New Yorkers laud Lt. Gen. Grant at Cooper Union, June 7, 1865

June 7, 2016

    Repository: Library of Congress Prints and Photographs Division Washington, D.C. 20540 USA; Illus. in: Frank Leslie's illustrated newspaper, v. 20, no. 508 (1865 June 24), p. 209.

Ovation to Lieutenant General Grant at the Cooper Institute, New York, on the evening of June 7 – Grant saluting the audience Digital ID: (b&w film copy neg.) cph 3c28383 (http://hdl.loc.gov/loc.pnp/cph.3c28383) Reproduction Number: LC-USZ62-128383 (b&w film copy neg.) Repository: Library of Congress Prints and Photographs Division Washington, D.C. 20540 USA; Illus. in: Frank Leslie’s Illustrated Newspaper, v. 20, no. 508 (1865 June 24), p. 209.

People of New York idolized Lt. Gen. U. S. Grant. They gave Grant and his family a home. On June 7, 1865, he spoke at Cooper Union and got a rousing ovation in return.

In the spring of 1865, Grant made an appearance at Cooper Union in New York; the New York Times described the reception for the war hero: “…the enhanced and bewildered multitude trembled with extraordinary delight.”[3]

Looking for details on that speech. Holler if you have some.


Worth repeating: Cinco de Mayo is NOT Mexico’s Independence Day

May 5, 2016

(Mostly an encore post, from 2009, with updates)

You thought Cinco de Mayo was Independence Day for Mexico?

No, it’s not.

History.com has a nice explanation, with a nice little video

NPR’s blogs explain: “Cinco de Mayo: Whose holiday is it, anyway?”

“It ain’t about the Margaritas: The real meaning of Cinco de Mayo,” at NPR’s The Takeaway.

Perhaps the U.S. should celebrate the day, too, at least in those states who were not in the old Confederacy. On May 5, 1862, Mexicans under the command of 33 year old Commander General Ignacio Zaragoza Seguín stopped the quick advance of superior French forces trying to invade Mexico to take it over, at the Battle of Puebla. While France did eventually defeat Mexican forces (after getting 30,000 men in reinforcements), the spirit of May 5 inspired Mexicans to continue to fight for freedom. And ultimately, Mexican forces overpowered and captured the French forces and Emperor Maximilian, who was executed.

Thus ended a great hope for the Confederacy, that a French-supported Mexican Army would lend aid to the Confederates in their struggle to secede from the Union.

It is one of the great what-ifs of history: What if France had kept Mexico, and what if French-led Mexican forces backed up the Confederate Army, as Confederates and the French hoped?

One thing is rather sure: Had that happened, and had the Confederacy been successful, we wouldn’t be celebrating Cinco de Mayo in Texas today.

What do the scholars of Lincoln have to add?

Battle of Puebla, Wikimedia (artist?)

Battle of Puebla, Wikimedia (artist?)

Mexican Independence Day is September 16.

_______________________________________

Update: A reader sends a note that Seguin was a Texan. So the Mexican hero of the Battle of Puebla was a Texan. You couldn’t make this stuff up — real history is always more interesting than fiction.

Yes, this is mostly an encore post. Fighting ignorance requires patience.

Yes, this is mostly an encore post. Fighting ignorance requires patience. And repetition.


You’d think more Americans would want to celebrate National Freedom Day

February 1, 2016

13th Amendment to the U.S. Constitution. National Archives image.

13th Amendment to the U.S. Constitution. National Archives image.

Any parades planned in your town? Are your neighbors flying flags to celebrate today, February 1?

If not, do you know why that would matter to anyone?

February 1 is National Freedom Day in the U.S.

Text courtesy of the Legal Information Institute at Cornell University, 36 U.S. Code § 124 reads:

The President may issue each year a proclamation designating February 1 as National Freedom Day to commemorate the signing by Abraham Lincoln on February 1, 1865, of the joint resolution adopted by the Senate and the House of Representatives that proposed the 13th amendment to the Constitution.

(Pub. L. 105–225, Aug. 12, 1998, 112 Stat. 1259.)

Did anyone notice, this year?

You’d think Iowa would have made it a holiday for Republicans and caucus members.

The Library of Congress collects original documents teachers and students can use to study the 13th Amendment; here’s the full page, copied in case they change it:

Primary Documents in American History

13th Amendment to the U.S. Constitution

Thomas Nast's celebration of the emancipation of Southern slaves with the end of the Civil War.
Thomas Nast.
Emancipation.
Philadelphia: S. Bott, 1865.
Wood engraving.
Prints and Photographs Division.
Reproduction Number:
LC-USZ62-2573

The 13th Amendment to the Constitution declared that “Neither slavery nor involuntary servitude, except as a punishment for crime whereof the party shall have been duly convicted, shall exist within the United States, or any place subject to their jurisdiction.” Formally abolishing slavery in the United States, the 13th Amendment was passed by the Congress on January 31, 1865, and ratified by the states on December 6, 1865.

