Christmas 2018 questions: Who invented Santa Claus? Who really wrote the “Night Before Christmas?”

December 19, 2018

An encore post and Millard Fillmore’s Bathtub tradition from 2007, with modifications.

“Today in History from the Associated Press notes, for December 23:

In 1823, the poem “Account of a Visit from St. Nicholas” was published anonymously in the Troy (N.Y.) Sentinel; the verse, more popularly known as “‘Twas the Night Before Christmas,” was later attributed to Clement C. Moore.

Regardless who wrote the poem first published 195 years ago, how did the poem influence America’s view of St. Nicholas, or Santa Claus?  And how much of the Santa Claus story really was invented in America?

Thomas Nast invented Santa Claus? Clement C. Moore didn’t write the famous poem that starts out, “‘Twas the night before Christmas, and all through the house . . . ?”

The murky waters of history from Millard Fillmore’s Bathtub soak even our most cherished ideas and traditions.

Isn’t that part of the fun of history?

Santa Claus delivers to Union soldiers, "Santa Claus in Camp" - Thomas Nast, Harper's Weekly, Jan 3, 1863

In Janaury 1863, Thomas Nast portrayed Santa Claus as he delivered gifts to Union troops a few days earlier in Washington, D.C., wearing a blue, star-spangled coat.

Yes, Virginia (and California, too)! Thomas Nast created the image of Santa Claus most of us in the U.S. know today. Perhaps even more significant than his campaign against the graft of Boss Tweed, Nast’s popularization of a fat, jolly elf who delivers good things to people for Christmas makes one of the great stories in commercial illustration. Nast’s cartoons, mostly for the popular news publication Harper’s Weekly, created many of the conventions of modern political cartooning and modeled the way in which an illustrator could campaign for good, with his campaign against the graft of Tammany Hall and Tweed. But Nast’s popular vision of Santa Claus can be said to be the foundation for the modern mercantile flurry around Christmas.

Nast is probably ensconced in a cartoonists’ hall of fame. Perhaps he should be in a business or sales hall of fame, too.  [See also Bill Casselman’s page, “The Man Who Designed Santa Claus.]

Nast’s drawings probably drew some inspiration from the poem, “Account of a Visit from St. Nicholas,” traditionally attributed to Clement C. Moore, a New York City lawyer, published in 1822. The poem is among the earliest to describe the elf dressed in fur, and magically coming down a chimney to leave toys for children; the poem invented the reindeer-pulled sleigh.

Modern analysis suggests the poem was not the work of Moore, and many critics and historians now attribute it to Major Henry Livingston, Jr. (1748-1828) following sleuthing by Vassar College Prof. Don Foster in 2000. Fortunately for us, we do not need to be partisans in such a query to enjoy the poem (a complete copy of which is below the fold).

The Library of Congress still gives Moore the credit. When disputes arise over who wrote about the night before Christmas, is it any wonder more controversial topics produce bigger and louder disputes among historians?

Moore was not known for being a poet. The popular story is that he wrote it on the spur of the moment:

Moore is thought to have composed the tale, now popularly known as “The Night Before Christmas,” on December 24, 1822, while traveling home from Greenwich Village, where he had bought a turkey for his family’s Christmas dinner.

Inspired by the plump, bearded Dutchman who took him by sleigh on his errand through the snow-covered streets of New York City, Moore penned A Visit from St. Nicholas for the amusement of his six children, with whom he shared the poem that evening. His vision of St. Nicholas draws upon Dutch-American and Norwegian traditions of a magical, gift-giving figure who appears at Christmas time, as well as the German legend of a visitor who enters homes through chimneys.

Again from the Library of Congress, we get information that suggests that Moore was a minor celebrity from a well-known family with historical ties that would make a good “connections” exercise in a high school history class, perhaps (”the link from Aaron Burr’s treason to Santa Claus?”): (read more, below the fold)

Clement Moore was born in 1779 into a prominent New York family. His father, Benjamin Moore, president of Columbia University, in his role as Episcopal Bishop of New York participated in the inauguration of George Washington as the nation’s first president. The elder Moore also administered last rites to Alexander Hamilton after he was mortally wounded in a tragic duel with Aaron Burr.

A graduate of Columbia, Clement Moore was a scholar of Hebrew and a professor of Oriental and Greek literature at the General Theological Seminary in Manhattan. [See comment from Pam Bumsted below for more on Moore.] He is said to have been embarrassed by the light-hearted verse, which was made public without his knowledge in December 1823. Moore did not publish it under his name until 1844.

Tonight, American children will be tucked in under their blankets and quilts and read this beloved poem as a last “sugarplum” before slipping into dreamland. Before they drift off, treat them to a message from Santa, recorded by the Thomas Edison Company in 1922.

Santa Claus Hides in Your Phonograph
By Arthur A. Penn, Performed by Harry E. Humphrey.
Edison, 1922.
Coupling date: 6/20/1922. Cutout date: 10/31/1929.
Inventing Entertainment: The Motion Pictures and Sound Recordings of the Edison Companies

Listen to this recording (RealAudio Format)

Listen to this recording (wav Format, 8,471 Kb)

But Henry Livingston was no less noble or historic. He hailed from the Livingstons of the Hudson Valley (one of whose farms is now occupied by Camp Rising Sun of the Louis August Jonas Foundation, a place where I spent four amazing summers teaching swimming and lifesaving). Livingston’s biography at the University of Toronto site offers another path for a connections exercise (”What connects the Declaration of Independence, the American invasion of Canada, the famous poem about a visit from St. Nick, and George W. Bush?”):

Henry Livingston Jr. was born in Poughkeepsie, New York, on Oct. 13, 1748. The Livingston family was one of the important colonial and revolutionary families of New York. The Poughkeepsie branch, descended from Gilbert, the youngest son of Robert Livingston, 1st Lord of Livingston Manor, was not as well off as the more well-known branches, descended from sons Robert and Philip. Two other descendants of Gilbert Livingston, President George Walker Herbert Bush and his son, President-Elect George W. Bush, though, have done their share to bring attention to this line. Henry’s brother, Rev. John Henry Livingston, entered Yale at the age of 12, and was able to unite the Dutch and American branches of the Dutch Reformed Church. At the time of his death, Rev. Livingston was president of Rutgers University. Henry’s father and brother Gilbert were involved in New York politics, and Henry’s granduncle was New York’s first Lt. Governor. But the law was the natural home for many of Henry’s family. His brother-in-law, Judge Jonas Platt, was an unsuccessful candidate for governor, as was his daughter Elizabeth’s husband, U.S. Supreme Court Justice Smith Thompson. Henry’s grandson, Sidney Breese, was Chief Justice of the Illinois Supreme Court.

