Rare, new and alternative Christmas songs: Joni Mitchell’s “River”

December 9, 2017

Joni Mitchell skating away on a river. Photo by Joel Bernstein.

Joni Mitchell skating away on a river. Photo by Joel Bernstein.

Washington Post picked up on it: A lot of musicians make great performances of non-standard Christmas tunes.

Joni Mitchell’s “River” has picked up covers by quite a few artists as a Christmas tune.

Does it just mention Christmas, or is it really a song of the season?

For example, Sam Smith:

In a discussion of Joni Mitchell back in April, here on Millard Fillmore’s Bathtub (with Paul Sunstone), I noted how people appreciate Joni Mitchell as a songwriter more as time goes on, including the use of “River” in Christmas collections:

Joni Mitchell’s fans are superappreciative, including such people as Judy Collins, who covers Mitchell on several songs.

But generally, yes, I think she’s not considered a great composer by those who compile lists of great composers, and she’s not considered a great singer by those who compile lists of great singers.

Part of the issue is that Mitchell came out of Canada as folk-rock took off. When I first bought her albums they were in the folk section; later they moved to the “pop” section (go figure). Her later albums stayed in rock or pop, even as her love of Mingus and Jazz pushed her work solidly into jazz. I’ve never seen her work listed as jazz in any recording sales store.

So she’s tough to categorize. Is she as strong or influential in folk as Joan Baez or Bob Dylan? Is she as strong in Rock as Crosby, Stills, Nash & Young (at least half of whom she had affairs with)? Is she as good at jazz as Ella [Fitzgerald] or Tony Bennett? Is she as good a poet as Leonard Cohen?

I think one can make a solid case that Joni Mitchell’s work is as poetic as Paul Simon’s, deserving as much attention for that reason as his. Simon won the Gershwin Award from the Kennedy Center; has Mitchell ever been considered? Is she less deserving than Billy Joel?

One of my criteria: I think every party I attended as an undergraduate, someone put on the album “Blue.” In graduate school, in a hotter climate, Maria Muldaur made a run (time to get away when “Midnight at the Oasis” came on); but “Blue” has stayed a turntable hit for decades. When our oldest son was at the University of Dallas, on one visit I was struck that “Blue” played out of three different apartments in his complex, at least 40 years after its release. It’s not Pink Floyd’s “Dark Side of the Moon,” but I think it lasts longer on the play list of people who play them both.

In the past three years I’ve been impressed at the appearance of her song “River” on Christmas song compilations. “I wish I had a river I could skate away on,” she and her covering artists sing. She captured a feeling of Christmas much as Irving Berlin did, with a more beautiful melody, if not quite as hummable. Has anyone ever compared her to Irving Berlin?

Long post required. I’m not musicologist enough to do it justice, I think.

See these:

“River” has become a movement!

This one is odd; I wonder if someone did a mashup of Charlie Brown and Joni Mitchell, or if the Schulz cartoon organization really did use Mitchell’s tune.

“River” is not ready for use in churches, I think. Still a good song for the time of year, if not the actual religious celebration.

Any other good versions of “River” you like? Any on Christmas albums? Tell about them.

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Reckless Daughter: Yaffe’s book on Joni Mitchell

December 9, 2017

Reckless Daughter, a biography and analysis of Joni Mitchell, by David Yaffe. (Photo: Farrar, Straus & Giroux)

Reckless Daughter, a biography and analysis of Joni Mitchell, by David Yaffe. (Photo: Farrar, Straus & Giroux)

David Yaffe’s biography of Joni Mitchell is out. Reckless Daughter: A Portrait of Joni Mitchell (Sarah Crichton Books/Farrar, Straus & Giroux, 376 pp.) gives solid analysis from a good writer to a favorite artists whose music classed in folk, rock or jazz, always transcended categorization.

Yaffe spoke with PBS NewsHour:

Another interview with Yaffe, from Global News (CBC?):

And a 2014 interview with Joni Mitchell, by Tavis Smiley:


Joni Mitchell’s “Shadows and Light,” showing off Pat Metheney, Don Alias, Lyle Mays, Jaco Pastorious, Micheal Brecker

April 23, 2017

Cover of the vinyl album and CD of

Cover of the vinyl album and CD of “Shadows and Light,” the album produced from Joni Mitchell’s 1980 tour of the same name. Wikipedia image

I think we have this DVD in our collection — surprised no one’s complained to have it taken down.

It’s wonderful.

Joni Mitchell at her jazzy best, voice in peak form (she always is). What’s so amaazing about this tour is the backup band. Don Alias performed percussion. Pat Metheney, the guitar wizard, accepted Joni’s invitation. Michael Brecker went along on saxophone. Brilliant young (then) keyboardist Lyle Mays played.  The sadly, doomed bassist Jaco Pastorious did some of his best work on the tour. Every musician seemed to be at the top of his or her form — and it shows, gloriously.

Go see. Then buy the CD and the DVD of the tour.

We won’t see a tour like this again, probably ever. Joni Mitchell’s health problems are well known. Jaco Pastorious died in 1987 after a descent into mental illness. (Son Kenny introduced us to the great Robert Trujillo-produced film “Jaco” last summer; another one worth watching and listening to.)

But we do have the performance from that one night in 1980, at the Santa Barbara Bowl.

Save

Save


Big Yellow Taxi covers, from A to Z

March 28, 2009

Cover from the single release of "Big Yellow Taxi," from the Joni Mitchell album, "Ladies of the Canyon." Wikipedia image.

Cover from the single release of “Big Yellow Taxi,” from the Joni Mitchell album, “Ladies of the Canyon.” Wikipedia image.

I was looking for lyrics to a Joni Mitchell tune.  I discovered she has a very good website.

She lists bands and performances that covered “Big Yellow Taxi.” Silly thing to notice, but it’s a long list.  A veerrrrrrrry long list.  It looks like she’s been covered on that one song by bands with names starting with every letter in the alphabet.

Well, once I noticed that, I had to check.  No band with a name starting with O, Q, or X has covered the song.  The other 23 letters are all represented.  Oh, but she lists bands whose names start with “the,” and there is a band named “The Quality Kids.”  Does that count as Q?  Nearly 230 different covers of the song all together.

Does that count as success?

Here’s Joni singing “Big Yellow Taxi” herself, in 1970 (39 years ago!  as long ago as Jack Benny is old), at a festival at the Isle of Wight.


[Isle of Wight Festival video not available in U.S. at the moment; BBC tape substituted, below, March 2016]

P.S. — Mitchell also has a page that counts the covers.  “Big Yellow Taxi” is #2 in most recorded, at 228 covers.  #1 is “Both Sides Now,” with 615 covers.

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