Library of Congress Web Site | External Web Sites | Selected Bibliography

Digital Collections

A Century of Lawmaking for a New Nation

This collection contains congressional publications from 1774 to 1875, including debates, bills, laws, and journals.

References to debate on the 13th Amendment (S.J. Res. 16) can be found in the Congressional Globe on the following dates:

  • March 31, 1864 – Debated in the Senate (S.J. Res. 16).
  • April 4, 1864 – Debated in the Senate.
  • April 5, 1864 – Debated in the Senate.
  • April 6, 1864 – Debated in the Senate.
  • April 7, 1864 – Debated in the Senate.
  • April 8, 1864 – The Senate passed the 13th Amendment (S.J. Res. 16) by a vote of 38 to 6.
  • June 14, 1864 – Debated in the House of Representatives.
  • June 15, 1864 – The House of Representatives initially defeated the 13th Amendment (S.J. Res. 16) by a vote of 93 in favor, 65 opposed, and 23 not voting, which is less than the two-thirds majority needed to pass a Constitutional Amendment.
  • December 6, 1864 – Abraham Lincoln’s Fourth Annual Message to Congress was printed in the Congressional Globe: “At the last session of Congress a proposed amendment of the Constitution, abolishing slavery throughout the United States, passed the Senate, but failed for lack of the requisite two-thirds vote in the House of Representatives. Although the present is the same Congress, and nearly the same members, and without questioning the wisdom or patriotism of those who stood in opposition, I venture to recommend the reconsideration and passage of the measure at the present session.
  • January 6, 1865 – Debated in the House of Representatives (S.J. Res. 16).
  • January 7, 1865 – Debated in the House of Representatives.
  • January 9, 1865 – Debated in the House of Representatives.
  • January 10, 1865 – Debated in the House of Representatives.
  • January 11, 1865 – Debated in the House of Representatives.
  • January 12, 1865 – Debated in the House of Representatives.
  • January 13, 1865 – Debated in the House of Representatives.
  • January 28, 1865 – Debated in the House of Representatives.
  • January 31, 1865 – The House of Representatives passed the 13th Amendment (S.J. Res. 16) by a vote of 119 to 56.
  • February 1, 1865 – President Abraham Lincoln signed a Joint Resolution submitting the proposed 13th Amendment to the states.
  • December 18, 1865 – Secretary of State William Seward issued a statement verifying the ratification of the 13th Amendment.

Abraham Lincoln Papers at the Library of Congress

The complete Abraham Lincoln Papers at the Library of Congress consists of approximately 20,000 documents. The collection is organized into three “General Correspondence” series which include incoming and outgoing correspondence and enclosures, drafts of speeches, and notes and printed material. Most of the 20,000 items are from the 1850s through Lincoln’s presidential years, 1860-65.

A selection of highlights from this collection includes:

Search the Abraham Lincoln Papers using the phrase “13th amendment” to locate additional documents on this topic.

The Alfred Whital Stern Collection of Lincolniana

This collection documents the life of Abraham Lincoln both through writings by and about Lincoln as well as a large body of publications concerning the issues of the times including slavery, the Civil War, Reconstruction, and related topics.

From Slavery to Freedom: The African-American Pamphlet Collection, 1822-1909

This collection presents 396 pamphlets from the Rare Book and Special Collections Division, published from 1822 through 1909, by African-American authors and others who wrote about slavery, African colonization, Emancipation, Reconstruction, and related topics.

Chronicling America: Historic American Newspapers

Chronicling America

This site allows you to search and view millions of historic American newspaper pages from 1836 to 1922. Search this collection to find newspaper articles about the 13th Amendment.

A selection of articles on the 13th Amendment includes:

Congress.gov

Constitution of the United States of America: Analysis and Interpretation

The Constitution of the United States of America: Analysis and Interpretation (popularly known as the Constitution Annotated) contains legal analysis and interpretation of the United States Constitution, based primarily on Supreme Court case law. This regularly updated resource is especially useful when researching the constitutional implications of a specific issue or topic. It includes a chapter on the 13th Amendment. (PDF, 201 KB)

Exhibitions

The African-American Mosaic

This exhibit marks the publication of The African-American Mosaic: A Library of Congress Resource Guide for the Study of Black History and Culture. This exhibit is a sampler of the kinds of materials and themes covered by this publication. Includes a section on the abolition movement and the end of slavery.

African American Odyssey: A Quest for Full Citizenship

This exhibition showcases the African American collections of the Library of Congress. Displays more than 240 items, including books, government documents, manuscripts, maps, musical scores, plays, films, and recordings. Includes a brochure from an exhibit at the Library of Congress to mark the 75th Anniversary of the 13th Amendment.

American Treasures of the Library of Congress: Abolition of Slavery

An online exhibit of the engrossed copy of the 13th Amendment as signed by Abraham Lincoln and members of Congress.