Known for his encyclopedic knowledge and his love of literature, Henry Livingston was a farmer, surveyor and Justice of the Peace, a judicial position dealing with financially limited criminal and civil cases. One of the first New Yorkers to enlist in the Revolutionary Army in 1775, Major Henry Livingston accompanied his cousin’s husband, General Montgomery, in his campaign up the Hudson River to invade Canada, leaving behind his new wife, Sarah Welles, and their week-old baby, on his Poughkeepsie property, Locust Grove. Baby Catherine was the subject of the first poem currently known by Major Livingston. Following this campaign, Livingston was involved in the War as a Commissioner of Sequestration, appropriating lands owned by British loyalists and selling them for the revolutionary cause. It was in the period following Sarah’s early death in 1783, that Major Livingston published most of his poems and prose, anonymously or under the pseudonym of R. Ten years after the death of Sarah, Henry married Jane Patterson, the daughter of a Dutchess County politician and sister of his next-door neighbor. Between both wives, Henry fathered twelve children. He published his good-natured, often occasional verse from 1787 in many journals, including Political Barometer, Poughkeepsie Journal, and New-York Magazine. His most famous poem, “Account of a Visit from St. Nicholas,” was until 2000 thought to have been the work of Clement Clarke Moore (1779-1863), who published it with his collected poems in 1844. Livingston died Feb. 29, 1828.

More on Henry Livingston and his authorship of the Christmas poem here.

Thomas Nast’s full realization of Santa Claus, “Merry Old Santa Claus,” January 1, 1881. Harper’s Weekly, from the Ohio State University Billy Ireland Cartoon Library and Museum, via Bill Cassellman's site

Thomas Nast’s full realization of Santa Claus, “Merry Old Santa Claus,” January 1, 1881. Harper’s Weekly, from Wikimedia.

Our views of Santa Claus owe a great deal also to Coca-Cola advertising campaigns. Coca-Cola first noted Santa’s use of the drink in a 1922 campaign to suggest Coke was a year-round drink (100 years after the publication of Livingston’s poem). The company’s on-line archives gives details:

In 1930, artist Fred Mizen painted a department store Santa in a crowd drinking a bottle of Coke. The ad featured the world’s largest soda fountain, which was located in the department store of Famous Barr Co. in St. Louis, Mo. Mizen’s painting was used in print ads that Christmas season, appearing in The Saturday Evening Post in December 1930.

1936 Coca-Cola Santa cardboard store display

1936 Coca-Cola Santa cardboard store display

 

1942 original oil painting - 'They Remembered Me'

1942 original oil painting – ‘They Remembered Me’

Archie Lee, the D’Arcy Advertising Agency executive working with The Coca-Cola Company, wanted the next campaign to show a wholesome Santa as both realistic and symbolic. In 1931, The Coca-Cola Company commissioned Michigan-born illustrator Haddon Sundblom to develop advertising images using Santa Claus — showing Santa himself, not a man dressed as Santa, as Mizen’s work had portrayed him.

For inspiration, Sundblom turned to Clement Clark Moore’s 1822 poem “A Visit From St. Nicholas” (commonly called “‘Twas the Night Before Christmas”). Moore’s description of St. Nick led to an image of Santa that was warm, friendly, pleasantly plump and human. For the next 33 years, Sundblom painted portraits of Santa that helped to create the modern image of Santa — an interpretation that today lives on in the minds of people of all ages, all over the world.

Santa Claus is a controversial figure. Debates still rage among parents about the wisdom of allowing the elf into the family’s home, and under what conditions. Theologians worry that the celebration of Christmas is diluted by the imagery. Other faiths worry that the secular, cultural impact of Santa Claus damages their own faiths (few other faiths have such a popular figure, and even atheists generally give gifts and participate in Christmas rituals such as putting up a decorated tree).

For over 100 years, Santa Claus has been a popular part of commercial, cultural and religious life in America. Has any other icon endured so long, or so well?

Coca-Cola’s film, “The Legend of Coca-Cola and Santa Claus”:

________________________
Below:
From the University of Toronto Library’s Representative Poetry Online

Major Henry Livingston, Jr. (1748-1828)

Account of a Visit from St. Nicholas

1 ‘Twas the night before Christmas, when all thro’ the house,

2 Not a creature was stirring, not even a mouse;

3 The stockings were hung by the chimney with care,

4 In hopes that St. Nicholas soon would be there;

5 The children were nestled all snug in their beds,

6 While visions of sugar plums danc’d in their heads,

7 And Mama in her ‘kerchief, and I in my cap,

8 Had just settled our brains for a long winter’s nap –

9 When out on the lawn there arose such a clatter,

10 I sprang from the bed to see what was the matter.

11 Away to the window I flew like a flash,

12 Tore open the shutters, and threw up the sash.

13 The moon on the breast of the new fallen snow,

14 Gave the lustre of mid-day to objects below;

15 When, what to my wondering eyes should appear,

16 But a miniature sleigh, and eight tiny rein-deer,

17 With a little old driver, so lively and quick,

18 I knew in a moment it must be St. Nick.

19 More rapid than eagles his coursers they came,

20 And he whistled, and shouted, and call’d them by name:

21 “Now! Dasher, now! Dancer, now! Prancer, and Vixen,

22 “On! Comet, on! Cupid, on! Dunder and Blixem;

23 “To the top of the porch! to the top of the wall!

24 “Now dash away! dash away! dash away all!”

25 As dry leaves before the wild hurricane fly,

26 When they meet with an obstacle, mount to the sky;

27 So up to the house-top the coursers they flew,

28 With the sleigh full of Toys — and St. Nicholas too:

29 And then in a twinkling, I heard on the roof

30 The prancing and pawing of each little hoof.

31 As I drew in my head, and was turning around,

32 Down the chimney St. Nicholas came with a bound:

33 He was dress’d all in fur, from his head to his foot,

34 And his clothes were all tarnish’d with ashes and soot;

35 A bundle of toys was flung on his back,

36 And he look’d like a peddler just opening his pack:

37 His eyes — how they twinkled! his dimples how merry,

38 His cheeks were like roses, his nose like a cherry;

39 His droll little mouth was drawn up like a bow.

40 And the beard of his chin was as white as the snow;

41 The stump of a pipe he held tight in his teeth,

42 And the smoke it encircled his head like a wreath.

43 He had a broad face, and a little round belly

44 That shook when he laugh’d, like a bowl full of jelly:

45 He was chubby and plump, a right jolly old elf,

46 And I laugh’d when I saw him in spite of myself;

47 A wink of his eye and a twist of his head

48 Soon gave me to know I had nothing to dread.

49 He spoke not a word, but went straight to his work,

50 And fill’d all the stockings; then turn’d with a jerk,

51 And laying his finger aside of his nose

52 And giving a nod, up the chimney he rose.

53 He sprung to his sleigh, to his team gave a whistle,

54 And away they all flew, like the down of a thistle:

55 But I heard him exclaim, ere he drove out of sight –

56 Happy Christmas to all, and to all a good night.

Online text copyright © 2005, Ian Lancashire for the Department of English, University of Toronto. Published by the Web Development Group, Information Technology Services, University of Toronto Libraries. Be sure to visit this site for more information on this poem, on Maj. Livingston, and on poetry in general.

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Millard Fillmore’s letter to Abraham Lincoln, December 16, 1861: The Trent Affair

December 16, 2016

First page of Millard Fillmore's letter to Abraham Lincoln on the Trent Affair, sent December 16, 1861, 155 years ago today. Library of Congress image.

