Fight the Nerd Loop – science education and communication for a troubled and troubling world

October 14, 2011

See Hank Roberts’ comment in the post on another repeat of the old DDT/Rachel Carson hoaxes.

Clearly, performing the science and writing the journal articles isn’t getting the messages out that need to be gotten out, not on the continuing destruction of our environment, which leads to the continuing destruction of our climate, nor on health care, nor sex education, nor the destruction of public education in the name of “teacher accountability, nor evolution as the vastly superior and more accurate portrayal of life than creationism, nor the failure of supply-side economics, nor on a number of other issues.

Remember Flock of Dodos?  Andrew Revkin at Dot.Earth, a New York Times blog, interviewed Randy Olson about the Nerd Loop.  Specifically, Olson thinks we need to avoid it.  I like Olson’s use of graphics in this interview.

You should read Olson’s post at his blog, too:  “The Nerd Loop:  Why I’m losing interest in communicating climate change.”

Alas, Olson doesn’t offer us any pixie dust.  Maybe we need to stop waiting for pixie dust, eh?

What do you think?


Watch my presentation or I’ll shoot this dog . . .

May 20, 2010

National Lampoon once ran a cover of a nice, spotted mutt, tongue out, looking sideways at a pistol pointing at its head.  There was a sort of a caption:  “If you don’t buy this magazine, we’ll kill this dog.”

That’s one way to try to boost circulation!  I first saw the magazine on the rack in a small pharmacy in Colorado Springs, across the street from Colorado College, between rounds of the Colorado College Invitational Debate Tournament.  Being short of cash and in sore need of eye drops, I looked at the magazine but put it back on the rack.  The woman at the cash register watched me carefully.  When I got to the register, she said, “You know, they’ll do it, too!  They’re just the sort of people who will kill that poor dog!”

(I imagine that woman has led Colorado Springs’ dramatic move to the right in politics.)

The publishers got that woman’s attention, didn’t they?

Cartoon by Mark Goetz, on the failure to heed Edward Tufte

Comes an article in The Scientist, “Pimp your PowerPoint.” It’s a news story based on a book by Michael Alley.

In the middle of the 19th century blackboards were all the rage. According to Pennsylvania State University engineering communication professor Michael Alley, it was common for universities and research institutions to proudly advertise that they had the only slate writing board in a 100-mile radius. Scientific lectures became more engaging than they’d ever been.

More than 150 years later, there’s still room for improvement. “People are not anywhere close to tapping the potential that a PowerPoint presentation offers,” Alley says. “We have a tool that can do an incredible amount, and people just waste it.” Who hasn’t been lulled into a somnolent state by some well-intentioned scientist presenting his research to a captive audience by reading a seemingly endless stream of bullet points?

Any media, done well, can be wonderful.  P. Z. Myers’ paean to Prof. Snider and his color chalk artworks reminds us that even a chalkboard can be a place of art, in the eye and hands of someone who gives thought to the work and practices the skills necessary to communicate well.  Looking around my classroom today, I note that better than half the whiteboard space features paper maps held to the board with magnets (which the kids like to steal).

Sometimes a flipchart is all you have, and sometimes a flipchart is all you really need — again, with thought to the ideas to be presented and a bit of polishing of the skills.

The piece in The Scientist relates useful ideas to help somebody who wants to make a better, less sleep-inducing, communicative PowerPoint (or better, maybe, KeyNote) presentation.

Unplug, think, and write
According to Galloway, using PowerPoint to make a great presentation starts with powering down the laptops and writing out an outline on index cards or a legal pad. “People have to shut off their computer and go away as they’re writing their PowerPoint presentation,” he says.

Establish your assertion
Alley says that he starts planning each slide by writing down a single sentence stating the idea he wants the audience to take away. “You have defined what it is you need to support that statement,” he says. “That’s where it starts.” Alley adds that the sentence should only take one or two lines, should consist of only 8–14 words, and should appear in 28-point font when inserted in the final PowerPoint presentation.

Assemble the visual evidence
Let the assertion sentence for each slide guide your decision as to which visuals should accompany it. Use “explanatory images”—not decorative or descriptive images—to support each assertion, says Joanna Garner, assistant professor of psychology at Pennsylvania State University. When describing the context or methods of your research, photos and movies are ideal pieces of evidence; when presenting your results, elements like graphs, tables, or charts (appropriately highlighted to emphasize key points) will do the trick.

Read more: Pimp your PowerPoint – The Scientist – Magazine of the Life Sciences http://www.the-scientist.com/templates/trackable/display/article1.jsp?type=article&o_url=article/display/57186&id=57186#ixzz0oSXiXCT6

Two things you gotta have first:  Something to say, and a desire to say it well.

Resources:

The Craft of Scientific Presentations: Critical Steps to Succeed and Critical Errors to Avoid, by Michael Alley, Springer-Verlag, Berlin, 2003. $39.95.

Presentation Zen Design: Simple Design Principles and Techniques to Enhance Your Presentations, by Garr Reynolds, New Riders Publishing, 2010. $31.49.

slide:ology, by Nancy Duarte, O’Reilly Media, Sebastopol, Calif., 2008. $34.99. (She’s got a blog, too.)

The Visual Display of Quantitative Information, by Edward Tufte, Graphics Press, Cheshire, Conn., 1983. $40.00.


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