The Civil Rights Act of 1964: A Long Struggle for Freedom

This exhibition, which commemorates the fiftieth anniversary of the landmark Civil Rights Act of 1964, explores the events that shaped the civil rights movement, as well as the far-reaching impact the act had on a changing society.

The Teachers Page

American Memory Timeline: The Freedmen

The Emancipation Proclamation and Thirteenth Amendment freed all slaves in the United States. This page links to related primary source documents.

Link disclaimerExternal Web Sites

The Collected Works of Abraham Lincoln, Abraham Lincoln Association

Documents from Freedom: A Documentary History of Emancipation, 1861-1867, University of Maryland

End of Slavery: The Creation of the 13th Amendment, HarpWeek

“I Will Be Heard!” Abolitionism in America, Cornell University Library, Division of Rare and Manuscript Collections

Landmark Legislation: Thirteenth, Fourteenth, & Fifteenth Amendments, U.S. Senate

Mr. Lincoln and Freedom, The Lincoln Institute

Our Documents, 13th Amendment to the U.S. Constitution, National Archives and Records Administration

Proclamation of the Secretary of State Regarding the Ratification of the Thirteenth Amendment, National Archives and Records Administration

Proposed Thirteenth Amendment Regarding the Abolition of Slavery, National Archives and Records Administration

The Thirteenth Amendment, National Constitution Center

Selected Bibliography

Avins, Alfred, comp. The Reconstruction Amendments’ Debates: The Legislative History and Contemporary Debates in Congress on the 13th, 14th, and 15th Amendments. Richmond: Virginia Commission on Constitutional Government, 1967. [Catalog Record]

Hoemann, George H. What God Hath Wrought: The Embodiment of Freedom in the Thirteenth Amendment. New York: Garland Pub., 1987. [Catalog Record]

Holzer, Harold, and Sara Vaughn Gabbard, eds. Lincoln and Freedom: Slavery, Emancipation, and the Thirteenth Amendment. Carbondale: Southern Illinois University Press, 2007. [Catalog Record]

Maltz, Earl M. Civil Rights, the Constitution, and Congress, 1863-1869. Lawrence, Kan.: University Press of Kansas, 1990. [Catalog Record]

Richards, Leonard L. Who Freed the Slaves?: The Fight Over the Thirteenth Amendment. Chicago: The University of Chicago Press, 2015. [Catalog Record]

Tsesis, Alexander, ed. The Promises of Liberty: The History and Contemporary Relevance of the Thirteenth Amendment. New York: Columbia University Press, 2010. [Catalog Record]

—–. The Thirteenth Amendment and American Freedom: A Legal History. New York: New York University Press, 2004. [Catalog Record]

Vorenberg, Michael. Final Freedom: The Civil War, the Abolition of Slavery, and the Thirteenth Amendment. Cambridge; New York: Cambridge University Press, 2001. [Catalog Record]

Younger Readers

Biscontini, Tracey and Rebecca Sparling, eds. Amendment XIII: Abolishing Slavery. Detroit: Greenhaven Press, 2009. [Catalog Record]

Burgan, Michael. The Reconstruction Amendments. Minneapolis: Compass Point Books, 2006. [Catalog Record]

Schleichert, Elizabeth. The Thirteenth Amendment: Ending Slavery. Springfield, N.J.: Enslow Publishers, 1998. [Catalog Record]


Christmas 2015: Who invented Santa Claus? Who really wrote the “Night Before Christmas?”

December 24, 2015

An encore post and Millard Fillmore’s Bathtub tradition from 2007, with a modifications.

“Today in History from the Associated Press notes, for December 23:

In 1823, the poem “Account of a Visit from St. Nicholas” was published anonymously in the Troy (N.Y.) Sentinel; the verse, more popularly known as “‘Twas the Night Before Christmas,” was later attributed to Clement C. Moore.

Regardless who wrote the poem first published 192 years ago yesterday, how did the poem influence America’s view of St. Nicholas, or Santa Claus?  And how much of the Santa Claus story really was invented in America?

Thomas Nast invented Santa Claus? Clement C. Moore didn’t write the famous poem that starts out, “‘Twas the night before Christmas, and all through the house . . . ?”

The murky waters of history from Millard Fillmore’s Bathtub soak even our most cherished ideas and traditions.

Isn’t that part of the fun of history?

Santa Claus delivers to Union soldiers, "Santa Claus in Camp" - Thomas Nast, Harper's Weekly, Jan 3, 1863

In Janaury 1863, Thomas Nast portrayed Santa Claus as he delivered gifts to Union troops a few days earlier in Washington, D.C., wearing a blue, star-spangled coat.

Yes, Virginia (and California, too)! Thomas Nast created the image of Santa Claus most of us in the U.S. know today. Perhaps even more significant than his campaign against the graft of Boss Tweed, Nast’s popularization of a fat, jolly elf who delivers good things to people for Christmas makes one of the great stories in commercial illustration. Nast’s cartoons, mostly for the popular news publication Harper’s Weekly, created many of the conventions of modern political cartooning and modeled the way in which an illustrator could campaign for good, with his campaign against the graft of Tammany Hall and Tweed. But Nast’s popular vision of Santa Claus can be said to be the foundation for the modern mercantile flurry around Christmas.