First page of Millard Fillmore’s letter to Abraham Lincoln on the Trent Affair, sent December 16, 1861, 155 years ago today. Library of Congress image.

Sometimes ex-presidents get the bug to offer advice to the person holding the office at the time.

Most of the time they let the urge pass.

But on December 16, 1861, former President Millard Fillmore shot off a letter to Abraham Lincoln, 7 months into the Civil War, warning Lincoln that a breach of relationships with Britain was to be avoided. Britain complained when U.S. warships stopped a British ship and arrested two Confederate diplomats.

It’s known as the Trent Affair, after the name of the British ship that was stopped.

It’s an example of a foreign nation interfering in domestic affairs of the U.S. Do we ever face such circumstances in the 21st century? Do we expect different results today?

Fillmore’s letter, in transcript:

Abraham Lincoln Papers at the Library of Congress. Transcribed and Annotated by the Lincoln Studies Center, Knox College. Galesburg, Illinois.

Millard Fillmore to Abraham Lincoln, Monday, December 16, 1861 (Trent Affair)

From Millard Fillmore to Abraham Lincoln, December 16, 1861

Buffalo, Dec. 16. 1861.

Sir,

I have never, under any circumstances, presumed to offer any advice, as to men or measures, to those who have succeeded me in the administration of the Government; and I beg of you to consider the few crude suggestions which I am now about to make, as mere hints from one who will feel no mortification, personally, if they should be wholly disregarded.

I can in some measure appreciate the difficulties with which the administration of the Government is now embarrassed by this unholy rebellion; for I heard the muttering thunder, and viewed the gathering storm at a distance in 1850; and while I approve most cordially of the firm stand which you have taken in support of the constitution, as it is, against insane abolitionism on one side and rebellious secessionism on the other, and hope and trust that you will remain firm; yet, it was not to speak of this that I took up my pen, but of a new danger which threatens more immediately our Northern frontier, but in its consequences, most fatally, the whole country. You of course must anticipate that I refer to a threatened rupture with England;1 for if we are so unfortunate as to be involved in a war with her at this time, the last hope of restoring the Union will vanish, and we shall be overwhelmed with the double calamities of civil and foreign war at the same time, which will utterly exhaust our resources, and may practically change the form of our government and compel us in the end to submit to a dishonorable peace.

I perceive that the telegram of this morning announces the fact from semi-official sources that, the law officers of Great Britain have given it as their opinion that the arrest of Messrs. Mason & Slidell and forcibly taking them from the Trent, a British merchant or transport vessel, was not justified by the law of nations; and that the British Cabinet were united in sending a despatch to Lord Lyon,2 protesting against the act, and demanding satisfaction by the restoration of the prisoners and a suitable apology for the insult to the British Flag. I still cherish the hope, however, that this statement may be greatly exagerated– But suppose it be true– What then? It may be said that one of two things must happen– Either, this Government must submit to the demand thus made upon it by Great Britain, or take the hazards of a war at a most inconvenient time to settle a point of international law by resort to arms. This alternative should be avoided it it can be with honor, and I venture to suggest that it may be, by urging in a firm but conciliatory argument in reply to the demand of Great Britain, our views of the Belligerent right to arrest these men, but conclude by saying that although we feel assured that we are right, yet if Great Britain after weighing our argument still adheres to the opinion that we are wrong, then as this is a purely legal question, where no insult was intended to the flag of Great Britain, nor any intention to invade her rights, and as the point in dispute is one of international law in which all maritime nations are interested, we propose to submit it to one of the crowned heads of Europe for arbitrament, agreeing to abide its award. It seems to me that Great Britain can not refuse so fair a proposition. But if she does, and insists on an unconditional compliance with her demand or war, all Christendom will then hold her responsible for the consequences.

I trust you will pardon these suggestions, which are made on the spur of the moment, without consultation with, or the knowledge of, any one; and may remain in confidence between us if you prefer that they should.

I am with sincere respect &

great haste, Truly yours

Millard Fillmore

[Note 1 On November 8, 1861 Captain Charles Wilkes of the U. S. S. San Jacinto intercepted the Trent, a British ship, and arrested James Mason and John Slidell who were on their way to Europe as representatives of the Confederacy. This violation of Britain’s neutrality nearly led to a war with the United States.]

[Note 2 Lord Lyons was the British minister to the United States.]

Could students today translate that letter, written in cursive? Maybe, for the sake of knowing history, we need to teach students how to read cursive, if not write it. Is it possible to teach reading without the writing?

Page 2, Millard Fillmore to Abraham Lincoln, on the Trent Affair. Library of Congress image.

Page 2, Millard Fillmore to Abraham Lincoln, on the Trent Affair. Library of Congress image.

 

Page 3 of Fillmore letter to Lincoln. Library of Congress image.

Page 3 of Fillmore letter to Lincoln. Library of Congress image.

 

Page 4 of Fillmore's letter to Lincoln. Library of Congress image.

Page 4 of Fillmore’s letter to Lincoln. Library of Congress image.

 

Page 6, the last page of Millard Fillmore's letter to Abraham Lincoln about the Trent Affair. Library of Congress image.

Page 5, the last page of Millard Fillmore’s letter to Abraham Lincoln about the Trent Affair. Page 6 shows only the author and topic.  Library of Congress image.

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Christmas 2015: Who invented Santa Claus? Who really wrote the “Night Before Christmas?”

December 24, 2015

An encore post and Millard Fillmore’s Bathtub tradition from 2007, with a modifications.

“Today in History from the Associated Press notes, for December 23:

In 1823, the poem “Account of a Visit from St. Nicholas” was published anonymously in the Troy (N.Y.) Sentinel; the verse, more popularly known as “‘Twas the Night Before Christmas,” was later attributed to Clement C. Moore.

Regardless who wrote the poem first published 192 years ago yesterday, how did the poem influence America’s view of St. Nicholas, or Santa Claus?  And how much of the Santa Claus story really was invented in America?

Thomas Nast invented Santa Claus? Clement C. Moore didn’t write the famous poem that starts out, “‘Twas the night before Christmas, and all through the house . . . ?”

The murky waters of history from Millard Fillmore’s Bathtub soak even our most cherished ideas and traditions.

Isn’t that part of the fun of history?

Santa Claus delivers to Union soldiers, "Santa Claus in Camp" - Thomas Nast, Harper's Weekly, Jan 3, 1863

In Janaury 1863, Thomas Nast portrayed Santa Claus as he delivered gifts to Union troops a few days earlier in Washington, D.C., wearing a blue, star-spangled coat.

Yes, Virginia (and California, too)! Thomas Nast created the image of Santa Claus most of us in the U.S. know today. Perhaps even more significant than his campaign against the graft of Boss Tweed, Nast’s popularization of a fat, jolly elf who delivers good things to people for Christmas makes one of the great stories in commercial illustration. Nast’s cartoons, mostly for the popular news publication Harper’s Weekly, created many of the conventions of modern political cartooning and modeled the way in which an illustrator could campaign for good, with his campaign against the graft of Tammany Hall and Tweed. But Nast’s popular vision of Santa Claus can be said to be the foundation for the modern mercantile flurry around Christmas.

