looking at the Capitol and its art collections.  There are more than 400 pieces on display, sculpture, paintings, mixed media, and more.  It’s a world class gallery, free for the browsing.  Much of the art packs a powerful emotional punch, too, such as the sculpture outside the building honoring the vanished native tribes of North America.

Happy statehood, New Mexico.

More: 

 

USPS stamp honoring the centennial of New Mexico's statehood, in 2012. The stamp features a representation of the beauty of the state found in its desert hills and mountains. VirtualStampClub.com

USPS stamp honoring the centennial of New Mexico’s statehood, in 2012. The stamp features a representation of the beauty of the state found in its desert hills and mountains. VirtualStampClub.com

 


Banksy’s modern Nativity, revisited in 2015: Trump’s wall, and Jesus

December 25, 2015

Those who cannot remember the past are condemned to repeat it.
==> Georges Santayana,
The Life of Reason, vol. 1: Reason in Common Sense)

Those who don’t pay attention to history are condemned to repeat it? Then, gods forbid we should have leaders among the condemned, and heaven keep us from joining their folly.

Has there ever been a good wall that actually worked to keep trouble away? Do we need to rebuild the Berlin Wall in the Americas?

Thomas Nast helped bring down the crooks at Tammany Hall with cartoons. Boss Tweed, the chief antagonist of Nast, crook and leader of the Tammany Gang, understood that Nast’s drawings could do him in better than just hard hitting reporting — the pictures were clear to people who couldn’t read.

But a cartoon has to get to an audience to have an effect.

Here’s a cartoon below, a comment on the security wall being built in Israel, that got very little circulation in the west at Christmas time. Can you imagine the impact had this drawing run in newspapers in Europe, the U.S., and Canada?

It’s a mashup of a famous oil painting* related to the Christian Nativity, from a London-based artist who goes by the name Banksy. (Warning: Banksy pulls no punches; views shown are quite strong, often very funny, always provocative, generally safe for work unless you work for an authoritarian like Dick Cheney who wants no counter opinions.)

banksy-israels-wall-77721975_fda236f91a.jpg

Banksy’s modern nativity — does he ever bother to copyright his stuff, or would he rather you broadcast it?

*  At least I thought so in 2008.  I can’t find the painting now.  Anybody recognize a work underneath Banksy’s re-imagining?  Let us know in comments, eh?  Perhaps this one, by David Roberts?  Perhaps this engraving after Joseph M. W. TurnerTurner’s original? Plus, in 2008, most people said “Banksy who?”

Tip of the old scrub brush to Peoples Geography.

More, in 2011: 

More in 2012:

Yes, this is mostly an encore post. Fighting ignorance requires patience.

Yes, this is mostly an encore post. Fighting ignorance requires patience.


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