Nast is probably ensconced in a cartoonists’ hall of fame. Perhaps he should be in a business or sales hall of fame, too.  [See also Bill Casselman’s page, “The Man Who Designed Santa Claus.]

Nast’s drawings probably drew some inspiration from the poem, “Account of a Visit from St. Nicholas,” traditionally attributed to Clement C. Moore, a New York City lawyer, published in 1822. The poem is among the earliest to describe the elf dressed in fur, and magically coming down a chimney to leave toys for children; the poem invented the reindeer-pulled sleigh.

Modern analysis suggests the poem was not the work of Moore, and many critics and historians now attribute it to Major Henry Livingston, Jr. (1748-1828) following sleuthing by Vassar College Prof. Don Foster in 2000. Fortunately for us, we do not need to be partisans in such a query to enjoy the poem (a complete copy of which is below the fold).

The Library of Congress still gives Moore the credit. When disputes arise over who wrote about the night before Christmas, is it any wonder more controversial topics produce bigger and louder disputes among historians?

Moore was not known for being a poet. The popular story is that he wrote it on the spur of the moment:

Moore is thought to have composed the tale, now popularly known as “The Night Before Christmas,” on December 24, 1822, while traveling home from Greenwich Village, where he had bought a turkey for his family’s Christmas dinner.

Inspired by the plump, bearded Dutchman who took him by sleigh on his errand through the snow-covered streets of New York City, Moore penned A Visit from St. Nicholas for the amusement of his six children, with whom he shared the poem that evening. His vision of St. Nicholas draws upon Dutch-American and Norwegian traditions of a magical, gift-giving figure who appears at Christmas time, as well as the German legend of a visitor who enters homes through chimneys.

Again from the Library of Congress, we get information that suggests that Moore was a minor celebrity from a well-known family with historical ties that would make a good “connections” exercise in a high school history class, perhaps (”the link from Aaron Burr’s treason to Santa Claus?”): (read more, below the fold)

Clement Moore was born in 1779 into a prominent New York family. His father, Benjamin Moore, president of Columbia University, in his role as Episcopal Bishop of New York participated in the inauguration of George Washington as the nation’s first president. The elder Moore also administered last rites to Alexander Hamilton after he was mortally wounded in a tragic duel with Aaron Burr.

A graduate of Columbia, Clement Moore was a scholar of Hebrew and a professor of Oriental and Greek literature at the General Theological Seminary in Manhattan. [See comment from Pam Bumsted below for more on Moore.] He is said to have been embarrassed by the light-hearted verse, which was made public without his knowledge in December 1823. Moore did not publish it under his name until 1844.

Tonight, American children will be tucked in under their blankets and quilts and read this beloved poem as a last “sugarplum” before slipping into dreamland. Before they drift off, treat them to a message from Santa, recorded by the Thomas Edison Company in 1922.

Santa Claus Hides in Your Phonograph
By Arthur A. Penn, Performed by Harry E. Humphrey.
Edison, 1922.
Coupling date: 6/20/1922. Cutout date: 10/31/1929.
Inventing Entertainment: The Motion Pictures and Sound Recordings of the Edison Companies

Listen to this recording (RealAudio Format)

Listen to this recording (wav Format, 8,471 Kb)

But Henry Livingston was no less noble or historic. He hailed from the Livingstons of the Hudson Valley (one of whose farms is now occupied by Camp Rising Sun of the Louis August Jonas Foundation, a place where I spent four amazing summers teaching swimming and lifesaving). Livingston’s biography at the University of Toronto site offers another path for a connections exercise (”What connects the Declaration of Independence, the American invasion of Canada, the famous poem about a visit from St. Nick, and George W. Bush?”):

Henry Livingston Jr. was born in Poughkeepsie, New York, on Oct. 13, 1748. The Livingston family was one of the important colonial and revolutionary families of New York. The Poughkeepsie branch, descended from Gilbert, the youngest son of Robert Livingston, 1st Lord of Livingston Manor, was not as well off as the more well-known branches, descended from sons Robert and Philip. Two other descendants of Gilbert Livingston, President George Walker Herbert Bush and his son, President-Elect George W. Bush, though, have done their share to bring attention to this line. Henry’s brother, Rev. John Henry Livingston, entered Yale at the age of 12, and was able to unite the Dutch and American branches of the Dutch Reformed Church. At the time of his death, Rev. Livingston was president of Rutgers University. Henry’s father and brother Gilbert were involved in New York politics, and Henry’s granduncle was New York’s first Lt. Governor. But the law was the natural home for many of Henry’s family. His brother-in-law, Judge Jonas Platt, was an unsuccessful candidate for governor, as was his daughter Elizabeth’s husband, U.S. Supreme Court Justice Smith Thompson. Henry’s grandson, Sidney Breese, was Chief Justice of the Illinois Supreme Court.