Nast is probably ensconced in a cartoonists’ hall of fame. Perhaps he should be in a business or sales hall of fame, too.  [See also Bill Casselman’s page, “The Man Who Designed Santa Claus.]

Nast’s drawings probably drew some inspiration from the poem, “Account of a Visit from St. Nicholas,” traditionally attributed to Clement C. Moore, a New York City lawyer, published in 1822. The poem is among the earliest to describe the elf dressed in fur, and magically coming down a chimney to leave toys for children; the poem invented the reindeer-pulled sleigh.

Modern analysis suggests the poem was not the work of Moore, and many critics and historians now attribute it to Major Henry Livingston, Jr. (1748-1828) following sleuthing by Vassar College Prof. Don Foster in 2000. Fortunately for us, we do not need to be partisans in such a query to enjoy the poem (a complete copy of which is below the fold).

The Library of Congress still gives Moore the credit. When disputes arise over who wrote about the night before Christmas, is it any wonder more controversial topics produce bigger and louder disputes among historians?

Moore was not known for being a poet. The popular story is that he wrote it on the spur of the moment:

Moore is thought to have composed the tale, now popularly known as “The Night Before Christmas,” on December 24, 1822, while traveling home from Greenwich Village, where he had bought a turkey for his family’s Christmas dinner.

Inspired by the plump, bearded Dutchman who took him by sleigh on his errand through the snow-covered streets of New York City, Moore penned A Visit from St. Nicholas for the amusement of his six children, with whom he shared the poem that evening. His vision of St. Nicholas draws upon Dutch-American and Norwegian traditions of a magical, gift-giving figure who appears at Christmas time, as well as the German legend of a visitor who enters homes through chimneys.

Again from the Library of Congress, we get information that suggests that Moore was a minor celebrity from a well-known family with historical ties that would make a good “connections” exercise in a high school history class, perhaps (”the link from Aaron Burr’s treason to Santa Claus?”): (read more, below the fold)

Clement Moore was born in 1779 into a prominent New York family. His father, Benjamin Moore, president of Columbia University, in his role as Episcopal Bishop of New York participated in the inauguration of George Washington as the nation’s first president. The elder Moore also administered last rites to Alexander Hamilton after he was mortally wounded in a tragic duel with Aaron Burr.

A graduate of Columbia, Clement Moore was a scholar of Hebrew and a professor of Oriental and Greek literature at the General Theological Seminary in Manhattan. [See comment from Pam Bumsted below for more on Moore.] He is said to have been embarrassed by the light-hearted verse, which was made public without his knowledge in December 1823. Moore did not publish it under his name until 1844.

Tonight, American children will be tucked in under their blankets and quilts and read this beloved poem as a last “sugarplum” before slipping into dreamland. Before they drift off, treat them to a message from Santa, recorded by the Thomas Edison Company in 1922.

Santa Claus Hides in Your Phonograph
By Arthur A. Penn, Performed by Harry E. Humphrey.
Edison, 1922.
Coupling date: 6/20/1922. Cutout date: 10/31/1929.
Inventing Entertainment: The Motion Pictures and Sound Recordings of the Edison Companies

Listen to this recording (RealAudio Format)

Listen to this recording (wav Format, 8,471 Kb)

But Henry Livingston was no less noble or historic. He hailed from the Livingstons of the Hudson Valley (one of whose farms is now occupied by Camp Rising Sun of the Louis August Jonas Foundation, a place where I spent four amazing summers teaching swimming and lifesaving). Livingston’s biography at the University of Toronto site offers another path for a connections exercise (”What connects the Declaration of Independence, the American invasion of Canada, the famous poem about a visit from St. Nick, and George W. Bush?”):

Henry Livingston Jr. was born in Poughkeepsie, New York, on Oct. 13, 1748. The Livingston family was one of the important colonial and revolutionary families of New York. The Poughkeepsie branch, descended from Gilbert, the youngest son of Robert Livingston, 1st Lord of Livingston Manor, was not as well off as the more well-known branches, descended from sons Robert and Philip. Two other descendants of Gilbert Livingston, President George Walker Herbert Bush and his son, President-Elect George W. Bush, though, have done their share to bring attention to this line. Henry’s brother, Rev. John Henry Livingston, entered Yale at the age of 12, and was able to unite the Dutch and American branches of the Dutch Reformed Church. At the time of his death, Rev. Livingston was president of Rutgers University. Henry’s father and brother Gilbert were involved in New York politics, and Henry’s granduncle was New York’s first Lt. Governor. But the law was the natural home for many of Henry’s family. His brother-in-law, Judge Jonas Platt, was an unsuccessful candidate for governor, as was his daughter Elizabeth’s husband, U.S. Supreme Court Justice Smith Thompson. Henry’s grandson, Sidney Breese, was Chief Justice of the Illinois Supreme Court.

Known for his encyclopedic knowledge and his love of literature, Henry Livingston was a farmer, surveyor and Justice of the Peace, a judicial position dealing with financially limited criminal and civil cases. One of the first New Yorkers to enlist in the Revolutionary Army in 1775, Major Henry Livingston accompanied his cousin’s husband, General Montgomery, in his campaign up the Hudson River to invade Canada, leaving behind his new wife, Sarah Welles, and their week-old baby, on his Poughkeepsie property, Locust Grove. Baby Catherine was the subject of the first poem currently known by Major Livingston. Following this campaign, Livingston was involved in the War as a Commissioner of Sequestration, appropriating lands owned by British loyalists and selling them for the revolutionary cause. It was in the period following Sarah’s early death in 1783, that Major Livingston published most of his poems and prose, anonymously or under the pseudonym of R. Ten years after the death of Sarah, Henry married Jane Patterson, the daughter of a Dutchess County politician and sister of his next-door neighbor. Between both wives, Henry fathered twelve children. He published his good-natured, often occasional verse from 1787 in many journals, including Political Barometer, Poughkeepsie Journal, and New-York Magazine. His most famous poem, “Account of a Visit from St. Nicholas,” was until 2000 thought to have been the work of Clement Clarke Moore (1779-1863), who published it with his collected poems in 1844. Livingston died Feb. 29, 1828.

More on Henry Livingston and his authorship of the Christmas poem here.

Thomas Nast’s full realization of Santa Claus, “Merry Old Santa Claus,” January 1, 1881. Harper’s Weekly, from the Ohio State University Billy Ireland Cartoon Library and Museum, via Bill Cassellman's site

Thomas Nast’s full realization of Santa Claus, “Merry Old Santa Claus,” January 1, 1881. Harper’s Weekly, from the Ohio State University Billy Ireland Cartoon Library and Museum, via Bill Cassellman’s site

Our views of Santa Claus owe a great deal also to the Coca-Cola advertising campaign. Coca-Cola first noted Santa’s use of the drink in a 1922 campaign to suggest Coke was a year-round drink (100 years after the publication of Livingston’s poem). The company’s on-line archives gives details:

In 1930, artist Fred Mizen painted a department store Santa in a crowd drinking a bottle of Coke. The ad featured the world’s largest soda fountain, which was located in the department store of Famous Barr Co. in St. Louis, Mo. Mizen’s painting was used in print ads that Christmas season, appearing in The Saturday Evening Post in December 1930.

1936 Coca-Cola Santa cardboard store display

1936 Coca-Cola Santa cardboard store display

 

1942 original oil painting - 'They Remembered Me'

1942 original oil painting – ‘They Remembered Me’

Archie Lee, the D’Arcy Advertising Agency executive working with The Coca-Cola Company, wanted the next campaign to show a wholesome Santa as both realistic and symbolic. In 1931, The Coca-Cola Company commissioned Michigan-born illustrator Haddon Sundblom to develop advertising images using Santa Claus — showing Santa himself, not a man dressed as Santa, as Mizen’s work had portrayed him.

For inspiration, Sundblom turned to Clement Clark Moore’s 1822 poem “A Visit From St. Nicholas” (commonly called “‘Twas the Night Before Christmas”). Moore’s description of St. Nick led to an image of Santa that was warm, friendly, pleasantly plump and human. For the next 33 years, Sundblom painted portraits of Santa that helped to create the modern image of Santa — an interpretation that today lives on in the minds of people of all ages, all over the world.

Santa Claus is a controversial figure. Debates still rage among parents about the wisdom of allowing the elf into the family’s home, and under what conditions. Theologians worry that the celebration of Christmas is diluted by the imagery. Other faiths worry that the secular, cultural impact of Santa Claus damages their own faiths (few other faiths have such a popular figure, and even atheists generally give gifts and participate in Christmas rituals such as putting up a decorated tree).

For over 100 years, Santa Claus has been a popular part of commercial, cultural and religious life in America. Has any other icon endured so long, or so well?

Coca-Cola’s film, “The Legend of Coca-Cola and Santa Claus”:

________________________
Below:
From the University of Toronto Library’s Representative Poetry Online

Major Henry Livingston, Jr. (1748-1828)

Account of a Visit from St. Nicholas

1 ‘Twas the night before Christmas, when all thro’ the house,

2 Not a creature was stirring, not even a mouse;

3 The stockings were hung by the chimney with care,

4 In hopes that St. Nicholas soon would be there;

5 The children were nestled all snug in their beds,

6 While visions of sugar plums danc’d in their heads,

7 And Mama in her ‘kerchief, and I in my cap,

8 Had just settled our brains for a long winter’s nap –

9 When out on the lawn there arose such a clatter,

10 I sprang from the bed to see what was the matter.

11 Away to the window I flew like a flash,

12 Tore open the shutters, and threw up the sash.

13 The moon on the breast of the new fallen snow,

14 Gave the lustre of mid-day to objects below;

15 When, what to my wondering eyes should appear,

16 But a miniature sleigh, and eight tiny rein-deer,

17 With a little old driver, so lively and quick,

18 I knew in a moment it must be St. Nick.

19 More rapid than eagles his coursers they came,

20 And he whistled, and shouted, and call’d them by name:

21 “Now! Dasher, now! Dancer, now! Prancer, and Vixen,

22 “On! Comet, on! Cupid, on! Dunder and Blixem;

23 “To the top of the porch! to the top of the wall!

24 “Now dash away! dash away! dash away all!”

25 As dry leaves before the wild hurricane fly,

26 When they meet with an obstacle, mount to the sky;

27 So up to the house-top the coursers they flew,

28 With the sleigh full of Toys — and St. Nicholas too:

29 And then in a twinkling, I heard on the roof

30 The prancing and pawing of each little hoof.

31 As I drew in my head, and was turning around,

32 Down the chimney St. Nicholas came with a bound:

33 He was dress’d all in fur, from his head to his foot,

34 And his clothes were all tarnish’d with ashes and soot;

35 A bundle of toys was flung on his back,

36 And he look’d like a peddler just opening his pack:

37 His eyes — how they twinkled! his dimples how merry,

38 His cheeks were like roses, his nose like a cherry;

39 His droll little mouth was drawn up like a bow.

40 And the beard of his chin was as white as the snow;

41 The stump of a pipe he held tight in his teeth,

42 And the smoke it encircled his head like a wreath.

43 He had a broad face, and a little round belly

44 That shook when he laugh’d, like a bowl full of jelly:

45 He was chubby and plump, a right jolly old elf,

46 And I laugh’d when I saw him in spite of myself;

47 A wink of his eye and a twist of his head

48 Soon gave me to know I had nothing to dread.

49 He spoke not a word, but went straight to his work,

50 And fill’d all the stockings; then turn’d with a jerk,

51 And laying his finger aside of his nose

52 And giving a nod, up the chimney he rose.

53 He sprung to his sleigh, to his team gave a whistle,

54 And away they all flew, like the down of a thistle:

55 But I heard him exclaim, ere he drove out of sight –

56 Happy Christmas to all, and to all a good night.

Online text copyright © 2005, Ian Lancashire for the Department of English, University of Toronto. Published by the Web Development Group, Information Technology Services, University of Toronto Libraries. Be sure to visit this site for more information on this poem, on Maj. Livingston, and on poetry in general.

More:

 


25 most-viewed presidents’ documents at the American Presidency Project

December 4, 2015

Every U.S. history teacher is familiar with a great on-line resource assembled by John Woolley and Gerhard Peters at the University of California – Santa Barbara, The American Presidency Project.  Or, if by some oversight any teacher is not familiar with it, someone should do them a favor and let them know.

It’s an ambitious project of cataloging and making available in one place all the official papers of the presidents of the United States, speeches, press conferences, executive orders, and miscellaneous material including election speeches. The project started in 1999, and as of today contains more than 111,000 documents.

Masthead photo collage from the American Presidency Project at the University of California - Santa Barbara

Masthead photo collage from the American Presidency Project at the University of California – Santa Barbara

In 2008, the project started counting access to the documents, and can now give us seven years of data as to which documents of presidents, from George Washington to Barack Obama, are the most popularly accessed.

Before you read further, ponder this question: Which presidential speeches, documents and miscellanea do you think should be in the top 25 documents people look in a decade? Surely students and scholars, and policy wonks, would be interested in Lincoln’s inspiring words at Gettysburg, perhaps his two inaugural addresses, or the Emancipation Proclamation. FDR’s first inaugural address, “nothing to fear but fear itself,” ought to be among the top. Wilson’s 14 Points, perhaps? Washington’s Farewell? John Kennedy’s inaugural? Lyndon Johnson’s Great Society speech? Eisenhower’s farewell, warning of the “military-industrial complex?”

Now look at the list. What does it tell us that these are the top 25 sought-after documents from the American Presidency Project? What does it tell us that what we might expect to be in the top 25, are not? Tell us in comments what you think.