Known for his encyclopedic knowledge and his love of literature, Henry Livingston was a farmer, surveyor and Justice of the Peace, a judicial position dealing with financially limited criminal and civil cases. One of the first New Yorkers to enlist in the Revolutionary Army in 1775, Major Henry Livingston accompanied his cousin’s husband, General Montgomery, in his campaign up the Hudson River to invade Canada, leaving behind his new wife, Sarah Welles, and their week-old baby, on his Poughkeepsie property, Locust Grove. Baby Catherine was the subject of the first poem currently known by Major Livingston. Following this campaign, Livingston was involved in the War as a Commissioner of Sequestration, appropriating lands owned by British loyalists and selling them for the revolutionary cause. It was in the period following Sarah’s early death in 1783, that Major Livingston published most of his poems and prose, anonymously or under the pseudonym of R. Ten years after the death of Sarah, Henry married Jane Patterson, the daughter of a Dutchess County politician and sister of his next-door neighbor. Between both wives, Henry fathered twelve children. He published his good-natured, often occasional verse from 1787 in many journals, including Political Barometer, Poughkeepsie Journal, and New-York Magazine. His most famous poem, “Account of a Visit from St. Nicholas,” was until 2000 thought to have been the work of Clement Clarke Moore (1779-1863), who published it with his collected poems in 1844. Livingston died Feb. 29, 1828.

More on Henry Livingston and his authorship of the Christmas poem here.

Thomas Nast’s full realization of Santa Claus, “Merry Old Santa Claus,” January 1, 1881. Harper’s Weekly, from the Ohio State University Billy Ireland Cartoon Library and Museum, via Bill Cassellman's site

Thomas Nast’s full realization of Santa Claus, “Merry Old Santa Claus,” January 1, 1881. Harper’s Weekly, from the Ohio State University Billy Ireland Cartoon Library and Museum, via Bill Cassellman’s site

Our views of Santa Claus owe a great deal also to the Coca-Cola advertising campaign. Coca-Cola first noted Santa’s use of the drink in a 1922 campaign to suggest Coke was a year-round drink (100 years after the publication of Livingston’s poem). The company’s on-line archives gives details:

In 1930, artist Fred Mizen painted a department store Santa in a crowd drinking a bottle of Coke. The ad featured the world’s largest soda fountain, which was located in the department store of Famous Barr Co. in St. Louis, Mo. Mizen’s painting was used in print ads that Christmas season, appearing in The Saturday Evening Post in December 1930.

1936 Coca-Cola Santa cardboard store display

1936 Coca-Cola Santa cardboard store display

 

1942 original oil painting - 'They Remembered Me'

1942 original oil painting – ‘They Remembered Me’

Archie Lee, the D’Arcy Advertising Agency executive working with The Coca-Cola Company, wanted the next campaign to show a wholesome Santa as both realistic and symbolic. In 1931, The Coca-Cola Company commissioned Michigan-born illustrator Haddon Sundblom to develop advertising images using Santa Claus — showing Santa himself, not a man dressed as Santa, as Mizen’s work had portrayed him.

For inspiration, Sundblom turned to Clement Clark Moore’s 1822 poem “A Visit From St. Nicholas” (commonly called “‘Twas the Night Before Christmas”). Moore’s description of St. Nick led to an image of Santa that was warm, friendly, pleasantly plump and human. For the next 33 years, Sundblom painted portraits of Santa that helped to create the modern image of Santa — an interpretation that today lives on in the minds of people of all ages, all over the world.

Santa Claus is a controversial figure. Debates still rage among parents about the wisdom of allowing the elf into the family’s home, and under what conditions. Theologians worry that the celebration of Christmas is diluted by the imagery. Other faiths worry that the secular, cultural impact of Santa Claus damages their own faiths (few other faiths have such a popular figure, and even atheists generally give gifts and participate in Christmas rituals such as putting up a decorated tree).

For over 100 years, Santa Claus has been a popular part of commercial, cultural and religious life in America. Has any other icon endured so long, or so well?

Coca-Cola’s film, “The Legend of Coca-Cola and Santa Claus”:

________________________
Below:
From the University of Toronto Library’s Representative Poetry Online

Major Henry Livingston, Jr. (1748-1828)

Account of a Visit from St. Nicholas

1 ‘Twas the night before Christmas, when all thro’ the house,

2 Not a creature was stirring, not even a mouse;

3 The stockings were hung by the chimney with care,

4 In hopes that St. Nicholas soon would be there;

5 The children were nestled all snug in their beds,

6 While visions of sugar plums danc’d in their heads,

7 And Mama in her ‘kerchief, and I in my cap,

8 Had just settled our brains for a long winter’s nap –

9 When out on the lawn there arose such a clatter,

10 I sprang from the bed to see what was the matter.

11 Away to the window I flew like a flash,

12 Tore open the shutters, and threw up the sash.

13 The moon on the breast of the new fallen snow,

14 Gave the lustre of mid-day to objects below;

15 When, what to my wondering eyes should appear,

16 But a miniature sleigh, and eight tiny rein-deer,

17 With a little old driver, so lively and quick,

18 I knew in a moment it must be St. Nick.

19 More rapid than eagles his coursers they came,

20 And he whistled, and shouted, and call’d them by name:

21 “Now! Dasher, now! Dancer, now! Prancer, and Vixen,

22 “On! Comet, on! Cupid, on! Dunder and Blixem;

23 “To the top of the porch! to the top of the wall!