Here’s the top 25 Most Viewed Documents since 2008 at the American History Project; hotlinks go to the document at AHP:

The 25 Most Viewed Documents Since 2008
#1 John F. Kennedy
Inaugural Address
#2 Republican Party Platforms
Republican Party Platform of 1956
#3 Democratic Party Platforms
2008 Democratic Party Platform
#4 Republican Party Platforms
2008 Republican Party Platform
#5 John F. Kennedy
Executive Order 10990 – Reestablishing the Federal Safety Council
#6 Democratic Party Platforms
2012 Democratic Party Platform
#7 Republican Party Platforms
2012 Republican Party Platform
#8 George W. Bush
Address to the Nation on the Terrorist Attacks
#9 Ronald Reagan
Inaugural Address
#10 John F. Kennedy
Executive Order 11110 – Amendment of Executive Order No. 10289 as Amended, Relating to the Performance of Certain Functions Affecting the Department of the Treasury
#11 Franklin D. Roosevelt
Fireside Chat on Banking
#12 Barack Obama
Inaugural Address
#13 Franklin D. Roosevelt
Letter on the Resolution of Federation of Federal Employees Against Strikes in Federal Service
#14 John F. Kennedy
Remarks at a Dinner Honoring Nobel Prize Winners of the Western Hemisphere
#15 Franklin D. Roosevelt
1944 State of the Union Message to Congress
#16 Franklin D. Roosevelt
Inaugural Address
#17 Barack Obama
Executive Order 13603 – National Defense Resources Preparedness
#18 Franklin D. Roosevelt
Executive Order 6102 – Requiring Gold Coin, Gold Bullion and Gold Certificates to Be Delivered to the Government
#19 Republican Party Platforms
Republican Party Platform of 1860
#20 George Bush
Executive Order 12803 – Infrastructure Privatization
#21 Abraham Lincoln
Inaugural Address
#22 George Washington
First Annual Message to Congress on the State of the Union
#23 William J. Clinton
Inaugural Address
#24 Democratic Party Platforms
Democratic Party Platform of 1960
#25 John F. Kennedy
Address of Senator John F. Kennedy Accepting the Democratic Party Nomination for the Presidency of the United States – Memorial Coliseum, Los Angeles

Homestead Act of 1862: Socialist land giveaway that appealed to free-market Americans, then and now

May 21, 2015

We passed an important anniversary in American history this week.  I’m not sure anyone noted it.

I am constantly amazed at how much of our history gets ignored in conservative politics, especially with regard to the role the government played in stimulating development of the nation with subsidies and give-aways.  What would America be without the Homestead Act?

A family off to find and settle their homestead, 1886. Photo from the National Archives

A family off to find and settle their homestead, 1886. Photo from the National Archives

History and demographics of the United States were forever changed when the Homestead Act became law early in the administration of President Abraham Lincoln, on May 20, 1862.

With Congress paralyzed and unable to act to do even minor good things now, it’s astonishing to think how the Congress of 1862 could do so much to open the American west, in the middle of the American Civil War.  Perhaps Congress was able to act because legislators from the South were absent, and did not oppose progress.

In any case, the Homestead Act encouraged Americans who lacked property, or who wanted to go west, to strike out for the western territories and states, to make a new life, to found new towns, cities and farms, and fulfill the nation’s “manifest destiny.”

The bill that became the Homestead Act, H.R. 125, in the 37th Congress, 1862. Image from the U.S. National Archives

The bill that became the Homestead Act, H.R. 125, in the 37th Congress, 1862. Image from the U.S. National Archives

Here’s the history from the National Archives:

The notion that the United States government should give free land titles to settlers to encourage westward expansion became popular in the 1850s. During that time the U.S. House of Representatives passed numerous homestead bills but southern opposition in the Senate prevented enactment. In 1860, during the 36th Congress, the Senate narrowly passed a homestead act but President James Buchanan vetoed it and the Senate failed its override attempt.

When the 37th Congress convened for its brief summer session in 1861, now without members from seceded states, it was preoccupied with Civil War-related legislation. The House took up briefly the homestead issue in December but postponed further consideration of it until the following February. The House finally passed the Homestead Act on February 28, 1862 by the large margin of 107 to 16. The act worked its way through the Senate until May 6, 1862 when it passed easily by a vote of 33 to 7. After a few minor changes in conference committee—which both houses agreed to without controversy—Congress sent the final legislation to President Abraham Lincoln who signed the act into law on May 20, 1862.

The Homestead Act encouraged western migration by providing settlers with 160 acres of land in exchange for a nominal filing fee. Among its provisions was a five-year requirement of continuous residence before receiving the title to the land and the settlers had to be, or in the process of becoming, U.S. citizens. Through 1986, when the last claim was made in Alaska, the Homestead Act distributed 270 million acres of land in the United States making it arguably one of the most far-reaching pieces of legislation in American history.

More:

Much of this post has appeared at Millard Fillmore’s Bathtub before; the Homestead Act deserves commemoration.


Christmas 2014: Do we know who invented Santa Claus? Who really wrote the “Night Before Christmas?”

December 23, 2014

An encore post and Millard Fillmore’s Bathtub tradition from 2007, with a few modifications.

“Today in History from the Associated Press notes, for December 23:

In 1823, the poem “Account of a Visit from St. Nicholas” was published anonymously in the Troy (N.Y.) Sentinel; the verse, more popularly known as “‘Twas the Night Before Christmas,” was later attributed to Clement C. Moore.

Regardless who wrote the poem first published 191 years ago today, how has it influenced America’s view of St. Nicholas, or Santa Claus?  And how much of the Santa Claus story really was invented in America?

Thomas Nast invented Santa Claus? Clement C. Moore didn’t write the famous poem that starts out, “‘Twas the night before Christmas, and all through the house . . . ?”

The murky waters of history from Millard Fillmore’s Bathtub soak even our most cherished ideas and traditions.

Isn’t that part of the fun of history?

Santa Claus delivers to Union soldiers, "Santa Claus in Camp" - Thomas Nast, Harper's Weekly, Jan 3, 1863

In Janaury 1863, Thomas Nast portraye Santa Claus delivered gifts to Union troops in Washington, D.C., wearing a blue, star-spangled coat, just a few days earlier.

Yes, Virginia (and California, too)! Thomas Nast created the image of Santa Claus most of us in the U.S. know today. Perhaps even more significant than his campaign against the graft of Boss Tweed, Nast’s popularization of a fat, jolly elf who delivers good things to people for Christmas makes one of the great stories in commercial illustration. Nast’s cartoons, mostly for the popular news publication Harper’s Weekly, created many of the conventions of modern political cartooning and modeled the way in which an illustrator could campaign for good, with his campaign against the graft of Tammany Hall and Tweed. But Nast’s popular vision of Santa Claus can be said to be the foundation for the modern mercantile flurry around Christmas.

Nast is probably ensconced in a cartoonists’ hall of fame. Perhaps he should be in a business or sales hall of fame, too.  [See also Bill Casselman’s page, “The Man Who Designed Santa Claus.]