24 “Now dash away! dash away! dash away all!”

25 As dry leaves before the wild hurricane fly,

26 When they meet with an obstacle, mount to the sky;

27 So up to the house-top the coursers they flew,

28 With the sleigh full of Toys — and St. Nicholas too:

29 And then in a twinkling, I heard on the roof

30 The prancing and pawing of each little hoof.

31 As I drew in my head, and was turning around,

32 Down the chimney St. Nicholas came with a bound:

33 He was dress’d all in fur, from his head to his foot,

34 And his clothes were all tarnish’d with ashes and soot;

35 A bundle of toys was flung on his back,

36 And he look’d like a peddler just opening his pack:

37 His eyes — how they twinkled! his dimples how merry,

38 His cheeks were like roses, his nose like a cherry;

39 His droll little mouth was drawn up like a bow.

40 And the beard of his chin was as white as the snow;

41 The stump of a pipe he held tight in his teeth,

42 And the smoke it encircled his head like a wreath.

43 He had a broad face, and a little round belly

44 That shook when he laugh’d, like a bowl full of jelly:

45 He was chubby and plump, a right jolly old elf,

46 And I laugh’d when I saw him in spite of myself;

47 A wink of his eye and a twist of his head

48 Soon gave me to know I had nothing to dread.

49 He spoke not a word, but went straight to his work,

50 And fill’d all the stockings; then turn’d with a jerk,

51 And laying his finger aside of his nose

52 And giving a nod, up the chimney he rose.

53 He sprung to his sleigh, to his team gave a whistle,

54 And away they all flew, like the down of a thistle:

55 But I heard him exclaim, ere he drove out of sight –

56 Happy Christmas to all, and to all a good night.

Online text copyright © 2005, Ian Lancashire for the Department of English, University of Toronto. Published by the Web Development Group, Information Technology Services, University of Toronto Libraries. Be sure to visit this site for more information on this poem, on Maj. Livingston, and on poetry in general.

More:

 


Thomas Nast in 1864: “The Union Christmas Dinner” pushed reconciliation in time of war

December 23, 2015

Thomas Nast may have done as much as Abraham Lincoln to invent the Republican Party.

Nast’s illustration for Harper’s Weekly for the issue of December 31, 1864, expressed his great desire for an end to the Civil War, and offered a vision of what could happen when arms were put down.

Image by Thomas Nast, in Harper's Weekly.  White House History @WhiteHouseHstry Tweeted: “The Union Christmas Dinner,” an illustration which symbolically depicts the reconciliation of the war-torn nation.

Image by Thomas Nast, in Harper’s Weekly. White House History @WhiteHouseHstry Tweeted: “The Union Christmas Dinner,” an illustration which symbolically depicts the reconciliation of the war-torn nation.

We were alerted to the image by a Tweet from White House History; the image above comes via SonoftheSouth.net.

An explanation of the illustration comes from The New York Times Learning page (for teachers — you’re invited):

As the Union military advanced across the South in December 1864, making Confederate defeat seem to be only a matter of time, artist Thomas Nast drew a holiday illustration betokening mercy for the vanquished and sectional reconciliation for the nation. Under the Christmas proclamation of “Peace on Earth and Good Will Toward Men,” President Abraham Lincoln is the gracious host who generously welcomes the Confederates—President Jefferson Davis, General Robert E. Lee, and state governors—in from the cold, and gestures for them to return to their rightful seats at the sumptuous feast of the states. Seated at the table are the governors of the Union states, and on the wall behind them appear portraits of leading Union generals.

Framing the main banquet scene are four circular insets that convey the message that if the Confederacy will lay down its arms, surrender unconditionally, and be contrite, then the Union will be merciful and joyously welcome them back into the fold. Viewing them clockwise from the upper-left, the symbolic figure of Victory, backed by the American Eagle, offers the olive branch of peace to a submissive Confederate soldier; the forgiving father from the biblical parable embraces his wayward son, whose sorrow for his past rebellion prompts the father to honor his son with a celebratory dinner; under the tattered American flag, the ordinary soldiers of the Union and Confederacy reunite happily as friends and brothers after the Confederate arms and battle standards have been laid on the ground; and, General Robert E. Lee, the Confederate commander, bows respectfully and offers his sword in unconditional surrender to General Ulysses S. Grant, the commander of the Union troops. In the lower-center is a scene from a holiday table at which a Northern family drinks a toast to the Union servicemen.