Nast’s drawings probably drew some inspiration from the poem, “Account of a Visit from St. Nicholas,” traditionally attributed to Clement C. Moore, a New York City lawyer, published in 1822. The poem is among the earliest to describe the elf dressed in fur, and magically coming down a chimney to leave toys for children; the poem invented the reindeer-pulled sleigh.

Modern analysis suggests the poem was not the work of Moore, and many critics and historians now attribute it to Major Henry Livingston, Jr. (1748-1828) following sleuthing by Vassar College Prof. Don Foster in 2000. Fortunately for us, we do not need to be partisans in such a query to enjoy the poem (a complete copy of which is below the fold).

The Library of Congress still gives Moore the credit. When disputes arise over who wrote about the night before Christmas, is it any wonder more controversial topics produce bigger and louder disputes among historians?

Moore was not known for being a poet. The popular story is that he wrote it on the spur of the moment:

Moore is thought to have composed the tale, now popularly known as “The Night Before Christmas,” on December 24, 1822, while traveling home from Greenwich Village, where he had bought a turkey for his family’s Christmas dinner.

Inspired by the plump, bearded Dutchman who took him by sleigh on his errand through the snow-covered streets of New York City, Moore penned A Visit from St. Nicholas for the amusement of his six children, with whom he shared the poem that evening. His vision of St. Nicholas draws upon Dutch-American and Norwegian traditions of a magical, gift-giving figure who appears at Christmas time, as well as the German legend of a visitor who enters homes through chimneys.

Again from the Library of Congress, we get information that suggests that Moore was a minor celebrity from a well-known family with historical ties that would make a good “connections” exercise in a high school history class, perhaps (”the link from Aaron Burr’s treason to Santa Claus?”): (read more, below the fold)

Clement Moore was born in 1779 into a prominent New York family. His father, Benjamin Moore, president of Columbia University, in his role as Episcopal Bishop of New York participated in the inauguration of George Washington as the nation’s first president. The elder Moore also administered last rites to Alexander Hamilton after he was mortally wounded in a tragic duel with Aaron Burr.

A graduate of Columbia, Clement Moore was a scholar of Hebrew and a professor of Oriental and Greek literature at the General Theological Seminary in Manhattan. [See comment from Pam Bumsted below for more on Moore.] He is said to have been embarrassed by the light-hearted verse, which was made public without his knowledge in December 1823. Moore did not publish it under his name until 1844.

Tonight, American children will be tucked in under their blankets and quilts and read this beloved poem as a last “sugarplum” before slipping into dreamland. Before they drift off, treat them to a message from Santa, recorded by the Thomas Edison Company in 1922.

Santa Claus Hides in Your Phonograph
By Arthur A. Penn, Performed by Harry E. Humphrey.
Edison, 1922.
Coupling date: 6/20/1922. Cutout date: 10/31/1929.
Inventing Entertainment: The Motion Pictures and Sound Recordings of the Edison Companies

Listen to this recording (RealAudio Format)

Listen to this recording (wav Format, 8,471 Kb)

But Henry Livingston was no less noble or historic. He hailed from the Livingstons of the Hudson Valley (one of whose farms is now occupied by Camp Rising Sun of the Louis August Jonas Foundation, a place where I spent four amazing summers teaching swimming and lifesaving). Livingston’s biography at the University of Toronto site offers another path for a connections exercise (”What connects the Declaration of Independence, the American invasion of Canada, the famous poem about a visit from St. Nick, and George W. Bush?”):

Henry Livingston Jr. was born in Poughkeepsie, New York, on Oct. 13, 1748. The Livingston family was one of the important colonial and revolutionary families of New York. The Poughkeepsie branch, descended from Gilbert, the youngest son of Robert Livingston, 1st Lord of Livingston Manor, was not as well off as the more well-known branches, descended from sons Robert and Philip. Two other descendants of Gilbert Livingston, President George Walker Herbert Bush and his son, President-Elect George W. Bush, though, have done their share to bring attention to this line. Henry’s brother, Rev. John Henry Livingston, entered Yale at the age of 12, and was able to unite the Dutch and American branches of the Dutch Reformed Church. At the time of his death, Rev. Livingston was president of Rutgers University. Henry’s father and brother Gilbert were involved in New York politics, and Henry’s granduncle was New York’s first Lt. Governor. But the law was the natural home for many of Henry’s family. His brother-in-law, Judge Jonas Platt, was an unsuccessful candidate for governor, as was his daughter Elizabeth’s husband, U.S. Supreme Court Justice Smith Thompson. Henry’s grandson, Sidney Breese, was Chief Justice of the Illinois Supreme Court.

Known for his encyclopedic knowledge and his love of literature, Henry Livingston was a farmer, surveyor and Justice of the Peace, a judicial position dealing with financially limited criminal and civil cases. One of the first New Yorkers to enlist in the Revolutionary Army in 1775, Major Henry Livingston accompanied his cousin’s husband, General Montgomery, in his campaign up the Hudson River to invade Canada, leaving behind his new wife, Sarah Welles, and their week-old baby, on his Poughkeepsie property, Locust Grove. Baby Catherine was the subject of the first poem currently known by Major Livingston. Following this campaign, Livingston was involved in the War as a Commissioner of Sequestration, appropriating lands owned by British loyalists and selling them for the revolutionary cause. It was in the period following Sarah’s early death in 1783, that Major Livingston published most of his poems and prose, anonymously or under the pseudonym of R. Ten years after the death of Sarah, Henry married Jane Patterson, the daughter of a Dutchess County politician and sister of his next-door neighbor. Between both wives, Henry fathered twelve children. He published his good-natured, often occasional verse from 1787 in many journals, including Political Barometer, Poughkeepsie Journal, and New-York Magazine. His most famous poem, “Account of a Visit from St. Nicholas,” was until 2000 thought to have been the work of Clement Clarke Moore (1779-1863), who published it with his collected poems in 1844. Livingston died Feb. 29, 1828.

More on Henry Livingston and his authorship of the Christmas poem here.

Thomas Nast's full realization of Santa Claus, 1881.  Harper's Weekly, from the Ohio State University Billy Ireland Cartoon Collection.

Thomas Nast’s full realization of Santa Claus, “Merry Old Santa Claus,” January 1, 1881. Harper’s Weekly, from the Ohio State University Billy Ireland Cartoon Library and Museum.

Our views of Santa Claus owe a great deal also to the Coca-Cola advertising campaign. Coca-Cola first noted Santa’s use of the drink in a 1922 campaign to suggest Coke was a year-round drink (100 years after the publication of Livingston’s poem). The company’s on-line archives gives details:

In 1930, artist Fred Mizen painted a department store Santa in a crowd drinking a bottle of Coke. The ad featured the world’s largest soda fountain, which was located in the department store of Famous Barr Co. in St. Louis, Mo. Mizen’s painting was used in print ads that Christmas season, appearing in The Saturday Evening Post in December 1930.