While Nast could be partisan, as in his portrayal of Democrats as mules kicking down a barn, or Republicans as noble elephants, and Nast could be subject to bigotry, as in his frequent jabs at Catholics and his portrayal of Irish immigrants as near-gorillas, much of his work in illustration for Harper’s and other publications offered a vision of a much better America which welcomed everyone — as his later portrayal of “Uncle Sam’s Thanksgiving” in 1869 demonstrated.

We could use more Republicans, and newspapermen, like the hopeful Nast, today (leave the bigotry behind).


“Damn the torpedoes” Day: Battle of Mobile Bay, August 5, 1864

August 5, 2015

Julius O. Davidson's painting (published by Louis Prang) of the Battle of Mobile Bay, August 5, 1864.

Julius O. Davidson’s painting (published by Louis Prang) of the Battle of Mobile Bay, August 5, 1864.

It was 151 years ago today:  Especially with the excellent help of Tom Petty, whose 1979 album “Damn the Torpedoes” propelled him to stardom, the phrase “Damn the torpedoes!” remains one of the most used phrases out of history.

Just try to find someone who can tell you who first said it, and what the circumstances were. It’s a sign that history instruction is not what it should be on some matters.

August 5 marks the 151st anniversary of the Battle of Mobile Bay in 1864, when the Union Navy under the command of Admiral David Farragut took Mobile from Confederate forces.

U.S. Heritage Protection Services — a division of the National Park Service — gives a straight up, unemotional description of the fight, which was a key victory for the Union, shutting down much of the Confederacy’s ability to trade with foreign nations and supply its army:

Photograph from circa 1855-1865 of then-Rear Admiral David Glasgow Farragut, the commander of the Union forces at the Battle of Mobile Bay, and the man to who is attributed the famous line,

Photograph from circa 1855-1865 of then-Rear Admiral David Glasgow Farragut, the commander of the Union forces at the Battle of Mobile Bay, and the man to who is attributed the famous line, “Damn the Torpedoes!”

Other Names: Passing of Forts Morgan and Gaines

Location: Mobile County and Baldwin County

Campaign: Operations in Mobile Bay (1864)

Date(s): August 2-23, 1864

Principal Commanders: Adm. David G. Farragut and Maj. Gen. Gordon Granger [US]; Adm. Franklin Buchanan and Brig. Gen. Richard L. Page [CS]

Forces Engaged: Farragut’s Fleet (14 wooden ships and 4 monitors) and U.S. army forces near Mobile [US]; Buchanan’s Flotilla (3 gunboats and an ironclad), Fort Morgan Garrison, Fort Gaines Garrison, and Fort Powell Garrison [CS]

Estimated Casualties: 1,822 (US 322; CS 1,500)

Description: A combined Union force initiated operations to close Mobile Bay to blockade running. Some Union forces landed on Dauphin Island and laid siege to Fort Gaines. On August 5, Farragut’s Union fleet of eighteen ships entered Mobile Bay and received a devastating fire from Forts Gaines and Morgan and other points.  After passing the forts, Farragut forced the Confederate naval forces, under Adm. Franklin Buchanan, to surrender, which effectively closed Mobile Bay. By August 23, Fort Morgan, the last big holdout, fell, shutting down the port. The city, however, remained uncaptured.

Results(s): Union victory

World War I recruiting poster showing Admiral David Farragut lashed to the mast of his ship, and offering the quote for which Farragut is famous.

World War I recruiting poster showing Admiral David Farragut lashed to the mast of his ship, and offering the quote for which Farragut is famous. Image from the collection of the Library of Congress, via Wikipedia

Nota bene:

  • Was Farragut lashed to the rigging? Wikipedia’s listing:An anecdote of the battle that has some dramatic interest has it that Farragut was lashed to the mast during the passage of Fort Morgan. The image it brings to mind is of absolute resolve: if his ship were to be sunk in the battle, he would go down with her. The truth is more prosaic; while he was indeed lashed to the rigging of the mainmast, it was a precautionary move rather than an act of defiance. It came about after the battle had opened and smoke from the guns had clouded the air. In order to get a better view of the action, Farragut climbed into Hartford‘s rigging, and soon was high enough that a fall would certainly incapacitate him and could have killed him. Seeing this, Captain Drayton sent a seaman aloft with a piece of line to secure the admiral. He demurred, saying, “Never mind, I am all right,” but the sailor obeyed his captain’s orders, tying one end of the line to a forward shroud, then around the admiral and to the after shroud.[50]Later, when CSS Tennessee made her unsupported attack on the Federal fleet, Farragut climbed into the mizzen rigging. Still concerned for his safety, Captain Drayton had Flag-Lieutenant J. Crittenden Watson tie him to the rigging again.[51] Thus, the admiral had been tied to the rigging twice in the course of the battle.
  • Did Farragut actually say, “Damn the torpedoes, full speed ahead?  Mobile Bay had been mined by the Confederates, to hold off exactly the sort of Union attack Farragut mounted. Mines, in that time, were known as “torpedoes,” not the underwater-missiles made famous by World War II movies.  Farragut had an iron-clad ship, Tecumseh, under his command leading the attack; legend holds that other ships slowed to allow Tecumseh to cross them and move ahead.  Farragut asked why the attack was slowing, and upon hearing that they feared torpedoes (mines), he later was reputed to have said “Damn the torpedoes,” and urged moving at all speed.  Did he say, “full speed ahead?”  Accounts differ on that, even in legend.  In one version he shouted to the ship Brooklyn, “Go ahead!”  That’s unlikely in the din of sailing, coupled with the din of battle.  Another account has him shouting (vainly) to the Hartford, “Four bells, Captain Drayton.”  Yet another version, that almost makes sense, has him shouting to the Metacomet, which was lashed to the Hartford’s side, “Go ahead, Jouett, full speed.”  The entire quote must be listed as attributed, and the only part most versions agree on is “Damn the torpedoes.”  A World War I recruiting poster probably inscribed the quote into history (see the poster in this post).  Alas, Tecumseh hit a torpedo early in the battle, and sank, killing most of its crew.
  • Political importance:  Coupled with Gen. William Tecumseh Sherman‘s March Across Georgia, and the Fall of Atlanta, the Battle of Mobile Bay gave credence to the idea that the fortunes of the Civil War had turned in the Union’s favor.  This victory probably contributed greatly to the re-election of President Abraham Lincoln against opponents who urged simply ending the war without victory.
  • Mobile Bay was an important port? Mobile Bay stands as a monument to poor soil conservation practices, today.  Maps of the battle show a much larger bay than exists today; since 1864, silting from the river has filled in the bay, making it much less useful, and much less important to shipping.
H. H. Lloyd & Co's 1861 map of Mobile Bay, Alabama

1861 map of Mobile Bay: “H.H. Lloyd & Co’s Campaign Military Charts Showing The Principal Strategic Places Of Interest. Engraved Expressly To Meet A Public Want During The Present War. Compiled From Official Data By Egbert L. Viele, Military and Civil Engineer; and Charles Haskins. Published Under The Auspices Of The American Geographical And Statistical Society. Entered … 1861 by H.H. Lloyd & Co. H.H. Lloyd & Co’s Military Charts. Sixteen Maps On One Sheet.”

LandSat image of Mobile Bay, from NASA, 2003 (via Wikipedia)

LandSat image of Mobile Bay, from NASA, 2003 (via Wikipedia).  The Northern Bay is almost completely silted in by the Mobile River and others.

Whether Admiral David G. Farragut actually said, “Damn the torpedoes!” the phrase remains an often-used quotation to urge action in the face of uncertainty, hopefully, to victory.  Farragut’s forces won the Battle of Mobile Bay on August 5, 1864, a key maritime battle of the Civil War.  Whatever he said, it must have been inspiring.

What torpedoes are you damning today?

More:

This is an encore post.

This is an annual event. Much of this is an encore post.


Cinco de Mayo: NOT Mexico’s Independence Day; should Confederate sympathizers celebrate?

May 5, 2015

(Mostly an encore post, from 2009, with updates)

You thought Cinco de Mayo was Independence Day for Mexico?

No, it’s not.

History.com has a nice explanation, with a nice little video

NPR’s blogs explain: “Cinco de Mayo: Whose holiday is it, anyway?”

“It ain’t about the Margaritas: The real meaning of Cinco de Mayo,” at NPR’s The Takeaway.

Perhaps the U.S. should celebrate the day, too, at least in those states who were not in the old Confederacy. On May 5, 1862, Mexicans under the command of 33 year old Commander General Ignacio Zaragoza Seguín stopped the quick advance of superior French forces trying to invade Mexico to take it over, at the Battle of Puebla. While France did eventually defeat Mexican forces (after getting 30,000 men in reinforcements), the spirit of May 5 inspired Mexicans to continue to fight for freedom. And ultimately, Mexican forces overpowered and captured the French forces and Emperor Maximilian, who was executed.

Thus ended a great hope for the Confederacy, that a French-supported Mexican Army would lend aid to the Confederates in their struggle to secede from the Union.

It is one of the great what-ifs of history: What if France had kept Mexico, and what if French-led Mexican forces backed up the Confederate Army, as Confederates and the French hoped?

One thing is rather sure: Had that happened, and had the Confederacy been successful, we wouldn’t be celebrating Cinco de Mayo in Texas today.

What do the scholars of Lincoln have to add?

Battle of Puebla, Wikimedia (artist?)

Battle of Puebla, Wikimedia (artist?)

Mexican Independence Day is September 16.

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Update: A reader sends a note that Seguin was a Texan. So the Mexican hero of the Battle of Puebla was a Texan. You couldn’t make this stuff up — real history is always more interesting than fiction.


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