1936 Coca-Cola Santa cardboard store display

  • 1936 Coca-Cola Santa cardboard store display

Archie Lee, the D’Arcy Advertising Agency executive working with The Coca-Cola Company, wanted the next campaign to show a wholesome Santa as both realistic and symbolic. In 1931, The Coca-Cola Company commissioned Michigan-born illustrator Haddon Sundblom to develop advertising images using Santa Claus — showing Santa himself, not a man dressed as Santa, as Mizen’s work had portrayed him.
1942 original oil painting - 'They Remembered Me'

  • 1942 original oil painting – ‘They Remembered Me’

For inspiration, Sundblom turned to Clement Clark Moore’s 1822 poem “A Visit From St. Nicholas” (commonly called “‘Twas the Night Before Christmas”). Moore’s description of St. Nick led to an image of Santa that was warm, friendly, pleasantly plump and human. For the next 33 years, Sundblom painted portraits of Santa that helped to create the modern image of Santa — an interpretation that today lives on in the minds of people of all ages, all over the world.

Santa Claus is a controversial figure. Debates still rage among parents about the wisdom of allowing the elf into the family’s home, and under what conditions. Theologians worry that the celebration of Christmas is diluted by the imagery. Other faiths worry that the secular, cultural impact of Santa Claus damages their own faiths (few other faiths have such a popular figure, and even atheists generally give gifts and participate in Christmas rituals such as putting up a decorated tree).

For over 100 years, Santa Claus has been a popular part of commercial, cultural and religious life in America. Has any other icon endured so long, or so well?

________________________
Below:
From the University of Toronto Library’s Representative Poetry Online

Major Henry Livingston, Jr. (1748-1828)

Account of a Visit from St. Nicholas

1 ‘Twas the night before Christmas, when all thro’ the house,

2 Not a creature was stirring, not even a mouse;

3 The stockings were hung by the chimney with care,

4 In hopes that St. Nicholas soon would be there;

5 The children were nestled all snug in their beds,

6 While visions of sugar plums danc’d in their heads,

7 And Mama in her ‘kerchief, and I in my cap,

8 Had just settled our brains for a long winter’s nap –

9 When out on the lawn there arose such a clatter,

10 I sprang from the bed to see what was the matter.

11 Away to the window I flew like a flash,

12 Tore open the shutters, and threw up the sash.

13 The moon on the breast of the new fallen snow,

14 Gave the lustre of mid-day to objects below;

15 When, what to my wondering eyes should appear,

16 But a miniature sleigh, and eight tiny rein-deer,

17 With a little old driver, so lively and quick,

18 I knew in a moment it must be St. Nick.

19 More rapid than eagles his coursers they came,

20 And he whistled, and shouted, and call’d them by name:

21 “Now! Dasher, now! Dancer, now! Prancer, and Vixen,

22 “On! Comet, on! Cupid, on! Dunder and Blixem;

23 “To the top of the porch! to the top of the wall!

24 “Now dash away! dash away! dash away all!”

25 As dry leaves before the wild hurricane fly,

26 When they meet with an obstacle, mount to the sky;

27 So up to the house-top the coursers they flew,

28 With the sleigh full of Toys — and St. Nicholas too:

29 And then in a twinkling, I heard on the roof

30 The prancing and pawing of each little hoof.

31 As I drew in my head, and was turning around,

32 Down the chimney St. Nicholas came with a bound:

33 He was dress’d all in fur, from his head to his foot,

34 And his clothes were all tarnish’d with ashes and soot;

35 A bundle of toys was flung on his back,

36 And he look’d like a peddler just opening his pack:

37 His eyes — how they twinkled! his dimples how merry,

38 His cheeks were like roses, his nose like a cherry;

39 His droll little mouth was drawn up like a bow.

40 And the beard of his chin was as white as the snow;

41 The stump of a pipe he held tight in his teeth,

42 And the smoke it encircled his head like a wreath.

43 He had a broad face, and a little round belly

44 That shook when he laugh’d, like a bowl full of jelly:

45 He was chubby and plump, a right jolly old elf,

46 And I laugh’d when I saw him in spite of myself;

47 A wink of his eye and a twist of his head

48 Soon gave me to know I had nothing to dread.

49 He spoke not a word, but went straight to his work,

50 And fill’d all the stockings; then turn’d with a jerk,

51 And laying his finger aside of his nose

52 And giving a nod, up the chimney he rose.

53 He sprung to his sleigh, to his team gave a whistle,

54 And away they all flew, like the down of a thistle:

55 But I heard him exclaim, ere he drove out of sight –

56 Happy Christmas to all, and to all a good night.

Online text copyright © 2005, Ian Lancashire for the Department of English, University of Toronto. Published by the Web Development Group, Information Technology Services, University of Toronto Libraries. Be sure to visit this site for more information on this poem, on Maj. Livingston, and on poetry in general.

More:

 


Free land! May 20, 1862, the Homestead Act remade America

May 20, 2014

A family off to find and settle their homestead, 1886. Photo from the National Archives

A family off to find and settle their homestead, 1886. Photo from the National Archives

History and demographics of the United States were forever changed when the Homestead Act became law early in the administration of President Abraham Lincoln, on May 20, 1862.

With Congress paralyzed and unable to act to do even minor good things now, it’s astonishing to think how the Congress of 1862 could do so much to open the American west, in the middle of the American Civil War.  Perhaps Congress was able to act because legislators from the South were absent, and did not oppose progress.

In any case, the Homestead Act encouraged Americans who lacked property to strike out for the western territories and states, to make a new life, to found new towns, cities and farms, and fulfill what some call the nation’s “manifest destiny.”

The bill that became the Homestead Act, H.R. 125, in the 37th Congress, 1862. Image from the U.S. National Archives

The bill that became the Homestead Act, H.R. 125, in the 37th Congress, 1862. Image from the U.S. National Archives

Here’s the history from the National Archives:

The notion that the United States government should give free land titles to settlers to encourage westward expansion became popular in the 1850s. During that time the U.S. House of Representatives passed numerous homestead bills but southern opposition in the Senate prevented enactment. In 1860, during the 36th Congress, the Senate narrowly passed a homestead act but President James Buchanan vetoed it and the Senate failed its override attempt.

When the 37th Congress convened for its brief summer session in 1861, now without members from seceded states, it was preoccupied with Civil War-related legislation. The House took up briefly the homestead issue in December but postponed further consideration of it until the following February. The House finally passed the Homestead Act on February 28, 1862 by the large margin of 107 to 16. The act worked its way through the Senate until May 6, 1862 when it passed easily by a vote of 33 to 7. After a few minor changes in conference committee—which both houses agreed to without controversy—Congress sent the final legislation to President Abraham Lincoln who signed the act into law on May 20, 1862.

The Homestead Act encouraged western migration by providing settlers with 160 acres of land in exchange for a nominal filing fee. Among its provisions was a five-year requirement of continuous residence before receiving the title to the land and the settlers had to be, or in the process of becoming, U.S. citizens. Through 1986, when the last claim was made in Alaska, the Homestead Act distributed 270 million acres of land in the United States making it arguably one of the most far-reaching pieces of legislation in American history.

More:

Much of this post has appeared at Millard Fillmore’s Bathtub before; the Homestead Act deserves commemoration.


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